{"id":32191,"date":"2026-11-04T14:15:14","date_gmt":"2026-11-04T13:15:14","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/"},"modified":"2026-11-04T14:24:10","modified_gmt":"2026-11-04T13:24:10","slug":"le-cubisme","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/","title":{"rendered":"Le Cubisme"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> Juan Gris, <em>Portrait de Pablo Picasso<\/em>, 1912 (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Juan_Gris_-_Portrait_of_Pablo_Picasso_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Le Cubisme (1907-1925) : voir le monde sous toutes ses faces<\/h2>\n<p class=\"opa-lettrine\">Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Perspective_(repr%C3%A9sentation)\" target=\"_blank\" rel=\"noopener\">perspective<\/a>. Entre 1907 et 1914, deux jeunes peintres install\u00e9s \u00e0 Montmartre, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/picasso\/\">Pablo Picasso<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Georges_Braque\" target=\"_blank\" rel=\"noopener\">Georges Braque<\/a>, font voler cette fen\u00eatre en \u00e9clats. Ils d\u00e9composent les objets en facettes, montrent en m\u00eame temps la face et le profil, m\u00ealent \u00e0 la peinture du papier journal et du faux bois. Le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/cubisme\" target=\"_blank\" rel=\"noopener\">Cubisme<\/a> est sans doute la plus grande r\u00e9volution de l&rsquo;histoire de la repr\u00e9sentation depuis Giotto : il ouvre la voie \u00e0 l&rsquo;abstraction, au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Collage\" target=\"_blank\" rel=\"noopener\">collage<\/a>, au design et \u00e0 l&rsquo;architecture modernes.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Juan_Gris_-_La_bouteille_d%27anis_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/56\/Juan_Gris_-_La_bouteille_d%27anis_-_Google_Art_Project.jpg\/1920px-Juan_Gris_-_La_bouteille_d%27anis_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Juan Gris, Nature morte\" loading=\"lazy\"><\/a><figcaption>Juan Gris, <em>La Bouteille d&rsquo;anis<\/em>, 1914 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Juan_Gris_-_La_bouteille_d%27anis_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>L&rsquo;h\u00e9ritage de C\u00e9zanne<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_Cezanne_-_Mont_Sainte-Victoire_and_Ch%C3%A2teau_Noir_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/26\/Paul_Cezanne_-_Mont_Sainte-Victoire_and_Ch%C3%A2teau_Noir_-_Google_Art_Project.jpg\/1920px-Paul_Cezanne_-_Mont_Sainte-Victoire_and_Ch%C3%A2teau_Noir_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Paul C\u00e9zanne, La Montagne Sainte-Victoire\" loading=\"lazy\"><\/a><figcaption>Paul C\u00e9zanne, <em>La Montagne Sainte-Victoire<\/em>, vers 1904-1906 : la nature construite par plans de couleur <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_Cezanne_-_Mont_Sainte-Victoire_and_Ch%C3%A2teau_Noir_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>\u00ab Traiter la nature par le cylindre, la sph\u00e8re, le c\u00f4ne \u00bb : cette phrase de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_C%C3%A9zanne\" target=\"_blank\" rel=\"noopener\">Paul C\u00e9zanne<\/a>, \u00e9crite en 1904 au peintre \u00c9mile Bernard, devient le mot d&rsquo;ordre de toute une g\u00e9n\u00e9ration. Apr\u00e8s la mort du ma\u00eetre d&rsquo;Aix en 1906, la grande r\u00e9trospective du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Salon_d'automne\" target=\"_blank\" rel=\"noopener\">Salon d&rsquo;automne<\/a> de 1907 r\u00e9v\u00e8le aux jeunes peintres une mani\u00e8re de construire le tableau par plans et volumes, en renon\u00e7ant au point de vue unique. S&rsquo;y ajoute la d\u00e9couverte des <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Art_africain\" target=\"_blank\" rel=\"noopener\">arts d&rsquo;Afrique<\/a> et d&rsquo;Oc\u00e9anie, admir\u00e9s au mus\u00e9e d&rsquo;ethnographie du Trocad\u00e9ro, dont les masques simplifient le visage en formes g\u00e9om\u00e9triques. Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-post-impressionnisme\/\">le post-impressionnisme<\/a>.<\/p>\n<h3>Les Demoiselles d&rsquo;Avignon et L&rsquo;Estaque<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Le_golfe_de_Marseille_vu_de_l%E2%80%99Estaque,_par_Paul_C%C3%A9zanne.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/d\/de\/Le_golfe_de_Marseille_vu_de_l%E2%80%99Estaque%2C_par_Paul_C%C3%A9zanne.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Paul C\u00e9zanne, L'Estaque\" loading=\"lazy\"><\/a><figcaption>Paul C\u00e9zanne, <em>Le Golfe de Marseille vu de L&rsquo;Estaque<\/em> : le lieu m\u00eame o\u00f9 Braque inventa le cubisme <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Le_golfe_de_Marseille_vu_de_l%E2%80%99Estaque,_par_Paul_C%C3%A9zanne.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>En 1907, au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bateau-Lavoir\" target=\"_blank\" rel=\"noopener\">Bateau-Lavoir<\/a>, Picasso ach\u00e8ve <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Les_Demoiselles_d'Avignon\" target=\"_blank\" rel=\"noopener\">Les Demoiselles d&rsquo;Avignon<\/a><\/em> (aujourd&rsquo;hui au MoMA de New York) : cinq nus aux corps anguleux, deux visages trait\u00e9s comme des masques. M\u00eame ses amis sont choqu\u00e9s. Braque, ancien <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-fauvisme\/\">le fauvisme<\/a>, r\u00e9agit en peignant \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L'Estaque\" target=\"_blank\" rel=\"noopener\">L&rsquo;Estaque<\/a>, en 1908, des paysages o\u00f9 maisons et arbres deviennent des cubes ocre et verts. Pr\u00e9sentant ces toiles refus\u00e9es au Salon d&rsquo;automne, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Matisse\" target=\"_blank\" rel=\"noopener\">Henri Matisse<\/a> parle de \u00ab petits cubes \u00bb ; le critique <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Louis_Vauxcelles\" target=\"_blank\" rel=\"noopener\">Louis Vauxcelles<\/a> reprend l&rsquo;expression, et le mot \u00ab cubisme \u00bb est n\u00e9. Les \u0153uvres de Picasso et de Braque n&rsquo;\u00e9tant pas encore dans le domaine public, nous ne les reproduisons pas ici : on peut les voir sur les sites des mus\u00e9es cit\u00e9s plus bas.<\/p>\n<h3>Le cubisme analytique (1909-1912)<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes,_1912-13,_Les_Joueurs_de_football_(Football_Players),_oil_on_canvas,_225.4_x_183_cm,_National_Gallery_of_Art.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/32\/Albert_Gleizes%2C_1912-13%2C_Les_Joueurs_de_football_%28Football_Players%29%2C_oil_on_canvas%2C_225.4_x_183_cm%2C_National_Gallery_of_Art.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Jean Metzinger\" loading=\"lazy\"><\/a><figcaption>Albert Gleizes, <em>Les Joueurs de football<\/em>, 1912-1913 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes,_1912-13,_Les_Joueurs_de_football_(Football_Players),_oil_on_canvas,_225.4_x_183_cm,_National_Gallery_of_Art.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Pendant quatre ans, Picasso et Braque travaillent \u00ab comme deux alpinistes encord\u00e9s \u00bb, selon le mot de Braque. Ils d\u00e9composent les objets (un violon, une bouteille, un visage) en une multitude de petits plans qui s&rsquo;imbriquent, vus de plusieurs c\u00f4t\u00e9s \u00e0 la fois. La couleur se r\u00e9duit \u00e0 des gris, des bruns et des ocres, pour ne pas distraire de la structure. Les tableaux deviennent presque illisibles ; pour garder un lien avec le r\u00e9el, ils y glissent des lettres au pochoir, un clou en trompe-l&rsquo;\u0153il, une moustache.