{"id":35375,"date":"2026-11-12T15:29:32","date_gmt":"2026-11-12T14:29:32","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/richard-reti\/"},"modified":"2026-11-13T16:13:02","modified_gmt":"2026-11-13T15:13:02","slug":"richard-reti","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/richard-reti\/","title":{"rendered":"Richard R\u00e9ti"},"content":{"rendered":"<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\"><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\"><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Richard R\u00e9ti (1889-1929), l&rsquo;\u00e9l\u00e9gance hypermoderne<\/h2>\n<p class=\"opa-lettrine\">N\u00e9 en Slovaquie, Richard R\u00e9ti est, avec <a href=\"https:\/\/oraziopuglisi.art\/index.php\/aron-nimzowitsch\/\">Nimzowitsch<\/a>, le grand th\u00e9oricien de l&rsquo;\u00e9cole <a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89cole_hypermoderne\" target=\"_blank\" rel=\"noopener\">hypermoderne<\/a>. Ses livres <em>Les Id\u00e9es modernes aux \u00e9checs<\/em> et <em>Les Ma\u00eetres de l&rsquo;\u00e9chiquier<\/em> sont des classiques, et ses \u00e9tudes de finales, comme la c\u00e9l\u00e8bre <a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89tude_(%C3%A9checs)\" target=\"_blank\" rel=\"noopener\">\u00e9tude<\/a> du roi qui poursuit deux buts \u00e0 la fois, comptent parmi les plus belles jamais compos\u00e9es.<\/p>\n<h3>L&rsquo;ouverture R\u00e9ti<\/h3>\n<p>En jouant 1.Cf3 suivi du fianchetto, R\u00e9ti laisse l&rsquo;adversaire occuper le centre pour mieux le saper ensuite. Avec cette ouverture, il bat en 1924 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/jose-raul-capablanca\/\">Capablanca<\/a>, qui n&rsquo;avait plus perdu une partie depuis huit ans.<\/p>\n<h3>L&rsquo;\u00e9tude de 1921<\/h3>\n<p>Son \u00e9tude de 1921, o\u00f9 un roi blanc apparemment trop loin rattrape un pion tout en soutenant le sien, illustre la g\u00e9om\u00e9trie paradoxale de l&rsquo;\u00e9chiquier. R\u00e9ti d\u00e9tient aussi un record de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89checs_%C3%A0_l'aveugle\" target=\"_blank\" rel=\"noopener\">parties simultan\u00e9es \u00e0 l&rsquo;aveugle<\/a> (29, \u00e0 S\u00e3o Paulo en 1925). Il meurt de la scarlatine \u00e0 40 ans.<\/p>\n<div class=\"opa-deep\">\n<h2 style=\"text-align:center;margin-top:2em;\">Biographie compl\u00e8te<\/h2>\n<h3>Une enfance austro-hongroise<\/h3>\n<p>Richard R\u00e9ti na\u00eet le 28 mai 1889 \u00e0 Pezinok (Bazin en hongrois), petite ville proche de Bratislava, alors dans le royaume de Hongrie, aujourd\u2019hui en Slovaquie. Il grandit dans une famille juive cultiv\u00e9e : son p\u00e8re est m\u00e9decin, et son fr\u00e8re a\u00een\u00e9 Rudolf deviendra un compositeur et musicologue reconnu.<\/p>\n<p>La famille s\u2019installe \u00e0 Vienne, o\u00f9 le jeune Richard d\u00e9couvre les \u00e9checs dans les caf\u00e9s de la capitale autrichienne, alors l\u2019un des grands centres du jeu en Europe. Il entreprend des \u00e9tudes de math\u00e9matiques et de physique, qu\u2019il abandonne pour se consacrer enti\u00e8rement aux \u00e9checs.<\/p>\n<h3>Un jeune romantique (1908-1914)<\/h3>\n<p>\u00c0 ses d\u00e9buts, R\u00e9ti joue dans le style combinatif de son temps : gambits, attaques directes, sacrifices. C\u2019est \u00e0 cette \u00e9poque qu\u2019il est victime, puis auteur, de parties rest\u00e9es c\u00e9l\u00e8bres. En 1910 \u00e0 Vienne, il bat <a href=\"https:\/\/oraziopuglisi.art\/index.php\/savielly-tartakower\/\">Savielly Tartakower<\/a> en une miniature \u00e9blouissante qui se termine par un sacrifice de dame suivi d\u2019un mat in\u00e9vitable : cette partie figure encore dans tous les recueils de combinaisons.