{"id":31966,"date":"2026-11-02T05:34:14","date_gmt":"2026-11-02T04:34:14","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=31966"},"modified":"2026-11-04T15:20:05","modified_gmt":"2026-11-04T14:20:05","slug":"ethiopie","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/ethiopie\/","title":{"rendered":"Ethiopie"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> Le plafond aux ch\u00e9rubins de l&rsquo;\u00e9glise Debre Berhan Selassie, Gondar, fin du XVIIe si\u00e8cle (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Angelic_Church_Ceiling,_Gondar_(7180709208).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 2.0)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">L&rsquo;art en \u00c9thiopie : trois mille ans de peinture chr\u00e9tienne<\/h2>\n<p class=\"opa-lettrine\">L&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89thiopie\" target=\"_blank\" rel=\"noopener\">\u00c9thiopie<\/a> est l&rsquo;un des plus anciens royaumes chr\u00e9tiens du monde : le roi Ezana d&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Royaume_d'Aksoum\" target=\"_blank\" rel=\"noopener\">Aksoum<\/a> se convertit vers 330. Isol\u00e9e pendant des si\u00e8cles sur ses hauts plateaux, l&rsquo;\u00c9glise orthodoxe \u00e9thiopienne a d\u00e9velopp\u00e9 un art d&rsquo;une originalit\u00e9 extraordinaire : \u00e9glises monolithes de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lalibela\" target=\"_blank\" rel=\"noopener\">Lalibela<\/a> taill\u00e9es dans le roc, manuscrits enlumin\u00e9s parmi les plus anciens de la chr\u00e9tient\u00e9, ic\u00f4nes, rouleaux magiques et peintures murales aux grands yeux en amande. Au XXe si\u00e8cle, la peinture populaire c\u00e9l\u00e9bra la victoire d&rsquo;Adoua (1896) sur l&rsquo;arm\u00e9e italienne.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Stelae,_Aksum,_Ethiopia_(7158408756).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c5\/Stelae%2C_Aksum%2C_Ethiopia_%287158408756%29.jpg\/1920px-Stelae%2C_Aksum%2C_Ethiopia_%287158408756%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"St\u00e8les d'Aksoum\" loading=\"lazy\"><\/a><figcaption>Les st\u00e8les d&rsquo;Aksoum, IIIe-IVe si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Stelae,_Aksum,_Ethiopia_(7158408756).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 2.0)<\/span><\/figcaption><\/figure>\n<h3>Aksoum, le royaume des st\u00e8les<\/h3>\n<p>Du Ier au VIIe si\u00e8cle, le royaume d&rsquo;Aksoum domine le commerce entre la mer Rouge, l&rsquo;Inde et l&rsquo;Empire romain. Ses rois font dresser d&rsquo;immenses st\u00e8les monolithes sculpt\u00e9es comme des immeubles \u00e0 \u00e9tages, dont la plus haute, tomb\u00e9e, mesurait 33 m\u00e8tres. La st\u00e8le emport\u00e9e par l&rsquo;Italie en 1937 a \u00e9t\u00e9 restitu\u00e9e en 2005. Selon la tradition, l&rsquo;Arche d&rsquo;alliance serait conserv\u00e9e dans l&rsquo;\u00e9glise Sainte-Marie-de-Sion d&rsquo;Aksoum.<\/p>\n<h3>Les \u00c9vangiles de Garima<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Garima-Gospels-1.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/73\/Garima-Gospels-1.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"\u00c9vangiles de Garima\" loading=\"lazy\"><\/a><figcaption>Les \u00c9vangiles de Garima, entre le IVe et le VIIe si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Garima-Gospels-1.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Conserv\u00e9s au monast\u00e8re d&rsquo;Abba Garima, pr\u00e8s d&rsquo;Adoua, les \u00c9vangiles de Garima, dat\u00e9s par le carbone 14 entre 330 et 650, sont peut-\u00eatre les plus anciens manuscrits chr\u00e9tiens illustr\u00e9s du monde. Leurs portraits d&rsquo;\u00e9vang\u00e9listes et leurs tables de concordance aux couleurs \u00e9clatantes t\u00e9moignent d&rsquo;un art li\u00e9 \u00e0 la M\u00e9diterran\u00e9e byzantine et syriaque.<\/p>\n<h3>Lalibela, la J\u00e9rusalem africaine<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bete_Giyorgis_01.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a4\/Bete_Giyorgis_01.jpg\/1920px-Bete_Giyorgis_01.