{"id":46093,"date":"2026-11-13T19:19:45","date_gmt":"2026-11-13T18:19:45","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/toru-takemitsu\/"},"modified":"2026-11-13T19:19:48","modified_gmt":"2026-11-13T18:19:48","slug":"toru-takemitsu","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/toru-takemitsu\/","title":{"rendered":"T\u014dru Takemitsu"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> T\u014dru Takemitsu (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Toru_Takemitsu_Shinchosha_1961-7.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">T\u014dru Takemitsu (1930-1996), le po\u00e8te du son entre Orient et Occident<\/h2>\n<p class=\"opa-lettrine\">T\u014dru Takemitsu est le plus c\u00e9l\u00e8bre compositeur japonais du XXe si\u00e8cle. Autodidacte, admirateur de Debussy et de Messiaen, il a cr\u00e9\u00e9 une musique d\u2019une grande d\u00e9licatesse, faite de silences, de couleurs et de sons naturels, qui fait dialoguer les instruments traditionnels japonais et l\u2019orchestre occidental. Il a aussi compos\u00e9 pr\u00e8s d\u2019une centaine de musiques de films, notamment pour Akira Kurosawa.<\/p>\n<h3>Une jeunesse dans la guerre<\/h3>\n<p>T\u014dru Takemitsu na\u00eet le 8 octobre 1930 \u00e0 Tokyo et passe une partie de son enfance \u00e0 Dalian, en Chine. Pendant la Seconde Guerre mondiale, enr\u00f4l\u00e9 \u00e0 quatorze ans dans un camp de travail militaire, il entend pour la premi\u00e8re fois une chanson fran\u00e7aise, <em>Parlez-moi d\u2019amour<\/em>, sur un gramophone clandestin : une r\u00e9v\u00e9lation qui d\u00e9cide de sa vocation.<\/p>\n<h3>Un autodidacte<\/h3>\n<p>Apr\u00e8s la guerre, il apprend la musique presque seul, en \u00e9coutant les programmes de la radio des forces am\u00e9ricaines et en \u00e9tudiant les partitions de Debussy, Messiaen et Webern. En 1951, il fonde avec d\u2019autres artistes le Jikken K\u014db\u014d (\u00ab Atelier exp\u00e9rimental \u00bb), qui m\u00eale musique, arts plastiques et nouvelles technologies.<\/p>\n<h3>Le Requiem pour cordes et Stravinsky<\/h3>\n<p>En 1957, il compose le <em>Requiem pour orchestre \u00e0 cordes<\/em>, en hommage au compositeur Fumio Hayasaka. Lors de son voyage au Japon en 1959, Igor Stravinsky l\u2019entend par hasard et en fait publiquement l\u2019\u00e9loge. Cette reconnaissance lance la carri\u00e8re internationale de Takemitsu.<\/p>\n<h3>November Steps (1967)<\/h3>\n<p>Pour le 125e anniversaire de l\u2019Orchestre philharmonique de New York, il compose en 1967 <em>November Steps<\/em>, pour biwa (luth japonais), shakuhachi (fl\u00fbte de bambou) et orchestre, cr\u00e9\u00e9 sous la direction de Seiji Ozawa. L\u2019\u0153uvre, qui juxtapose sans les fondre deux mondes sonores, devient le symbole de la rencontre entre l\u2019Orient et l\u2019Occident.<\/p>\n<h3>Le compositeur de cin\u00e9ma<\/h3>\n<p>Takemitsu a compos\u00e9 la musique de pr\u00e8s d\u2019une centaine de films. Il travaille notamment avec Hiroshi Teshigahara (<em>La Femme des sables<\/em>, 1964), Masaki Kobayashi (<em>Kwa\u00efdan<\/em>) et Akira Kurosawa, pour qui il \u00e9crit la musique de <em>Ran<\/em> (1985), l\u2019une des grandes partitions de l\u2019histoire du cin\u00e9ma.<\/p>\n<h3>Le jardin des sons<\/h3>\n<p>Ses \u0153uvres de maturit\u00e9 portent souvent des titres po\u00e9tiques \u00e9voquant l\u2019eau, les jardins, les r\u00eaves et la nuit : <em>A Flock Descends into the Pentagonal Garden<\/em>, <em>Rain Tree<\/em>, <em>From Me Flows What You Call Time<\/em>. Il y d\u00e9veloppe une harmonie raffin\u00e9e, h\u00e9rit\u00e9e de Debussy, et un sens unique du silence.<\/p>\n<h3>Fin de vie et h\u00e9ritage<\/h3>\n<p>T\u014dru Takemitsu meurt \u00e0 Tokyo le 20 f\u00e9vrier 1996, \u00e0 65 ans. Un prix de composition et une salle de concert de Tokyo portent son nom. Il reste le compositeur qui a fait entendre au monde entier une sensibilit\u00e9 musicale japonaise moderne.<\/p>\n<h3>Rep\u00e8res<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1930<\/strong> \u2014 Naissance \u00e0 Tokyo, le 8 octobre.<\/li>\n<li><strong>1951<\/strong> \u2014 Fonde le Jikken K\u014db\u014d.<\/li>\n<li><strong>1957<\/strong> \u2014 <em>Requiem pour cordes<\/em>.<\/li>\n<li><strong>1959<\/strong> \u2014 \u00c9loge public de Stravinsky.