<\/p>\n<p>Ses r\u00e9sultats en tournoi restent pourtant moyens. R\u00e9ti comprend que l\u2019attaque \u00e0 tout prix ne suffit pas face aux meilleurs, et commence \u00e0 r\u00e9fl\u00e9chir profond\u00e9ment aux principes du jeu.<\/p>\n<h3>La naissance de l\u2019hypermodernisme<\/h3>\n<p>Apr\u00e8s la Premi\u00e8re Guerre mondiale, R\u00e9ti devient avec Aron Nimzowitsch et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/gyula-breyer\/\">Gyula Breyer<\/a> le chef de file de l\u2019\u00e9cole \u00ab hypermoderne \u00bb. Plut\u00f4t qu\u2019occuper le centre avec ses pions, il propose de le contr\u00f4ler \u00e0 distance par les fous en fianchetto et les cavaliers, en laissant l\u2019adversaire s\u2019\u00e9tendre pour mieux attaquer ensuite ses pions avanc\u00e9s.<\/p>\n<p>Il expose ces id\u00e9es dans \u00ab Moderne Ideen im Schach \u00bb (\u00ab Les id\u00e9es modernes aux \u00e9checs \u00bb, 1922), un livre brillant qui retrace l\u2019\u00e9volution de la pens\u00e9e \u00e9chiqu\u00e9enne de <a href=\"https:\/\/oraziopuglisi.art\/index.php\/paul-morphy\/\">Morphy<\/a> \u00e0 son \u00e9poque.<\/p>\n<h3>L\u2019ouverture R\u00e9ti<\/h3>\n<p>Son nom reste attach\u00e9 \u00e0 l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ouverture_R%C3%A9ti\" target=\"_blank\" rel=\"noopener\">ouverture R\u00e9ti<\/a> (1.Cf3 suivi de c4 et du fianchetto des fous), illustration pratique de ses th\u00e9ories. Les Blancs y renoncent \u00e0 occuper imm\u00e9diatement le centre avec leurs pions, pour garder une grande souplesse.<\/p>\n<p>Elle conna\u00eet son heure de gloire au tournoi de New York 1924, o\u00f9 R\u00e9ti l\u2019utilise pour battre Jos\u00e9 Ra\u00fal Capablanca, alors champion du monde. C\u2019\u00e9tait la premi\u00e8re d\u00e9faite de Capablanca en partie de tournoi depuis huit ans. L\u2019ouverture R\u00e9ti est toujours jou\u00e9e au plus haut niveau aujourd\u2019hui.<\/p>\n<h3>Les grands succ\u00e8s (1918-1925)<\/h3>\n<p>R\u00e9ti s\u2019installe en Tch\u00e9coslovaquie apr\u00e8s la guerre et en d\u00e9fend les couleurs. Il remporte notamment Kaschau (Ko\u0161ice) 1918, G\u00f6teborg 1920 devant <a href=\"https:\/\/oraziopuglisi.art\/index.php\/akiba-rubinstein\/\">Rubinstein<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/efim-bogoljubov\/\">Bogolioubov<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/siegbert-tarrasch\/\">Tarrasch<\/a>, ainsi que Teplitz-Sch\u00f6nau 1922, \u00e0 \u00e9galit\u00e9 avec <a href=\"https:\/\/oraziopuglisi.art\/index.php\/rudolf-spielmann\/\">Rudolf Spielmann<\/a>.<\/p>\n<p>Il est aussi un remarquable joueur \u00e0 l\u2019aveugle : en 1925 \u00e0 S\u00e3o Paulo, il dispute 29 parties simultan\u00e9es sans voir les \u00e9chiquiers, un record du monde \u00e0 l\u2019\u00e9poque.<\/p>\n<h3>L\u2019\u00e9tude de 1921<\/h3>\n<p>R\u00e9ti est \u00e9galement un compositeur d\u2019\u00e9tudes de g\u00e9nie. Sa plus c\u00e9l\u00e8bre, publi\u00e9e en 1921, semble impossible : le roi blanc, tr\u00e8s loin d\u2019un pion noir qui file \u00e0 dame, parvient pourtant \u00e0 le rattraper en avan\u00e7ant en diagonale, tout en mena\u00e7ant de soutenir son propre pion. Cette \u00e9tude, qui montre que \u00ab la diagonale est aussi courte que la ligne droite \u00bb, est enseign\u00e9e dans toutes les \u00e9coles d\u2019\u00e9checs.