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Bete Giyorgis, Lalibela\" loading=\"lazy\"><\/a><figcaption>Bete Giyorgis, \u00e9glise monolithe de Lalibela, XIIIe si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bete_Giyorgis_01.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<p>Au XIIe-XIIIe si\u00e8cle, le roi <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lalibela\" target=\"_blank\" rel=\"noopener\">Lalibela (roi)<\/a> fait creuser dans la roche volcanique onze \u00e9glises monolithes, con\u00e7ues comme une nouvelle J\u00e9rusalem. La plus c\u00e9l\u00e8bre, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bete_Giyorgis\" target=\"_blank\" rel=\"noopener\">Bete Giyorgis<\/a> (Saint-Georges), en forme de croix, est enti\u00e8rement taill\u00e9e vers le bas dans un seul bloc de pierre. Les \u00e9glises de Lalibela sont inscrites au patrimoine mondial depuis 1978 et restent un lieu de p\u00e8lerinage vivant.<\/p>\n<h3>Ic\u00f4nes, manuscrits et peintures murales<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:The_Virgin_Mary_and_Jesus,_Church_of_Debre_Sina,_Lalibela,_Ethiopia_(3237181576).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/6e\/The_Virgin_Mary_and_Jesus%2C_Church_of_Debre_Sina%2C_Lalibela%2C_Ethiopia_%283237181576%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Vierge \u00e0 l'Enfant\" loading=\"lazy\"><\/a><figcaption>La Vierge et l&rsquo;Enfant, peinture \u00e9thiopienne <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:The_Virgin_Mary_and_Jesus,_Church_of_Debre_Sina,_Lalibela,_Ethiopia_(3237181576).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 2.0)<\/span><\/figcaption><\/figure>\n<p>La peinture \u00e9thiopienne a ses propres r\u00e8gles : les personnages saints sont vus de face avec de grands yeux en amande, les m\u00e9chants de profil. Au XVe si\u00e8cle, le culte marial voulu par l&#8217;empereur Zara Yaqob fait multiplier les ic\u00f4nes de la Vierge, inspir\u00e9es d&rsquo;images italiennes. Les \u00e9glises du lac Tana et du Tigr\u00e9 sont couvertes de peintures murales, et les rouleaux magiques protecteurs, peints d&rsquo;anges aux yeux immenses, accompagnent les fid\u00e8les.<\/p>\n<h3>Gondar et Debre Berhan Selassie<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:ET_Gondar_asv2018-02_img18_Fasil_Ghebbi.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/3\/33\/ET_Gondar_asv2018-02_img18_Fasil_Ghebbi.jpg\/1920px-ET_Gondar_asv2018-02_img18_Fasil_Ghebbi.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Fasil Ghebbi, Gondar\" loading=\"lazy\"><\/a><figcaption>Le ch\u00e2teau de Fasilid\u00e8s, Fasil Ghebbi, Gondar <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:ET_Gondar_asv2018-02_img18_Fasil_Ghebbi.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, FAL)<\/span><\/figcaption><\/figure>\n<p>Au XVIIe si\u00e8cle, l&#8217;empereur Fasilid\u00e8s fonde <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gondar\" target=\"_blank\" rel=\"noopener\">Gondar<\/a>, qui se couvre de ch\u00e2teaux cr\u00e9nel\u00e9s (le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fasil_Ghebbi\" target=\"_blank\" rel=\"noopener\">Fasil Ghebbi<\/a>, patrimoine mondial). L&rsquo;\u00e9glise Debre Berhan Selassie (\u00ab Lumi\u00e8re de la Trinit\u00e9 \u00bb) est c\u00e9l\u00e8bre pour son plafond couvert de 135 visages de ch\u00e9rubins ail\u00e9s, et ses murs peints de la vie du Christ et des saints.<\/p>\n<h3>La bataille d&rsquo;Adoua et la peinture populaire<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_painting,_Battle_of_Adwa,_1896.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/27\/Ethiopian_painting%2C_Battle_of_Adwa%2C_1896.jpg\/1920px-Ethiopian_painting%2C_Battle_of_Adwa%2C_1896.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"La bataille d'Adoua\" loading=\"lazy\"><\/a><figcaption><em>La Bataille d&rsquo;Adoua<\/em>, peinture populaire \u00e9thiopienne <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_painting,_Battle_of_Adwa,_1896.