<\/p>\n<h3>Le cubisme synth\u00e9tique et l&rsquo;invention du collage<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Still_Life_with_Checked_Tablecloth_Juan_Gris_1915.jpeg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/2b\/Still_Life_with_Checked_Tablecloth_Juan_Gris_1915.jpeg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Juan Gris\" loading=\"lazy\"><\/a><figcaption>Juan Gris, <em>Nature morte \u00e0 la nappe \u00e0 carreaux<\/em>, 1915 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Still_Life_with_Checked_Tablecloth_Juan_Gris_1915.jpeg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>En 1912, Picasso colle un morceau de toile cir\u00e9e imitant le cannage d&rsquo;une chaise dans une nature morte : c&rsquo;est le premier collage. Braque invente le papier coll\u00e9 avec du papier peint imitant le bois. Le cubisme devient \u00ab synth\u00e9tique \u00bb : au lieu de d\u00e9composer l&rsquo;objet, on le reconstruit \u00e0 partir de formes simples, de couleurs franches et de mat\u00e9riaux r\u00e9els. <a href=\"https:\/\/oraziopuglisi.art\/index.php\/juan-gris\/\">Juan Gris<\/a>, Madril\u00e8ne install\u00e9 au Bateau-Lavoir, en est le ma\u00eetre le plus rigoureux, avec ses compositions d&rsquo;une clart\u00e9 presque math\u00e9matique.<\/p>\n<h3>Les cubistes du Salon<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes,_1912,_Les_Baigneuses,_oil_on_canvas,_105_x_171_cm,_Paris,_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/69\/Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg\/1920px-Albert_Gleizes%2C_1912%2C_Les_Baigneuses%2C_oil_on_canvas%2C_105_x_171_cm%2C_Paris%2C_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Albert Gleizes\" loading=\"lazy\"><\/a><figcaption>Albert Gleizes, <em>Les Baigneuses<\/em>, 1912 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes,_1912,_Les_Baigneuses,_oil_on_canvas,_105_x_171_cm,_Paris,_Mus%C3%A9e_d%27Art_Moderne_de_la_Ville_de_Paris.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Pendant que Picasso et Braque exposent seulement chez leur marchand <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Daniel-Henry_Kahnweiler\" target=\"_blank\" rel=\"noopener\">Daniel-Henry Kahnweiler<\/a>, d&rsquo;autres peintres font du cubisme un mouvement public. En 1911, la salle 41 du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Salon_des_ind%C3%A9pendants\" target=\"_blank\" rel=\"noopener\">Salon des ind\u00e9pendants<\/a> r\u00e9unit <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Albert_Gleizes\" target=\"_blank\" rel=\"noopener\">Albert Gleizes<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Metzinger\" target=\"_blank\" rel=\"noopener\">Jean Metzinger<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fernand_L%C3%A9ger\" target=\"_blank\" rel=\"noopener\">Fernand L\u00e9ger<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Henri_Le_Fauconnier\" target=\"_blank\" rel=\"noopener\">Henri Le Fauconnier<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Robert_Delaunay\" target=\"_blank\" rel=\"noopener\">Robert Delaunay<\/a> : nouveau scandale. En 1912, Gleizes et Metzinger publient <em>Du \u00ab cubisme \u00bb<\/em>, premier livre th\u00e9orique, et le groupe de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Section_d'or\" target=\"_blank\" rel=\"noopener\">la Section d&rsquo;or<\/a> expose \u00e0 la galerie La Bo\u00e9tie. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Guillaume_Apollinaire\" target=\"_blank\" rel=\"noopener\">Guillaume Apollinaire<\/a> publie en 1913 <em>Les Peintres cubistes<\/em>.<\/p>\n<h3>L\u00e9ger, Delaunay et l&rsquo;orphisme<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Robert_Delaunay_-_Tour_Eiffel_-_1918_-_Museum_of_Modern_Art.