<\/p>\n<h3>Une mort pr\u00e9matur\u00e9e<\/h3>\n<p>Le 6 juin 1929, Richard R\u00e9ti meurt de la scarlatine \u00e0 Prague, \u00e0 seulement 40 ans, au moment o\u00f9 il pr\u00e9parait de nouveaux ouvrages. Son second grand livre, \u00ab Die Meister des Schachbretts \u00bb (\u00ab Les ma\u00eetres de l\u2019\u00e9chiquier \u00bb), est publi\u00e9 apr\u00e8s sa mort, en 1930.<\/p>\n<p>Penseur autant que joueur, R\u00e9ti a montr\u00e9 que les \u00e9checs \u00e9voluent comme un art. Son influence se lit dans le jeu positionnel moderne, de <a href=\"https:\/\/oraziopuglisi.art\/index.php\/mikhail-botvinnik\/\">Botvinnik<\/a> \u00e0 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/vladimir-kramnik\/\">Kramnik<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/magnus-carlsen\/\">Carlsen<\/a>, qui pratiquent tous l\u2019ouverture qui porte son nom.<\/p>\n<\/div>\n<div class=\"opa-enrich\">\n<h3 style=\"text-align:center;margin-top:2em;\">Biographie d\u00e9taill\u00e9e<\/h3>\n<h4>Le penseur hypermoderne<\/h4>\n<p>Richard R\u00e9ti na\u00eet le 28 mai 1889 \u00e0 Pezinok (Bazin), en Slovaquie. \u00c9tudiant en math\u00e9matiques \u00e0 Vienne, il devient l&rsquo;un des meilleurs joueurs d&rsquo;Europe et, avec Nimzowitsch, le chef de file de l&rsquo;\u00e9cole hypermoderne.<\/p>\n<h4>L&rsquo;ouverture R\u00e9ti<\/h4>\n<p>Son ouverture 1.Cf3 suivie du fianchetto des fous, qui laisse les Noirs occuper le centre pour mieux l&rsquo;attaquer ensuite, illustre ses id\u00e9es. En 1924, \u00e0 New York, il bat Capablanca, invaincu depuis huit ans. En 1925, \u00e0 S\u00e3o Paulo, il \u00e9tablit un record en jouant vingt-neuf parties \u00e0 l&rsquo;aveugle simultan\u00e9ment.<\/p>\n<h4>L&rsquo;\u00e9crivain et le compositeur<\/h4>\n<p>Ses livres <em>Les Id\u00e9es modernes aux \u00e9checs<\/em> et <em>Les Ma\u00eetres de l&rsquo;\u00e9chiquier<\/em> sont des classiques. Il est aussi l&rsquo;auteur d&rsquo;\u00e9tudes c\u00e9l\u00e8bres, dont la fameuse \u00ab \u00e9tude de R\u00e9ti \u00bb, o\u00f9 un roi rattrape un pion apparemment imprenable. Il meurt \u00e0 Prague le 6 juin 1929, \u00e0 quarante ans.<\/p>\n<p style=\"font-size:.85em;opacity:.8;\"><em>Sources : Wikip\u00e9dia (article \u00ab Richard R\u00e9ti \u00bb).<\/em><\/p>\n<\/div>\n<div class=\"opa-enrich2\">\n<h3 style=\"text-align:center;margin-top:2em;\">Palmar\u00e8s ann\u00e9e par ann\u00e9e<\/h3>\n<table class=\"opa-palm\" style=\"width:100%;border-collapse:collapse;font-size:.95em;margin:1em 0 1.6em;\">\n<tbody>\n<tr style=\"background:#f7f1e8\">\n<td style=\"padding:.35em .7em;font-weight:bold;white-space:nowrap;vertical-align:top;width:6.5em;\">1918<\/td>\n<td style=\"padding:.35em .7em;\">Premier \u00e0 Kassa (Ko\u0161ice).<\/td>\n<\/tr>\n<tr style=\"background:#fff\">\n<td style=\"padding:.35em .7em;font-weight:bold;white-space:nowrap;vertical-align:top;width:6.5em;\">1920<\/td>\n<td style=\"padding:.35em .7em;\">Premier \u00e0 G\u00f6teborg.<\/td>\n<\/tr>\n<tr style=\"background:#f7f1e8\">\n<td style=\"padding:.35em .7em;font-weight:bold;white-space:nowrap;vertical-align:top;width:6.5em;\">1924<\/td>\n<td style=\"padding:.35em .7em;\">Bat Capablanca \u00e0 New York, premi\u00e8re d\u00e9faite du Cubain depuis huit ans.<\/td>\n<\/tr>\n<tr style=\"background:#fff\">\n<td style=\"padding:.35em .7em;font-weight:bold;white-space:nowrap;vertical-align:top;width:6.5em;\">1925<\/td>\n<td style=\"padding:.35em .7em;\">Record de 29 parties simultan\u00e9es \u00e0 l&rsquo;aveugle \u00e0 S\u00e3o Paulo.