{"id":45059,"date":"2021-09-04T10:14:12","date_gmt":"2021-09-04T08:14:12","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/2021-2\/theatre-mikhailovsky\/"},"modified":"2026-11-13T15:53:03","modified_gmt":"2026-11-13T14:53:03","slug":"theatre-mikhailovsky","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/2021-2\/st-petersbourg-2019\/vendredi-3-janvier-2020\/theatre-mikhailovsky\/","title":{"rendered":"Th\u00e9\u00e2tre Mikhailovsky Cendrillon"},"content":{"rendered":"

Le th\u00e9\u00e2tre Michel<\/b> (en russe<\/a>, \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0422\u0435\u0430\u0442\u0440<\/span>), anciennement \u00ab th\u00e9\u00e2tre imp\u00e9rial Michel \u00bb ou \u00ab th\u00e9\u00e2tre fran\u00e7ais de Saint-P\u00e9tersbourg \u00bb, fut nomm\u00e9 en l’honneur du grand-duc Michel<\/a>, fils pu\u00een\u00e9 de Paul Ier<\/sup><\/abbr><\/a>, dont le palais<\/a> se trouve \u00e0 proximit\u00e9 et abrite aujourd’hui le Mus\u00e9e russe<\/a> de Saint-P\u00e9tersbourg<\/a>.<\/p>\n

[ngg src=\u00a0\u00bbgalleries\u00a0\u00bb ids=\u00a0\u00bb81″ display=\u00a0\u00bbbasic_thumbnail\u00a0\u00bb thumbnail_crop=\u00a0\u00bb0″]<\/p>\n

Le th\u00e9\u00e2tre ouvrit le 8<\/a> novembre<\/a> 1833<\/a><\/time> sur d\u00e9cret de Nicolas Ier<\/sup><\/abbr> pour accueillir des troupes fran\u00e7aises – et parfois allemandes – qui recevaient des contrats de deux \u00e0 cinq ans en moyenne. Les pi\u00e8ces fran\u00e7aises du r\u00e9pertoire classique, mais aussi moderne, y seront jou\u00e9es jusqu’en 1918, pour un public alors francophone qui se composait de la famille imp\u00e9riale et de l’aristocratie, mais aussi de l’intelligentsia, des \u00e9tudiants et bien s\u00fbr de la colonie fran\u00e7aise pour laquelle l’amphith\u00e9\u00e2tre \u00e9tait r\u00e9serv\u00e9. L\u00e9on Tolsto\u00ef<\/a> y vint dans sa jeunesse, ainsi que Tcha\u00efkovski<\/a> et son fr\u00e8re Modeste<\/a>, amis personnels de Lucien Guitry<\/a>.<\/p>\n

\u00c0 partir des ann\u00e9es 1870, le th\u00e9\u00e2tre accueillit en permanence une troupe fran\u00e7aise, recevant alors son nom de \u00ab th\u00e9\u00e2tre fran\u00e7ais \u00bb. Le p\u00e8re de Sacha Guitry<\/a>, dont le parrain \u00e9tait Alexandre III<\/a>, Lucien Guitry<\/a> en fut une des grandes figures.<\/p>\n

Le th\u00e9\u00e2tre avait la r\u00e9putation de jouer pour le public de la haute soci\u00e9t\u00e9 des pi\u00e8ces l\u00e9g\u00e8res dans le genre vaudeville<\/a>, mais petit \u00e0 petit le r\u00e9pertoire comprit les pi\u00e8ces les plus c\u00e9l\u00e8bres des auteurs de l’\u00e9poque, comme Victor Hugo<\/a>, Alfred de Musset<\/a>, Eug\u00e8ne Scribe<\/a>, Alexandre Dumas fils<\/a>, Victorien Sardou<\/a>, Edmond Rostand<\/a>, et bien s\u00fbr Moli\u00e8re<\/a> ou Beaumarchais<\/a>. La pi\u00e8ce de Musset<\/a> Un caprice<\/a><\/i> y fut jou\u00e9e pour la premi\u00e8re fois en 1843, quatre ans avant d’\u00eatre cr\u00e9\u00e9e en France1<\/a><\/sup>. Mlle<\/sup><\/abbr> Allan-Despr\u00e9aux<\/a>, qui l’avait d\u00e9couverte dans une traduction russe, interpr\u00e9tait le r\u00f4le en fran\u00e7ais de Mme<\/sup><\/abbr> de L\u00e9ry et le reprit ensuite \u00e0 son retour \u00e0 Paris, faisant conna\u00eetre la pi\u00e8ce au public du Th\u00e9\u00e2tre-Fran\u00e7ais<\/a>.<\/p>\n