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/fc\/Robert_Delaunay_-_Tour_Eiffel_-_1918_-_Museum_of_Modern_Art.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Robert Delaunay, La Tour Eiffel\" loading=\"lazy\"><\/a><figcaption>Robert Delaunay, <em>La Tour Eiffel<\/em>, 1918 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Robert_Delaunay_-_Tour_Eiffel_-_1918_-_Museum_of_Modern_Art.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fernand_L%C3%A9ger\" target=\"_blank\" rel=\"noopener\">Fernand L\u00e9ger<\/a> d\u00e9veloppe un cubisme de cylindres et de tubes color\u00e9s, bient\u00f4t surnomm\u00e9 \u00ab tubisme \u00bb, qui c\u00e9l\u00e8bre la machine et la ville moderne. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Robert_Delaunay\" target=\"_blank\" rel=\"noopener\">Robert Delaunay<\/a>, fascin\u00e9 par la tour Eiffel, la fait danser en fragments ; avec <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sonia_Delaunay\" target=\"_blank\" rel=\"noopener\">Sonia Delaunay<\/a>, il invente les \u00ab contrastes simultan\u00e9s \u00bb de disques color\u00e9s qu&rsquo;Apollinaire baptise <a href=\"https:\/\/fr.wikipedia.org\/wiki\/orphisme\" target=\"_blank\" rel=\"noopener\">Orphisme<\/a>. Le Tch\u00e8que <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franti%C5%A1ek_Kupka\" target=\"_blank\" rel=\"noopener\">Franti\u0161ek Kupka<\/a> franchit au m\u00eame moment le pas de l&rsquo;abstraction pure. Voir notre page sur <a href=\"https:\/\/oraziopuglisi.art\/index.php\/l-art-abstrait\/\">l&rsquo;art abstrait<\/a>.<\/p>\n<h3>Sculpture, architecture et h\u00e9ritage<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bemberg_Fondation_Toulouse,_Grand_Nu,_de_La_Fresnaye_Roger,_Vers_1911_121_x_33_x_27.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/66\/Bemberg_Fondation_Toulouse%2C_Grand_Nu%2C_de_La_Fresnaye_Roger%2C_Vers_1911_121_x_33_x_27.jpg\/1920px-Bemberg_Fondation_Toulouse%2C_Grand_Nu%2C_de_La_Fresnaye_Roger%2C_Vers_1911_121_x_33_x_27.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Roger de La Fresnaye\" loading=\"lazy\"><\/a><figcaption>Roger de La Fresnaye, <em>Grand Nu<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bemberg_Fondation_Toulouse,_Grand_Nu,_de_La_Fresnaye_Roger,_Vers_1911_121_x_33_x_27.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Le cubisme gagne la sculpture avec <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Raymond_Duchamp-Villon\" target=\"_blank\" rel=\"noopener\">Raymond Duchamp-Villon<\/a> (<em>Le Cheval<\/em>, 1914), Alexander Archipenko, Henri Laurens et Jacques Lipchitz. \u00c0 Prague, des architectes construisent de v\u00e9ritables maisons cubistes, comme la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Maison_%C3%A0_la_Vierge_noire\" target=\"_blank\" rel=\"noopener\">Maison \u00e0 la Vierge noire<\/a> (1912). La guerre de 1914 disperse le groupe : Braque est gri\u00e8vement bless\u00e9, Apollinaire mourra en 1918. Mais l&rsquo;h\u00e9ritage est immense : le <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-futurisme\/\">Futurisme<\/a> italien, le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/supr%C3%A9matisme\" target=\"_blank\" rel=\"noopener\">supr\u00e9matisme<\/a> de Malevitch, le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/n%C3%A9oplasticisme\" target=\"_blank\" rel=\"noopener\">n\u00e9oplasticisme<\/a> de Mondrian, le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Purisme_(art)\" target=\"_blank\" rel=\"noopener\">purisme<\/a> de Le Corbusier et Ozenfant, et jusqu&rsquo;\u00e0 l&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Art_d%C3%A9co\" target=\"_blank\" rel=\"noopener\">Art d\u00e9co<\/a>, tous en sont issus.