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 style=\"text-align:center;margin-top:2em;\">Parties comment\u00e9es<\/h3>\n<div class=\"opa-partie\" style=\"border-left:4px solid #b58863;background:#fbf8f3;padding:.8em 1.1em;margin:1.2em 0;border-radius:4px;\">\n<p style=\"margin:0 0 .4em;\"><strong>R\u00e9ti \u2013 Capablanca, New York 1924<\/strong><\/p>\n<p style=\"margin:0;\">Avec son ouverture hypermoderne, R\u00e9ti obtient une position sans faiblesse, puis exploite les impr\u00e9cisions de Capablanca : une victoire qui fit sensation dans le monde entier.<\/p>\n<\/div>\n<div class=\"opa-partie\" style=\"border-left:4px solid #b58863;background:#fbf8f3;padding:.8em 1.1em;margin:1.2em 0;border-radius:4px;\">\n<p style=\"margin:0 0 .4em;\"><strong>L&rsquo;\u00e9tude de R\u00e9ti (1921)<\/strong><\/p>\n<p style=\"margin:0;\">Un roi blanc semble incapable de rattraper un pion noir et d&rsquo;aider son propre pion ; en marchant en diagonale, il poursuit les deux objectifs \u00e0 la fois et obtient la nulle. L&rsquo;une des \u00e9tudes les plus c\u00e9l\u00e8bres de l&rsquo;histoire.<\/p>\n<\/div>\n<\/div>\n<h3>En images<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:F_Marshall_R_Reti_1925.JPG\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/9\/96\/F_Marshall_R_Reti_1925.JPG\/1920px-F_Marshall_R_Reti_1925.JPG?utm_source=commons.wikimedia.org&amp;utm_campaign=imageinfo&amp;utm_content=thumbnail\" alt=\"R\u00e9ti et Marshall\" loading=\"lazy\"><\/a><figcaption>Richard R\u00e9ti et Frank Marshall en 1925. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:F_Marshall_R_Reti_1925.JPG\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>En vid\u00e9o<\/h3>\n<style>.opa-vgrid{display:grid;grid-template-columns:repeat(auto-fill,minmax(min(100%,440px),1fr));gap:22px;margin:1.4em 0 2.4em;position:relative;left:50%;transform:translateX(-50%);width:min(1150px,94vw)}.opa-vgrid>br{display:none}.opa-vbx{margin:0}.opa-vbx-f{position:relative;display:block;padding-top:56.25%;border-radius:8px;overflow:hidden;box-shadow:0 10px 30px rgba(0,0,0,.28);background:#000}.opa-vbx-f iframe{position:absolute;inset:0;width:100%!important;height:100%!important;border:0}.opa-vbx-f img{position:absolute;inset:0;width:100%!important;height:100%!important;object-fit:cover;transition:transform .5s,opacity .3s;opacity:.92}.opa-vbx-f:hover img{transform:scale(1.04);opacity:1}.opa-play{position:absolute;left:50%;top:50%;width:78px;height:54px;transform:translate(-50%,-50%);background:rgba(204,0,0,.92);border-radius:14px;box-shadow:0 4px 16px rgba(0,0,0,.4)}.opa-play:after{content:\"\";position:absolute;left:31px;top:16px;border-style:solid;border-width:11px 0 11px 19px;border-color:transparent transparent transparent #fff}.opa-vbx figcaption{font-size:.82em;line-height:1.45;text-align:center;margin-top:.6em;opacity:.85}<\/style>\n<p><script>(function(){if(window.opaYT)return;window.opaYT=1;document.addEventListener(\"click\",function(e){var a=e.target.closest&&e.target.closest(\".opa-vbx-f[data-yt]\");if(!a)return;e.preventDefault();var f=document.createElement(\"iframe\");f.src=\"https:\/\/www.youtube.com\/embed\/\"+a.getAttribute(\"data-yt\")+\"?autoplay=1&rel=0\";f.setAttribute(\"allow\",\"autoplay; encrypted-media; picture-in-picture; fullscreen\");f.setAttribute(\"allowfullscreen\",\"\");f.setAttribute(\"referrerpolicy\",\"strict-origin-when-cross-origin\");a.innerHTML=\"\";a.appendChild(f);a.removeAttribute(\"data-yt\");a.removeAttribute(\"href\");});})();<\/script><\/p>\n<div class=\"opa-vgrid\">\n<figure class=\"opa-vbx\"><a class=\"opa-vbx-f\" data-yt=\"PIjGkyQcNds\" href=\"https:\/\/www.youtube.com\/watch?v=PIjGkyQcNds\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/i.ytimg.com\/vi\/PIjGkyQcNds\/maxresdefault.jpg\" alt=\"L'\u00e9tude de R\u00e9ti (1921), par Orazio Puglisi\" loading=\"lazy\" decoding=\"async\"><span