{"id":31774,"date":"2026-11-01T09:25:43","date_gmt":"2026-11-01T08:25:43","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=31774"},"modified":"2026-11-04T14:58:25","modified_gmt":"2026-11-04T13:58:25","slug":"egypte","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/egypte\/","title":{"rendered":"Egypte"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> Peinture murale du tombeau de la reine N\u00e9fertari, Vall\u00e9e des Reines (QV 66), Th\u00e8bes, vers 1255 av. J.-C. (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Theban_region,_Valley_of_the_Queens,_QV_66,_Tomb_of_Nefertari,_1904-1935,_photo_163_of_227_-_Archivio_fotografico_Museo_Egizio,_Turin_C01662.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">La peinture en \u00c9gypte : cinq mille ans d&rsquo;images<\/h2>\n<p class=\"opa-lettrine\">Aucune civilisation n&rsquo;a peint aussi longtemps et avec autant de constance que l&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89gypte_ancienne\" target=\"_blank\" rel=\"noopener\">\u00c9gypte antique<\/a>. Pendant trois mille ans, les peintres des tombeaux ont repr\u00e9sent\u00e9 les dieux, les pharaons, les travaux des champs et les banquets de l&rsquo;au-del\u00e0, selon des r\u00e8gles immuables et dans des couleurs \u00e9clatantes, que le climat sec a pr\u00e9serv\u00e9es jusqu&rsquo;\u00e0 nous. Puis l&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89gypte\" target=\"_blank\" rel=\"noopener\">\u00c9gypte<\/a> a vu na\u00eetre les portraits du <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fayoum\" target=\"_blank\" rel=\"noopener\">Fayoum<\/a>, l&rsquo;art copte, les splendeurs du Caire fatimide et mamelouk, et, au XXe si\u00e8cle, une peinture moderne qui a cherch\u00e9 \u00e0 renouer avec ce prestigieux h\u00e9ritage.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Facsimile_Painting_of_Geese,_Tomb_of_Nefermaat_and_Itet_MET_DT226227.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/08\/Facsimile_Painting_of_Geese%2C_Tomb_of_Nefermaat_and_Itet_MET_DT226227.jpg\/1920px-Facsimile_Painting_of_Geese%2C_Tomb_of_Nefermaat_and_Itet_MET_DT226227.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Les Oies de Me\u00efdoum\" loading=\"lazy\"><\/a><figcaption><em>Les Oies de Me\u00efdoum<\/em>, tombeau de N\u00e9ferma\u00e2t et Itet, vers 2600 av. J.-C. (fac-simil\u00e9) : l&rsquo;une des plus anciennes peintures c\u00e9l\u00e8bres du monde <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Facsimile_Painting_of_Geese,_Tomb_of_Nefermaat_and_Itet_MET_DT226227.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<h3>La peinture des tombeaux<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tomb_of_Nebamun.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/bd\/Tomb_of_Nebamun.jpg\/1920px-Tomb_of_Nebamun.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Tombeau de Nebamun\" loading=\"lazy\"><\/a><figcaption>Nebamun chassant dans les marais, tombeau de Nebamun, Th\u00e8bes, vers 1350 av. J.-C., British Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tomb_of_Nebamun.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Les \u00c9gyptiens peignaient pour l&rsquo;\u00e9ternit\u00e9. Les murs des tombeaux, couverts d&rsquo;un enduit, recevaient des couleurs min\u00e9rales (ocre, bleu \u00e9gyptien, malachite, noir de carbone) pos\u00e9es \u00e0 plat, selon des conventions strictes : t\u00eate et jambes de profil, \u0153il et \u00e9paules de face, taille des personnages proportionnelle \u00e0 leur rang. Les tombeaux des nobles de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Th%C3%A8bes_(%C3%89gypte)\" target=\"_blank\" rel=\"noopener\">Th\u00e8bes<\/a> sous le Nouvel Empire, comme celui de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nebamun\" target=\"_blank\" rel=\"noopener\">Nebamun<\/a> (British Museum) ou de <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nakht\" target=\"_blank\" rel=\"noopener\">Nakht<\/a>, montrent avec une fra\u00eecheur \u00e9tonnante la chasse dans les marais, les banquets, les musiciennes et les danseuses. Le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tombe_de_N%C3%A9fertari\" target=\"_blank\" rel=\"noopener\">tombeau de N\u00e9fertari<\/a>, \u00e9pouse de Rams\u00e8s II, est surnomm\u00e9 \u00ab la chapelle Sixtine de l&rsquo;\u00c9gypte \u00bb.