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<p>Le 1er mars 1896, l&rsquo;arm\u00e9e de l&#8217;empereur M\u00e9n\u00e9lik II \u00e9crase l&rsquo;arm\u00e9e italienne \u00e0 Adoua, pr\u00e9servant l&rsquo;ind\u00e9pendance de l&rsquo;\u00c9thiopie. Cette victoire devient le sujet favori de la peinture populaire du XXe si\u00e8cle : de grandes toiles montrent saint Georges combattant au-dessus des troupes, l&rsquo;imp\u00e9ratrice Taytu et les canons italiens. Au XXe si\u00e8cle, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Afewerk_Tekle\" target=\"_blank\" rel=\"noopener\">Afewerk Tekle<\/a> et le groupe de l&rsquo;\u00e9cole des beaux-arts d&rsquo;Addis-Abeba renouvellent la peinture \u00e9thiopienne. Leurs \u0153uvres ne sont pas dans le domaine public.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li>Les enlumineurs des \u00c9vangiles de Garima<\/li>\n<li>Les b\u00e2tisseurs de Lalibela<\/li>\n<li>Fre Seyon (XVe si\u00e8cle), peintre de la Vierge<\/li>\n<li>Les peintres de Gondar (XVIIe-XVIIIe si\u00e8cle)<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Afewerk_Tekle\" target=\"_blank\" rel=\"noopener\">Afewerk Tekle<\/a> (1932-2012)<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Gebre_Kristos_Desta\" target=\"_blank\" rel=\"noopener\">Gebre Kristos Desta<\/a> (1932-1981)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>Ier-VIIe s.<\/strong> \u2014 Royaume d&rsquo;Aksoum<\/li>\n<li><strong>vers 330<\/strong> \u2014 Conversion du roi Ezana<\/li>\n<li><strong>IVe-VIIe s.<\/strong> \u2014 \u00c9vangiles de Garima<\/li>\n<li><strong>XIIe-XIIIe s.<\/strong> \u2014 \u00c9glises de Lalibela<\/li>\n<li><strong>1434-1468<\/strong> \u2014 Zara Yaqob, essor du culte marial<\/li>\n<li><strong>1636<\/strong> \u2014 Fondation de Gondar<\/li>\n<li><strong>1896<\/strong> \u2014 Victoire d&rsquo;Adoua<\/li>\n<li><strong>1978<\/strong> \u2014 Lalibela au patrimoine mondial<\/li>\n<li><strong>2005<\/strong> \u2014 Restitution de la st\u00e8le d&rsquo;Aksoum<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian,_Illuminated_Manuscript,_18th_century.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/09\/Ethiopian%2C_Illuminated_Manuscript%2C_18th_century.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Manuscrit \u00e9thiopien\" loading=\"lazy\"><\/a><figcaption>Manuscrit enlumin\u00e9, XVIIIe si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian,_Illuminated_Manuscript,_18th_century.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_Sensul_(Folding_Illuminated_Book)_-_Walters_3610_-_Open.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/4\/42\/Ethiopian_-_Sensul_%28Folding_Illuminated_Book%29_-_Walters_3610_-_Open.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Livre pli\u00e9 \u00e9thiopien\" loading=\"lazy\"><\/a><figcaption>Livre pli\u00e9 enlumin\u00e9 (sensul) <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_Sensul_(Folding_Illuminated_Book)_-_Walters_3610_-_Open.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Archangel_Phanuel,_Ethiopian_scroll.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/a\/a1\/Archangel_Phanuel%2C_Ethiopian_scroll.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Archange Phanuel\" loading=\"lazy\"><\/a><figcaption>L&rsquo;archange Phanuel, rouleau \u00e9thiopien <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Archangel_Phanuel,_Ethiopian_scroll.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_The_Virgin_and_Child_with_Archangels,_Scenes_from_the_Life_of_Christ,_and_Saints_-_Walters_364_-_Open.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/b\/b0\/Ethiopian_-_The_Virgin_and_Child_with_Archangels%2C_Scenes_from_the_Life_of_Christ%2C_and_Saints_-_Walters_364_-_Open.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Vierge et archanges\" loading=\"lazy\"><\/a><figcaption>La Vierge et l&rsquo;Enfant avec les archanges <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_The_Virgin_and_Child_with_Archangels,_Scenes_from_the_Life_of_Christ,_and_Saints_-_Walters_364_-_Open.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_Double-sided_Diptych_with_Mary_at_Dabra_Metmaq_(Front);_Saints_(Back)_-_Walters_368_-_Open_A.