class=\"opa-play\"><\/span><\/a><figcaption>L&rsquo;\u00e9tude de R\u00e9ti (1921), par Orazio Puglisi<\/figcaption><\/figure>\n<figure class=\"opa-vbx\"><a class=\"opa-vbx-f\" data-yt=\"dR1mk48wB8I\" href=\"https:\/\/www.youtube.com\/watch?v=dR1mk48wB8I\" target=\"_blank\" rel=\"noopener\"><img src=\"https:\/\/i.ytimg.com\/vi\/dR1mk48wB8I\/hqdefault.jpg\" alt=\"Partie l\u00e9gendaire : R\u00e9ti \u2013 Tartakower\" loading=\"lazy\" decoding=\"async\"><span class=\"opa-play\"><\/span><\/a><figcaption>Partie l\u00e9gendaire : R\u00e9ti \u2013 Tartakower<\/figcaption><\/figure>\n<\/div>\n<h3>Rep\u00e8res<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1889<\/strong> \u2014 Naissance \u00e0 Pezinok.<\/li>\n<li><strong>1921<\/strong> \u2014 \u00c9tude c\u00e9l\u00e8bre.<\/li>\n<li><strong>1922<\/strong> \u2014 Les Id\u00e9es modernes aux \u00e9checs.<\/li>\n<li><strong>1924<\/strong> \u2014 Bat Capablanca \u00e0 New York.<\/li>\n<li><strong>1929<\/strong> \u2014 Mort \u00e0 Prague.<\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Richard R\u00e9ti, <em>Les Ma\u00eetres de l&rsquo;\u00e9chiquier<\/em>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en Slovaquie, Richard R\u00e9ti est, avec Nimzowitsch, le grand th\u00e9oricien de l&rsquo;\u00e9cole hypermoderne. Ses livres Les Id\u00e9es modernes aux \u00e9checs et Les Ma\u00eetres de l&rsquo;\u00e9chiquier sont des classiques, et ses \u00e9tudes de finales, comme la c\u00e9l\u00e8bre \u00e9tude du roi qui poursuit\u2026<\/p>\n","protected":false},"author":1,"featured_media":35379,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-35375","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Richard R\u00e9ti - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/richard-reti\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Richard R\u00e9ti - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"N\u00e9 en Slovaquie, Richard R\u00e9ti est, avec Nimzowitsch, le grand th\u00e9oricien de l&#039;\u00e9cole hypermoderne. Ses livres Les Id\u00e9es modernes aux \u00e9checs et Les Ma\u00eetres de l&#039;\u00e9chiquier sont des classiques, et ses \u00e9tudes de finales, comme la c\u00e9l\u00e8bre \u00e9tude du roi qui poursuit\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/oraziopuglisi.art\/index.php\/richard-reti\/\" \/>\n<meta property=\"og:site_name\" content=\"Orazio Puglisi\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-13T15:13:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/reti-marshall.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1114\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/\",\"name\":\"Richard R\u00e9ti - Orazio Puglisi\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/reti-marshall.jpg\",\"datePublished\":\"2026-11-12T14:29:32+00:00\",\"dateModified\":\"2026-11-13T15:13:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/#primaryimage\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/reti-marshall.jpg\",\"contentUrl\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/reti-marshall.jpg\",\"width\":1920,\"height\":1114,\"caption\":\"Richard R\u00e9ti et Frank Marshall\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/richard-reti\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/oraziopuglisi.art\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Richard R\u00e9ti\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#website\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/\",\"name\":\"Oraziopuglisi.art\",\"description\":\"Le beau ! 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