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/picasso\/\">Pablo Picasso<\/a> (1881-1973), co-inventeur<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Georges_Braque\" target=\"_blank\" rel=\"noopener\">Georges Braque<\/a> (1882-1963), co-inventeur<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/juan-gris\/\">Juan Gris<\/a> (1887-1927)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fernand_L%C3%A9ger\" target=\"_blank\" rel=\"noopener\">Fernand L\u00e9ger<\/a> (1881-1955)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Robert_Delaunay\" target=\"_blank\" rel=\"noopener\">Robert Delaunay<\/a> (1885-1941) et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sonia_Delaunay\" target=\"_blank\" rel=\"noopener\">Sonia Delaunay<\/a> (1885-1979)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Albert_Gleizes\" target=\"_blank\" rel=\"noopener\">Albert Gleizes<\/a> (1881-1953)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Metzinger\" target=\"_blank\" rel=\"noopener\">Jean Metzinger<\/a> (1883-1956)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Henri_Le_Fauconnier\" target=\"_blank\" rel=\"noopener\">Henri Le Fauconnier<\/a> (1881-1946)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Roger_de_La_Fresnaye\" target=\"_blank\" rel=\"noopener\">Roger de La Fresnaye<\/a> (1885-1925)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Louis_Marcoussis\" target=\"_blank\" rel=\"noopener\">Louis Marcoussis<\/a> (1878-1941)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mar%C3%ADa_Blanchard\" target=\"_blank\" rel=\"noopener\">Mar\u00eda Blanchard<\/a> (1881-1932)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Francis_Picabia\" target=\"_blank\" rel=\"noopener\">Francis Picabia<\/a> (1879-1953)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Marcel_Duchamp\" target=\"_blank\" rel=\"noopener\">Marcel Duchamp<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jacques_Villon\" target=\"_blank\" rel=\"noopener\">Jacques Villon<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Raymond_Duchamp-Villon\" target=\"_blank\" rel=\"noopener\">Raymond Duchamp-Villon<\/a> (groupe de Puteaux)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Guillaume_Apollinaire\" target=\"_blank\" rel=\"noopener\">Guillaume Apollinaire<\/a> (1880-1918), po\u00e8te et critique<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1906<\/strong> \u2014 Mort de C\u00e9zanne<\/li>\n<li><strong>1907<\/strong> \u2014 R\u00e9trospective C\u00e9zanne ; Picasso peint <em>Les Demoiselles d&rsquo;Avignon<\/em> ; rencontre Picasso-Braque<\/li>\n<li><strong>1908<\/strong> \u2014 Paysages de Braque \u00e0 L&rsquo;Estaque ; naissance du mot \u00ab cubisme \u00bb<\/li>\n<li><strong>1909-1912<\/strong> \u2014 Cubisme analytique (Horta de Ebro, C\u00e9ret)<\/li>\n<li><strong>1911<\/strong> \u2014 Salle 41 au Salon des ind\u00e9pendants<\/li>\n<li><strong>1912<\/strong> \u2014 Premier collage de Picasso, premier papier coll\u00e9 de Braque ; <em>Du \u00ab cubisme \u00bb<\/em> de Gleizes et Metzinger ; Salon de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Section_d'or\" target=\"_blank\" rel=\"noopener\">la Section d&rsquo;or<\/a><\/li>\n<li><strong>1913<\/strong> \u2014 Apollinaire, <em>Les Peintres cubistes<\/em> ; l&rsquo;Armory Show fait conna\u00eetre le cubisme \u00e0 New York<\/li>\n<li><strong>1914<\/strong> \u2014 La guerre disperse le groupe<\/li>\n<li><strong>1918-1925<\/strong> \u2014 Le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Purisme\" target=\"_blank\" rel=\"noopener\">purisme<\/a> de Le Corbusier et Ozenfant ; cubisme \u00ab classique \u00bb de Gris<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Montagne_Sainte-Victoire,_par_Paul_C%C3%A9zanne_108.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c9\/Montagne_Sainte-Victoire%2C_par_Paul_C%C3%A9zanne_108.jpg\/1920px-Montagne_Sainte-Victoire%2C_par_Paul_C%C3%A9zanne_108.