<\/p>\n<h3>Les portraits du Fayoum<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_egyptian_funerary_portrait_1627_NAMAthens.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/40\/Fayum_egyptian_funerary_portrait_1627_NAMAthens.jpg\/1920px-Fayum_egyptian_funerary_portrait_1627_NAMAthens.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Portrait du Fayoum\" loading=\"lazy\"><\/a><figcaption>Portrait du Fayoum, IIe si\u00e8cle, Mus\u00e9e national d&rsquo;arch\u00e9ologie d&rsquo;Ath\u00e8nes <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_egyptian_funerary_portrait_1627_NAMAthens.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<p>\u00c0 l&rsquo;\u00e9poque romaine (Ier-IIIe si\u00e8cle), dans l&rsquo;oasis du <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fayoum\" target=\"_blank\" rel=\"noopener\">Fayoum<\/a>, les \u00c9gyptiens hell\u00e9nis\u00e9s font placer sur le visage de leurs momies un portrait peint sur bois, \u00e0 l&rsquo;encaustique (cire chaude) ou \u00e0 la d\u00e9trempe. Ces visages aux grands yeux, d&rsquo;un r\u00e9alisme saisissant, sont les seuls portraits peints de l&rsquo;Antiquit\u00e9 gr\u00e9co-romaine parvenus en grand nombre ; ils annoncent l&rsquo;art des ic\u00f4nes. On en conserve environ un millier, au Louvre, au British Museum et au mus\u00e9e du Caire.<\/p>\n<h3>L&rsquo;art copte<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kristus_a_svat%C3%BD_Menas.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/59\/Kristus_a_svat%C3%BD_Menas.jpg\/1920px-Kristus_a_svat%C3%BD_Menas.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Le Christ et l'abb\u00e9 M\u00e9na\" loading=\"lazy\"><\/a><figcaption>Ic\u00f4ne du <em>Christ et de l&rsquo;abb\u00e9 M\u00e9na<\/em>, monast\u00e8re de Baouit, VIe-VIIIe si\u00e8cle, mus\u00e9e du Louvre <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kristus_a_svat%C3%BD_Menas.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Les chr\u00e9tiens d&rsquo;\u00c9gypte, les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Coptes\" target=\"_blank\" rel=\"noopener\">Coptes<\/a>, d\u00e9veloppent du IVe au XIIe si\u00e8cle un art original : tissus brod\u00e9s, sculptures et ic\u00f4nes aux grands yeux h\u00e9rit\u00e9s des portraits du Fayoum. L&rsquo;ic\u00f4ne du <em>Christ et l&rsquo;abb\u00e9 M\u00e9na<\/em> (VIe-VIIIe si\u00e8cle), du monast\u00e8re de Baouit, aujourd&rsquo;hui au Louvre, est l&rsquo;une des plus anciennes ic\u00f4nes connues. Les monast\u00e8res du d\u00e9sert, comme Saint-Antoine sur la mer Rouge, ont conserv\u00e9 de magnifiques ensembles de fresques.<\/p>\n<h3>Le Caire islamique<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Page_of_the_Juz%27_27_of_the_Mamluk_Qur%27an_(CBL_Is_1476,_2v).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/f0\/Page_of_the_Juz%27_27_of_the_Mamluk_Qur%27an_%28CBL_Is_1476%2C_2v%29.jpg\/1920px-Page_of_the_Juz%27_27_of_the_Mamluk_Qur%27an_%28CBL_Is_1476%2C_2v%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Coran mamelouk\" loading=\"lazy\"><\/a><figcaption>Page d&rsquo;un coran mamelouk, XIVe si\u00e8cle, Chester Beatty Library, Dublin <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Page_of_the_Juz%27_27_of_the_Mamluk_Qur%27an_(CBL_Is_1476,_2v).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Sous les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fatimides\" target=\"_blank\" rel=\"noopener\">Fatimides<\/a> (969-1171), qui fondent <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Caire\" target=\"_blank\" rel=\"noopener\">Le Caire<\/a>, puis sous les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mamelouks\" target=\"_blank\" rel=\"noopener\">Mamelouks<\/a> (1250-1517), l&rsquo;\u00c9gypte devient un centre majeur de l&rsquo;art islamique : cristaux de roche taill\u00e9s, c\u00e9ramiques lustr\u00e9es, verres \u00e9maill\u00e9s, bois sculpt\u00e9s et surtout corans enlumin\u00e9s aux frontispices g\u00e9om\u00e9triques d&rsquo;or et de bleu, parmi les plus beaux du monde musulman.<\/p>\n<h3>L&rsquo;\u00c9gypte des orientalistes<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Evening_Prayer,_Cairo_(1865).