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/4\/48\/Ethiopian_-_Double-sided_Diptych_with_Mary_at_Dabra_Metmaq_%28Front%29%3B_Saints_%28Back%29_-_Walters_368_-_Open_A.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Diptyque\" loading=\"lazy\"><\/a><figcaption>Diptyque \u00e0 double face avec la Vierge <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ethiopian_-_Double-sided_Diptych_with_Mary_at_Dabra_Metmaq_(Front);_Saints_(Back)_-_Walters_368_-_Open_A.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bete_Giyorgis-Lalibela_(9).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b2\/Bete_Giyorgis-Lalibela_%289%29.jpg\/1920px-Bete_Giyorgis-Lalibela_%289%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Bete Giyorgis\" loading=\"lazy\"><\/a><figcaption>Bete Giyorgis <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bete_Giyorgis-Lalibela_(9).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Detail,_%22Battle_of_Adwa%22_(2141834582).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d2\/Detail%2C_%22Battle_of_Adwa%22_%282141834582%29.jpg\/1920px-Detail%2C_%22Battle_of_Adwa%22_%282141834582%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Adoua\" loading=\"lazy\"><\/a><figcaption><em>La Bataille d&rsquo;Adoua<\/em>, d\u00e9tail <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Detail,_%22Battle_of_Adwa%22_(2141834582).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 2.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fasilides_Palace_02.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/5b\/Fasilides_Palace_02.jpg\/1920px-Fasilides_Palace_02.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Palais de Fasilid\u00e8s\" loading=\"lazy\"><\/a><figcaption>Le palais de Fasilid\u00e8s, Gondar <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fasilides_Palace_02.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Lalibela+%C3%A9glises+documentaire\" target=\"_blank\" rel=\"noopener\">Lalibela<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Garima+Gospels\" target=\"_blank\" rel=\"noopener\">Les \u00c9vangiles de Garima<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Ethiopian+Christian+art+documentary\" target=\"_blank\" rel=\"noopener\">L&rsquo;art chr\u00e9tien d&rsquo;\u00c9thiopie<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/whc.unesco.org\/fr\/list\/18\" target=\"_blank\" rel=\"noopener\">\u00c9glises taill\u00e9es dans le roc de Lalibela (UNESCO)<\/a><\/li>\n<li><a href=\"https:\/\/whc.unesco.org\/fr\/list\/15\" target=\"_blank\" rel=\"noopener\">Aksoum (UNESCO)<\/a><\/li>\n<li><a href=\"https:\/\/whc.unesco.org\/fr\/list\/19\" target=\"_blank\" rel=\"noopener\">Fasil Ghebbi (UNESCO)<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Jacques Mercier, <em>L&rsquo;Art de l&rsquo;\u00c9thiopie<\/em>, Citadelles et Mazenod, 2021.<\/li>\n<li>Stanislaw Chojnacki, <em>Major Themes in Ethiopian Painting<\/em>, 1983.<\/li>\n<li>Jacques Mercier, <em>Rouleaux magiques \u00e9thiopiens<\/em>, 1979.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/afrique-de-lest\/\">Afrique de l&rsquo;Est<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-peinture-africaine\/\">La Peinture Africaine<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Le plafond aux ch\u00e9rubins de l&rsquo;\u00e9glise Debre Berhan Selassie, Gondar, fin du XVIIe si\u00e8cle (Wikimedia Commons, CC BY-SA 2.0) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres L&rsquo;art en \u00c9thiopie : trois mille ans de peinture chr\u00e9tienne L&rsquo;\u00c9thiopie est l&rsquo;un des plus anciens royaumes chr\u00e9tiens du monde : le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32351,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31966","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;art en \u00c9thiopie : Aksoum, Lalibela, ic\u00f4nes et manuscrits - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"Trois mille ans d&#039;art chr\u00e9tien 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