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Paul C\u00e9zanne\" loading=\"lazy\"><\/a><figcaption>Paul C\u00e9zanne, <em>La Montagne Sainte-Victoire<\/em>, vers 1904 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Montagne_Sainte-Victoire,_par_Paul_C%C3%A9zanne_108.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Juan_Gris_-_Still_Life_(1916).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/0f\/Juan_Gris_-_Still_Life_%281916%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Juan Gris\" loading=\"lazy\"><\/a><figcaption>Juan Gris, <em>Nature morte<\/em>, 1916 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Juan_Gris_-_Still_Life_(1916).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Contraste_de_formes,_1913_-_Fernand_L%C3%A9ger.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/9\/9d\/Contraste_de_formes%2C_1913_-_Fernand_L%C3%A9ger.jpg\/1920px-Contraste_de_formes%2C_1913_-_Fernand_L%C3%A9ger.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Fernand L\u00e9ger\" loading=\"lazy\"><\/a><figcaption>Fernand L\u00e9ger, <em>Contraste de formes<\/em>, 1913 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Contraste_de_formes,_1913_-_Fernand_L%C3%A9ger.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fernand_L%C3%A9ger_-_Contrastes_de_formes_(1913)_-_Google_Arts_%26_Culture.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/e\/e5\/Fernand_L%C3%A9ger_-_Contrastes_de_formes_%281913%29_-_Google_Arts_%26_Culture.jpg\/1920px-Fernand_L%C3%A9ger_-_Contrastes_de_formes_%281913%29_-_Google_Arts_%26_Culture.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Fernand L\u00e9ger\" loading=\"lazy\"><\/a><figcaption>Fernand L\u00e9ger, <em>Contrastes de formes<\/em>, 1913 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fernand_L%C3%A9ger_-_Contrastes_de_formes_(1913)_-_Google_Arts_%26_Culture.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Robert_delaunay,_tour_eiffel,_1926.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/9\/9b\/Robert_delaunay%2C_tour_eiffel%2C_1926.jpg\/1920px-Robert_delaunay%2C_tour_eiffel%2C_1926.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Robert Delaunay\" loading=\"lazy\"><\/a><figcaption>Robert Delaunay, <em>Tour Eiffel<\/em>, 1926 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Robert_delaunay,_tour_eiffel,_1926.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes_-_Landscape_(Paysage)_(1912).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/5e\/Albert_Gleizes_-_Landscape_%28Paysage%29_%281912%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Albert Gleizes\" loading=\"lazy\"><\/a><figcaption>Albert Gleizes, <em>Paysage<\/em>, 1912 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albert_Gleizes_-_Landscape_(Paysage)_(1912).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PAUL_CEZANNE_Vue_sur_l%27Estaque_et_le_ch%C3%A2teau_d%27If.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/30\/PAUL_CEZANNE_Vue_sur_l%27Estaque_et_le_ch%C3%A2teau_d%27If.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Paul C\u00e9zanne\" loading=\"lazy\"><\/a><figcaption>Paul C\u00e9zanne, <em>Vue sur L&rsquo;Estaque et le ch\u00e2teau d&rsquo;If<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PAUL_CEZANNE_Vue_sur_l%27Estaque_et_le_ch%C3%A2teau_d%27If.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=cubisme+peinture+explication+Picasso+Braque\" target=\"_blank\" rel=\"noopener\">Le cubisme expliqu\u00e9<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Picasso+Braque+cubisme+documentaire\" target=\"_blank\" rel=\"noopener\">Picasso et Braque, l&rsquo;invention du cubisme<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Juan+Gris+peintre+cubiste\" target=\"_blank\" rel=\"noopener\">Juan Gris<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Fernand+L%C3%A9ger+documentaire\" target=\"_blank\" rel=\"noopener\">Fernand L\u00e9ger<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/archive.org\/download\/cubistesfuturist00coqu\/cubistesfuturist00coqu.