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3d\/Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Evening_Prayer%2C_Cairo_%281865%29.jpg\/1920px-Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Evening_Prayer%2C_Cairo_%281865%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Jean-L\u00e9on G\u00e9r\u00f4me, La Pri\u00e8re du soir au Caire\" loading=\"lazy\"><\/a><figcaption>Jean-L\u00e9on G\u00e9r\u00f4me, <em>La Pri\u00e8re du soir, Le Caire<\/em>, 1865 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Evening_Prayer,_Cairo_(1865).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>L&rsquo;exp\u00e9dition de Bonaparte (1798-1801) et la <em>Description de l&rsquo;\u00c9gypte<\/em> lancent l&rsquo;\u00e9gyptomanie. Au XIXe si\u00e8cle, les peintres europ\u00e9ens affluent : l&rsquo;\u00c9cossais <a href=\"https:\/\/fr.wikipedia.org\/wiki\/David_Roberts_(peintre)\" target=\"_blank\" rel=\"noopener\">David Roberts<\/a> publie ses c\u00e9l\u00e8bres lithographies des temples et du Caire, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-L%C3%A9on_G%C3%A9r%C3%B4me\" target=\"_blank\" rel=\"noopener\">Jean-L\u00e9on G\u00e9r\u00f4me<\/a> peint des sc\u00e8nes de rue, de pri\u00e8re et de march\u00e9 d&rsquo;une pr\u00e9cision photographique.<\/p>\n<h3>La peinture \u00e9gyptienne moderne<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Nahdet_Misr.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/e7\/Nahdet_Misr.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Mahmoud Mokhtar, Le R\u00e9veil de l'\u00c9gypte\" loading=\"lazy\"><\/a><figcaption>Mahmoud Mokhtar, <em>Le R\u00e9veil de l&rsquo;\u00c9gypte<\/em> (Nahdet Misr), 1928, Le Caire <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Nahdet_Misr.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<p>En 1908, le prince Youssouf Kamal fonde au Caire l&rsquo;\u00c9cole des beaux-arts. Le sculpteur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mahmoud_Mokhtar\" target=\"_blank\" rel=\"noopener\">Mahmoud Mokhtar<\/a> (1891-1934) r\u00e9alise le monument du <em>R\u00e9veil de l&rsquo;\u00c9gypte<\/em>, symbole de la renaissance nationale. Les peintres Mahmoud Sa\u00efd, Mohamed Naghi et Ragheb Ayad cherchent une peinture \u00e0 la fois moderne et \u00e9gyptienne ; dans les ann\u00e9es 1940, le groupe surr\u00e9aliste Art et Libert\u00e9, autour de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Georges_Henein\" target=\"_blank\" rel=\"noopener\">Georges Henein<\/a>, fait du Caire une capitale de l&rsquo;avant-garde. Ces \u0153uvres ne sont pas encore dans le domaine public.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li>Les peintres des tombeaux de Th\u00e8bes (Nouvel Empire)<\/li>\n<li>Les portraitistes du Fayoum (Ier-IIIe si\u00e8cles)<\/li>\n<li>Les peintres d&rsquo;ic\u00f4nes coptes<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/David_Roberts_(peintre)\" target=\"_blank\" rel=\"noopener\">David Roberts<\/a> (1796-1864)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-L%C3%A9on_G%C3%A9r%C3%B4me\" target=\"_blank\" rel=\"noopener\">Jean-L\u00e9on G\u00e9r\u00f4me<\/a> (1824-1904)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mahmoud_Mokhtar\" target=\"_blank\" rel=\"noopener\">Mahmoud Mokhtar<\/a> (1891-1934)<\/li>\n<li>Mohamed Naghi (1888-1956)<\/li>\n<li>Mahmoud Sa\u00efd (1897-1964)<\/li>\n<li>Ragheb Ayad (1892-1982)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Inji_Aflatoun\" target=\"_blank\" rel=\"noopener\">Inji Aflatoun<\/a> (1924-1989)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>vers 2600 av. J.-C.<\/strong> \u2014 <em>Les Oies de Me\u00efdoum<\/em><\/li>\n<li><strong>vers 1350 av. J.-C.<\/strong> \u2014 Tombeau de Nebamun<\/li>\n<li><strong>vers 1255 av. J.-C.<\/strong> \u2014 Tombeau de N\u00e9fertari<\/li>\n<li><strong>Ier-IIIe s.<\/strong> \u2014 Portraits du Fayoum<\/li>\n<li><strong>VIe-VIIIe s.<\/strong> \u2014 Ic\u00f4ne du Christ et de l&rsquo;abb\u00e9 M\u00e9na<\/li>\n<li><strong>969<\/strong> \u2014 Fondation du Caire<\/li>\n<li><strong>1798-1801<\/strong> \u2014 Exp\u00e9dition d&rsquo;\u00c9gypte<\/li>\n<li><strong>1842-1849<\/strong> \u2014 Lithographies de David Roberts<\/li>\n<li><strong>1908<\/strong> \u2014 \u00c9cole des beaux-arts du Caire<\/li>\n<li><strong>1928<\/strong> \u2014 <em>Le R\u00e9veil de l&rsquo;\u00c9gypte<\/em> de Mokhtar<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Theban_region,_Valley_of_the_Queens,_QV_66,_Tomb_of_Nefertari,_1904-1935,_photo_96_of_227_-_Archivio_fotografico_Museo_Egizio,_Turin_E00541.