{"id":43057,"date":"2022-06-01T09:57:23","date_gmt":"2022-06-01T07:57:23","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/2022-2\/aida-31-mai-2022-aix-arena\/"},"modified":"2022-06-01T09:57:23","modified_gmt":"2022-06-01T07:57:23","slug":"aida-31-mai-2022-aix-arena","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/2022-2\/aida-31-mai-2022-aix-arena\/","title":{"rendered":"Aida 31 Mai 2022 Aix Arena"},"content":{"rendered":"

Aida<\/b><\/i> (A\u00efda<\/b><\/i> en fran\u00e7ais) est un op\u00e9ra<\/a> en quatre actes de Giuseppe Verdi<\/a>, sur un livret<\/a> d’Antonio Ghislanzoni<\/a> d’apr\u00e8s une intrigue d’Auguste Mariette<\/a>, cr\u00e9\u00e9 le 24<\/a> d\u00e9cembre<\/a> 1871<\/a><\/time> \u00e0 l’Op\u00e9ra kh\u00e9dival<\/a> du Caire<\/a>.<\/p>\n

\"\"<\/p>\n

Command\u00e9 par le kh\u00e9dive<\/a> \u00e9gyptien, Isma\u00efl Pacha<\/a>, pour les f\u00eates d’inauguration du canal de Suez<\/a>, l’op\u00e9ra a \u00e9t\u00e9 repr\u00e9sent\u00e9 pour la premi\u00e8re fois au nouvel op\u00e9ra du Caire, construit pour l’occasion. Le th\u00e9\u00e2tre avait \u00e9t\u00e9 inaugur\u00e9 le Rigoletto<\/a><\/i>, et le canal le si\u00e8ge de Paris<\/a>, o\u00f9 Mariette<\/a> se trouvait bloqu\u00e9 avec les d\u00e9cors et les costumes. L’arch\u00e9ologue<\/a> Mariette avait fourni l’id\u00e9e et suivi de pr\u00e8s le travail de mise en sc\u00e8ne, afin que le spectacle f\u00fbt conforme \u00e0 ce qu’on savait de l’ancienne \u00c9gypte<\/a>. Craignant un \u00e9chec, il retira son nom avant la premi\u00e8re.<\/p>\n

Verdi n’\u00e9tait pas tr\u00e8s favorable \u00e0 une cr\u00e9ation en \u00c9gypte car le public ne serait pas populaire (pas d\u2019\u00c9gyptiens) et allait \u00eatre constitu\u00e9 par une sorte d’aristocratie \u00e0 l’allure mondaine.<\/span><\/p>\n

\u00ab Mais, si ce malheureux op\u00e9ra devait quand m\u00eame voir le jour, pour l’amour du ciel, pas de r\u00e9clames, pas ces chichis qui sont pour moi une humiliation supr\u00eamement humiliante. Oh, tout ce que j’ai vu \u00e0 Bologne et ce que j’entends maintenant \u00e0 Florence me soul\u00e8ve le c\u0153ur ! Non, non\u2026 je ne veux pas de Lohengrinades. Plut\u00f4t le feu !! <\/i>\u00bb<\/p>\n

Il n’y participe pas et se consacre \u00e0 la repr\u00e9sentation d’Aida<\/i> \u00e0 Milan<\/a> deux mois plus tard.<\/p>\n

Verdi ne d\u00e9sirait pas, \u00e0 l’origine, \u00e9crire d’ouverture<\/a> pour son op\u00e9ra, mais un simple pr\u00e9lude<\/a> orchestral ; Il composa tout de m\u00eame une ouverture de type \u00ab pot-pourri<\/a> \u00bb qu’il d\u00e9cida finalement de ne pas faire ex\u00e9cuter \u00e0 cause de \u2014 dit-il \u2014 sa \u00ab pr\u00e9tentieuse insipidit\u00e9 \u00bb.<\/p>\n

A\u00efda eut \u00e9norm\u00e9ment de succ\u00e8s lors de sa premi\u00e8re au Caire le Scala<\/a> de Milan, le 

Le r\u00f4le d’A\u00efda avait \u00e9t\u00e9 \u00e9crit pour Teresa Stolz<\/a>, qui l’interpr\u00e9ta \u00e0 Milan.<\/p>\n

\"\" \"\"<\/p>\n

https:\/\/www.youtube.com\/watch?v=pB-YwaOPQeY<\/p>\n

http:\/\/puglisi.pro\/wp-content\/uploads\/2022\/06\/VID-20220531-WA0000.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2022\/06\/VID-20220531-WA0001.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2022\/06\/VID-20220531-WA0002.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2022\/06\/VID-20220531-WA0003.mp4<\/a><\/video><\/div>\n
http:\/\/puglisi.pro\/wp-content\/uploads\/2022\/06\/VID-20220531-WA0004.mp4<\/a><\/video><\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Aida (A\u00efda en fran\u00e7ais) est un op\u00e9ra en quatre actes de Giuseppe Verdi, sur un livret d’Antonio Ghislanzoni d’apr\u00e8s une intrigue d’Auguste Mariette, cr\u00e9\u00e9 le 24 d\u00e9cembre 1871 \u00e0 l’Op\u00e9ra kh\u00e9dival du Caire. Command\u00e9 par le kh\u00e9dive \u00e9gyptien, Isma\u00efl Pacha, pour les f\u00eates d’inauguration du canal de Suez, l’op\u00e9ra a \u00e9t\u00e9 repr\u00e9sent\u00e9 pour la premi\u00e8re fois au nouvel op\u00e9ra du Caire, construit pour l’occasion. Le th\u00e9\u00e2tre avait \u00e9t\u00e9 inaugur\u00e9 le 1er novembre 1869, par une […]<\/p>\n","protected":false},"author":1,"featured_media":43056,"parent":14685,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-43057","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nAida 31 Mai 2022 Aix Arena - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/2022-2\/aida-31-mai-2022-aix-arena\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aida 31 Mai 2022 Aix Arena - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"Aida (A\u00efda en fran\u00e7ais) est un op\u00e9ra en quatre actes de Giuseppe Verdi, sur un livret d’Antonio Ghislanzoni d’apr\u00e8s une intrigue d’Auguste Mariette, cr\u00e9\u00e9 le 24 d\u00e9cembre 1871 \u00e0 l’Op\u00e9ra kh\u00e9dival du Caire. 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