Les plus grands acteurs de l’\u00e9poque y vinrent : Prosper Bressant<\/a> y joua de 1838 \u00e0 1846, mais aussi Francisque Berton, Marie Delaporte<\/a> de 1868 \u00e0 18742<\/a><\/sup> et Sarah Bernhardt<\/a> en 1881, 1892 et 1908 ; elle fit parall\u00e8lement des tourn\u00e9es triomphales dans d’autres villes de Russie.<\/p>\n

Dans les emplois de \u00ab grandes coquettes<\/a> \u00bb, on trouvait entre autres Mlle<\/sup><\/abbr> Allan-Despr\u00e9aux et Mlle<\/sup><\/abbr> Arnould-Plessy<\/a>, amie intime de George Sand<\/a> et soci\u00e9taire de la Com\u00e9die-Fran\u00e7aise<\/a>. Le tsar Nicolas Ier<\/sup><\/abbr><\/a> fut un admirateur de son talent et dans la loge imp\u00e9riale, il avait fait mettre une statue repr\u00e9sentant l’actrice. Une des plus c\u00e9l\u00e8bres trag\u00e9diennes du xix<\/span>e<\/sup><\/abbr> si\u00e8cle<\/a>, Rachel<\/a>, fut invit\u00e9e par Nicolas Ier<\/sup><\/abbr>, qui l’avait vue en tourn\u00e9e \u00e0 Potsdam<\/a>, \u00e0 venir au th\u00e9\u00e2tre Michel en 1853. Elle fit sensation \u00e0 Saint-P\u00e9tersbourg et prolongea son s\u00e9jour en Russie en se produisant au printemps 1854 \u00e0 Moscou<\/a>.<\/p>\n

[ngg src=\u00a0\u00bbgalleries\u00a0\u00bb ids=\u00a0\u00bb76″ display=\u00a0\u00bbbasic_thumbnail\u00a0\u00bb thumbnail_crop=\u00a0\u00bb0″]<\/p>\n

http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Installation.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Installation-3.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Installation-2.mp4<\/a><\/video><\/div>\n

 <\/p>\n

 <\/p>\n

https:\/\/www.youtube.com\/watch?v=BPQ7lV3-XHU<\/p>\n

http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Entree-1.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Entracte.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Fin1.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2021\/09\/Sortie.mp4<\/a><\/video><\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Le th\u00e9\u00e2tre Michel (en russe, \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0422\u0435\u0430\u0442\u0440), anciennement \u00ab th\u00e9\u00e2tre imp\u00e9rial Michel \u00bb ou \u00ab th\u00e9\u00e2tre fran\u00e7ais de Saint-P\u00e9tersbourg \u00bb, fut nomm\u00e9 en l’honneur du grand-duc Michel, fils pu\u00een\u00e9 de Paul Ier, dont le palais se trouve \u00e0 proximit\u00e9 et abrite aujourd’hui le Mus\u00e9e russe de Saint-P\u00e9tersbourg. [ngg src=\u00a0\u00bbgalleries\u00a0\u00bb ids=\u00a0\u00bb81″ display=\u00a0\u00bbbasic_thumbnail\u00a0\u00bb thumbnail_crop=\u00a0\u00bb0″] Le th\u00e9\u00e2tre ouvrit le 8 novembre 1833 sur d\u00e9cret de Nicolas Ier pour accueillir des troupes fran\u00e7aises – et parfois allemandes – qui recevaient des […]<\/p>\n","protected":false},"author":1,"featured_media":45058,"parent":45205,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45059","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nTh\u00e9\u00e2tre Mikhailovsky Cendrillon - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/2021-2\/st-petersbourg-2019\/vendredi-3-janvier-2020\/theatre-mikhailovsky\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Th\u00e9\u00e2tre Mikhailovsky Cendrillon - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"Le th\u00e9\u00e2tre Michel (en russe, \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0422\u0435\u0430\u0442\u0440), anciennement \u00ab th\u00e9\u00e2tre imp\u00e9rial Michel \u00bb ou \u00ab th\u00e9\u00e2tre fran\u00e7ais de Saint-P\u00e9tersbourg \u00bb, fut nomm\u00e9 en l’honneur du grand-duc Michel, fils pu\u00een\u00e9 de Paul Ier, dont le palais se trouve \u00e0 proximit\u00e9 et abrite aujourd’hui le Mus\u00e9e russe de Saint-P\u00e9tersbourg. 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