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/0d\/Theban_region%2C_Valley_of_the_Queens%2C_QV_66%2C_Tomb_of_Nefertari%2C_1904-1935%2C_photo_96_of_227_-_Archivio_fotografico_Museo_Egizio%2C_Turin_E00541.jpg\/1920px-Theban_region%2C_Valley_of_the_Queens%2C_QV_66%2C_Tomb_of_Nefertari%2C_1904-1935%2C_photo_96_of_227_-_Archivio_fotografico_Museo_Egizio%2C_Turin_E00541.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Tombeau de N\u00e9fertari\" loading=\"lazy\"><\/a><figcaption>Tombeau de N\u00e9fertari, Vall\u00e9e des Reines <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Theban_region,_Valley_of_the_Queens,_QV_66,_Tomb_of_Nefertari,_1904-1935,_photo_96_of_227_-_Archivio_fotografico_Museo_Egizio,_Turin_E00541.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Detail_of_paintings_from_the_Tomb_of_Nebamun_-_animals_from_the_hunting_scene.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/49\/Detail_of_paintings_from_the_Tomb_of_Nebamun_-_animals_from_the_hunting_scene.jpg\/1920px-Detail_of_paintings_from_the_Tomb_of_Nebamun_-_animals_from_the_hunting_scene.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Tombeau de Nebamun\" loading=\"lazy\"><\/a><figcaption>Tombeau de Nebamun, d\u00e9tail <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Detail_of_paintings_from_the_Tomb_of_Nebamun_-_animals_from_the_hunting_scene.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_mummy_portrait_(c._100-120_AD)_-_British_museum,_EA29772.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/7f\/Fayum_mummy_portrait_%28c._100-120_AD%29_-_British_museum%2C_EA29772.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Portrait du Fayoum\" loading=\"lazy\"><\/a><figcaption>Portrait du Fayoum, vers 100-120, British Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_mummy_portrait_(c._100-120_AD)_-_British_museum,_EA29772.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_mummy_portrait_(c._200)_-_British_museum,_EA65344.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/ee\/Fayum_mummy_portrait_%28c._200%29_-_British_museum%2C_EA65344.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Portrait du Fayoum\" loading=\"lazy\"><\/a><figcaption>Portrait du Fayoum, vers 200, British Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fayum_mummy_portrait_(c._200)_-_British_museum,_EA65344.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:L%27abb%C3%A9_M%C3%A9na_et_le_Christ_01.JPG\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/28\/L%27abb%C3%A9_M%C3%A9na_et_le_Christ_01.JPG?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"L'abb\u00e9 M\u00e9na\" loading=\"lazy\"><\/a><figcaption>Le Christ et l&rsquo;abb\u00e9 M\u00e9na, d\u00e9tail <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:L%27abb%C3%A9_M%C3%A9na_et_le_Christ_01.JPG\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Double-page_from_the_Mamluk_Qur%27an_(CBL_Is_1440).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/66\/Double-page_from_the_Mamluk_Qur%27an_%28CBL_Is_1440%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Coran mamelouk\" loading=\"lazy\"><\/a><figcaption>Double page d&rsquo;un coran mamelouk <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Double-page_from_the_Mamluk_Qur%27an_(CBL_Is_1440).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cairo,_looking_west,_Egypt._Coloured_lithograph_by_Louis_Haghe_Wellcome_V0049365.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a4\/Cairo%2C_looking_west%2C_Egypt._Coloured_lithograph_by_Louis_Haghe_Wellcome_V0049365.jpg\/1920px-Cairo%2C_looking_west%2C_Egypt._Coloured_lithograph_by_Louis_Haghe_Wellcome_V0049365.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"David Roberts, Le Caire\" loading=\"lazy\"><\/a><figcaption>David Roberts, <em>Le Caire, vue vers l&rsquo;ouest<\/em>, lithographie <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cairo,_looking_west,_Egypt._Coloured_lithograph_by_Louis_Haghe_Wellcome_V0049365.