<\/li>\n<li><strong>1967<\/strong> \u2014 <em>November Steps<\/em> \u00e0 New York.<\/li>\n<li><strong>1985<\/strong> \u2014 Musique de <em>Ran<\/em> de Kurosawa.<\/li>\n<li><strong>1996<\/strong> \u2014 Mort \u00e0 Tokyo, le 20 f\u00e9vrier.<\/li>\n<\/ul>\n<h3>En vid\u00e9o<\/h3>\n<style>.opa-vgrid{display:grid;grid-template-columns:repeat(auto-fill,minmax(min(100%,440px),1fr));gap:22px;margin:1.4em 0 2.4em;position:relative;left:50%;transform:translateX(-50%);width:min(1150px,94vw)}.opa-vgrid>br{display:none}.opa-vbx{margin:0}.opa-vbx-f{position:relative;display:block;padding-top:56.25%;border-radius:8px;overflow:hidden;box-shadow:0 10px 30px rgba(0,0,0,.28);background:#000}.opa-vbx-f iframe{position:absolute;inset:0;width:100%!important;height:100%!important;border:0}.opa-vbx-f img{position:absolute;inset:0;width:100%!important;height:100%!important;object-fit:cover;transition:transform .5s,opacity .3s;opacity:.92}.opa-vbx-f:hover img{transform:scale(1.04);opacity:1}.opa-play{position:absolute;left:50%;top:50%;width:78px;height:54px;transform:translate(-50%,-50%);background:rgba(204,0,0,.92);border-radius:14px;box-shadow:0 4px 16px rgba(0,0,0,.4)}.opa-play:after{content:\"\";position:absolute;left:31px;top:16px;border-style:solid;border-width:11px 0 11px 19px;border-color:transparent transparent transparent #fff}.opa-vbx figcaption{font-size:.82em;line-height:1.45;text-align:center;margin-top:.6em;opacity:.85}<\/style>\n<p><script>(function(){if(window.opaYT)return;window.opaYT=1;document.addEventListener(\"click\",function(e){var a=e.target.closest&&e.target.closest(\".opa-vbx-f[data-yt]\");if(!a)return;e.preventDefault();var f=document.createElement(\"iframe\");f.src=\"https:\/\/www.youtube.com\/embed\/\"+a.getAttribute(\"data-yt\")+\"?autoplay=1&rel=0\";f.setAttribute(\"allow\",\"autoplay; encrypted-media; picture-in-picture; fullscreen\");f.setAttribute(\"allowfullscreen\",\"\");f.setAttribute(\"referrerpolicy\",\"strict-origin-when-cross-origin\");a.innerHTML=\"\";a.appendChild(f);a.removeAttribute(\"data-yt\");a.removeAttribute(\"href\");});})();<\/script><\/p>\n<div class=\"opa-vgrid\">\n<figure class=\"opa-vbx\"><a class=\"opa-vbx-f\" data-yt=\"boP9bl3FoaE\" href=\"https:\/\/www.youtube.com\/watch?v=boP9bl3FoaE\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/i.ytimg.com\/vi\/boP9bl3FoaE\/hqdefault.jpg\" alt=\"Requiem pour cordes\" loading=\"lazy\" decoding=\"async\"><span class=\"opa-play\"><\/span><\/a><figcaption><em>Requiem pour cordes<\/em><\/figcaption><\/figure>\n<figure class=\"opa-vbx\"><a class=\"opa-vbx-f\" data-yt=\"e0IiUZUfHNY\" href=\"https:\/\/www.youtube.com\/watch?v=e0IiUZUfHNY\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/i.ytimg.com\/vi\/e0IiUZUfHNY\/hqdefault.jpg\" alt=\"November Steps, sous la direction de Seiji Ozawa\" loading=\"lazy\" decoding=\"async\"><span class=\"opa-play\"><\/span><\/a><figcaption><em>November Steps<\/em>, sous la direction de Seiji Ozawa<\/figcaption><\/figure>\n<\/div>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/T%C5%8Dru_Takemitsu\" target=\"_blank\" rel=\"noopener\">T\u014dru Takemitsu sur Wikip\u00e9dia<\/a><\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : T\u014dru Takemitsu (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres T\u014dru Takemitsu (1930-1996), le po\u00e8te du son entre Orient et Occident T\u014dru Takemitsu est le plus c\u00e9l\u00e8bre compositeur japonais du XXe si\u00e8cle. Autodidacte, admirateur de Debussy et de Messiaen, il a cr\u00e9\u00e9 une musique d\u2019une [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":46094,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-46093","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>T\u014dru Takemitsu - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/toru-takemitsu\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u014dru Takemitsu - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"Image d&rsquo;en-t\u00eate : T\u014dru Takemitsu (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres T\u014dru Takemitsu (1930-1996), le po\u00e8te du son entre Orient et Occident T\u014dru Takemitsu est le plus c\u00e9l\u00e8bre compositeur japonais du XXe si\u00e8cle. 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