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Gustave Coquiot, <em>Cubistes, futuristes, pass\u00e9istes<\/em>, 1914 (r\u00e9\u00e9dition 1923) (<a href=\"https:\/\/archive.org\/details\/cubistesfuturist00coqu\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/isitartpostimpre00laur\/isitartpostimpre00laur.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Louis Weinberg, <em>Is it art? Post-impressionism, futurism, cubism<\/em>, 1913 (en anglais) (<a href=\"https:\/\/archive.org\/details\/isitartpostimpre00laur\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/modernpaintingit00vandiala\/modernpaintingit00vandiala.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Willard Huntington Wright, <em>Modern Painting, its Tendency and Meaning<\/em>, 1915 (en anglais) (<a href=\"https:\/\/archive.org\/details\/modernpaintingit00vandiala\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.centrepompidou.fr\" target=\"_blank\" rel=\"noopener\">Le cubisme au Centre Pompidou<\/a><\/li>\n<li><a href=\"https:\/\/www.metmuseum.org\/toah\/hd\/cube\/hd_cube.htm\" target=\"_blank\" rel=\"noopener\">Cubism, Metropolitan Museum of Art (en anglais)<\/a><\/li>\n<li><a href=\"https:\/\/www.tate.org.uk\/art\/art-terms\/c\/cubism\" target=\"_blank\" rel=\"noopener\">Cubism, Tate (en anglais)<\/a><\/li>\n<li><a href=\"https:\/\/www.museepicassoparis.fr\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Picasso Paris<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Guillaume Apollinaire, <em>Les Peintres cubistes. M\u00e9ditations esth\u00e9tiques<\/em>, 1913.<\/li>\n<li>Albert Gleizes et Jean Metzinger, <em>Du \u00ab cubisme \u00bb<\/em>, 1912.<\/li>\n<li>Daniel-Henry Kahnweiler, <em>La Voie du cubisme<\/em>, 1920.<\/li>\n<li>Pierre Daix, <em>Journal du cubisme<\/em>, Skira, 1982.<\/li>\n<li>Brigitte Leal, Christine Piot (dir.), <em>Le Cubisme<\/em>, catalogue, Centre Pompidou, 2018.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-fauvisme\/\">Le fauvisme<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-futurisme\/\">Le futurisme<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Juan Gris, Portrait de Pablo Picasso, 1912 (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Le Cubisme (1907-1925) : voir le monde sous toutes ses faces Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32190,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32191","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/\" \/>\n<meta property=\"og:site_name\" content=\"Orazio Puglisi\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-04T13:24:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/juan-gris-portrait-de-picasso-1912.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"2442\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/\",\"name\":\"Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/juan-gris-portrait-de-picasso-1912.jpg\",\"datePublished\":\"2026-11-04T13:15:14+00:00\",\"dateModified\":\"2026-11-04T13:24:10+00:00\",\"description\":\"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/#primaryimage\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/juan-gris-portrait-de-picasso-1912.jpg\",\"contentUrl\":\"https:\\\/\\\/oraziopuglisi.art\\\/wp-content\\\/uploads\\\/2026\\\/11\\\/juan-gris-portrait-de-picasso-1912.jpg\",\"width\":1920,\"height\":2442,\"caption\":\"Juan Gris, Portrait de Pablo Picasso, 1912\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/index.php\\\/le-cubisme\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/oraziopuglisi.art\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le Cubisme\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#website\",\"url\":\"https:\\\/\\\/oraziopuglisi.art\\\/\",\"name\":\"Oraziopuglisi.art\",\"description\":\"Le beau ! Quoi d&#039;autre ?\",\"publisher\":{\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#\\\/schema\\\/person\\\/25fc9286c60d24f18b651edcc5903c4c\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/oraziopuglisi.art\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/oraziopuglisi.art\\\/#\\\/schema\\\/person\\\/25fc9286c60d24f18b651edcc5903c4c\",\"name\":\"Orazio Puglisi\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g\",\"caption\":\"Orazio Puglisi\"},\"logo\":{\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g\"},\"sameAs\":[\"http:\\\/\\\/oraziopuglisi.art\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi","description":"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/","og_locale":"fr_FR","og_type":"article","og_title":"Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi","og_description":"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026","og_url":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/","og_site_name":"Orazio Puglisi","article_modified_time":"2026-11-04T13:24:10+00:00","og_image":[{"width":1920,"height":2442,"url":"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/juan-gris-portrait-de-picasso-1912.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/","url":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/","name":"Le Cubisme (1907-1925) : voir le monde sous toutes ses faces - Orazio Puglisi","isPartOf":{"@id":"https:\/\/oraziopuglisi.art\/#website"},"primaryImageOfPage":{"@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/#primaryimage"},"image":{"@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/#primaryimage"},"thumbnailUrl":"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/juan-gris-portrait-de-picasso-1912.jpg","datePublished":"2026-11-04T13:15:14+00:00","dateModified":"2026-11-04T13:24:10+00:00","description":"Depuis la Renaissance, la peinture occidentale reposait sur un principe : montrer le monde tel que le voit un \u0153il immobile, \u00e0 travers la fen\u00eatre de la\u2026","breadcrumb":{"@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/#primaryimage","url":"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/juan-gris-portrait-de-picasso-1912.jpg","contentUrl":"https:\/\/oraziopuglisi.art\/wp-content\/uploads\/2026\/11\/juan-gris-portrait-de-picasso-1912.jpg","width":1920,"height":2442,"caption":"Juan Gris, Portrait de Pablo Picasso, 1912"},{"@type":"BreadcrumbList","@id":"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/oraziopuglisi.art\/"},{"@type":"ListItem","position":2,"name":"Le Cubisme"}]},{"@type":"WebSite","@id":"https:\/\/oraziopuglisi.art\/#website","url":"https:\/\/oraziopuglisi.art\/","name":"Oraziopuglisi.art","description":"Le beau ! Quoi d&#039;autre ?","publisher":{"@id":"https:\/\/oraziopuglisi.art\/#\/schema\/person\/25fc9286c60d24f18b651edcc5903c4c"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/oraziopuglisi.art\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/oraziopuglisi.art\/#\/schema\/person\/25fc9286c60d24f18b651edcc5903c4c","name":"Orazio Puglisi","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g","caption":"Orazio Puglisi"},"logo":{"@id":"https:\/\/secure.gravatar.com\/avatar\/b6db1b0cfae43195d5bb3bc41143b8ea702115830550a54531b37cf0fb97e1f6?s=96&d=mm&r=g"},"sameAs":["http:\/\/oraziopuglisi.art"]}]}},"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/32191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=32191"}],"version-history":[{"count":3,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/32191\/revisions"}],"predecessor-version":[{"id":32210,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/32191\/revisions\/32210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/32190"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=32191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}