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Interview_with_Mehemet_Ali_in_his_Palace_at_Alexandria,_by_David_Roberts_and_Louis_Hague.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/21\/Interview_with_Mehemet_Ali_in_his_Palace_at_Alexandria%2C_by_David_Roberts_and_Louis_Hague.jpg\/1920px-Interview_with_Mehemet_Ali_in_his_Palace_at_Alexandria%2C_by_David_Roberts_and_Louis_Hague.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"David Roberts, M\u00e9h\u00e9met Ali\" loading=\"lazy\"><\/a><figcaption>David Roberts, <em>Audience chez M\u00e9h\u00e9met Ali<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Interview_with_Mehemet_Ali_in_his_Palace_at_Alexandria,_by_David_Roberts_and_Louis_Hague.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_The_Carpet_Merchant_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/0c\/Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_The_Carpet_Merchant_-_Google_Art_Project.jpg\/1920px-Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_The_Carpet_Merchant_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"G\u00e9r\u00f4me, Le Marchand de tapis\" loading=\"lazy\"><\/a><figcaption>Jean-L\u00e9on G\u00e9r\u00f4me, <em>Le Marchand de tapis<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_The_Carpet_Merchant_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cafe_House,_Cairo_(Casting_Bullets)_MET_DT1037.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c7\/Cafe_House%2C_Cairo_%28Casting_Bullets%29_MET_DT1037.jpg\/1920px-Cafe_House%2C_Cairo_%28Casting_Bullets%29_MET_DT1037.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"G\u00e9r\u00f4me, Caf\u00e9 au Caire\" loading=\"lazy\"><\/a><figcaption>Jean-L\u00e9on G\u00e9r\u00f4me, <em>Caf\u00e9 au Caire<\/em>, Metropolitan Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cafe_House,_Cairo_(Casting_Bullets)_MET_DT1037.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=ancient+Egyptian+painting+documentary\" target=\"_blank\" rel=\"noopener\">La peinture \u00e9gyptienne antique<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=tomb+of+Nefertari\" target=\"_blank\" rel=\"noopener\">Le tombeau de N\u00e9fertari<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=portraits+du+Fayoum+documentaire\" target=\"_blank\" rel=\"noopener\">Les portraits du Fayoum<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Grand+Egyptian+Museum\" target=\"_blank\" rel=\"noopener\">Le Grand Mus\u00e9e \u00e9gyptien<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/archive.org\/download\/hellenicportrai00grafgoog\/hellenicportrai00grafgoog.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 <em>The Hellenic Portraits from the Fayum<\/em>, collection Theodor Graf, 1893 (en anglais) (<a href=\"https:\/\/archive.org\/details\/hellenicportrai00grafgoog\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/egyptiansacrific00kyle\/egyptiansacrific00kyle.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 <em>Egyptian Sacrifices: a study of sacrificial scenes in painting<\/em>, 1905 (en anglais) (<a href=\"https:\/\/archive.org\/details\/egyptiansacrific00kyle\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/collections.louvre.fr\" target=\"_blank\" rel=\"noopener\">Antiquit\u00e9s \u00e9gyptiennes, mus\u00e9e du Louvre<\/a><\/li>\n<li><a href=\"https:\/\/visit-gem.com\" target=\"_blank\" rel=\"noopener\">Grand Mus\u00e9e \u00e9gyptien, Gizeh<\/a><\/li>\n<li><a href=\"https:\/\/www.britishmuseum.org\" target=\"_blank\" rel=\"noopener\">Tombeau de Nebamun, British Museum (en anglais)<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Arpag Mekhitarian, <em>La Peinture \u00e9gyptienne<\/em>, Skira, 1954.<\/li>\n<li>Euphrosyne Doxiadis, <em>Portraits du Fayoum<\/em>, Gallimard, 1995.<\/li>\n<li>Marie-H\u00e9l\u00e8ne Rutschowscaya, <em>Coptic Fabrics<\/em>, 1990.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-peinture-au-moyen-orient\/\">La peinture au Moyen-Orient<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Peinture murale du tombeau de la reine N\u00e9fertari, Vall\u00e9e des Reines (QV 66), Th\u00e8bes, vers 1255 av. J.-C. (Wikimedia Commons, CC0) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres La peinture en \u00c9gypte : cinq mille ans d&rsquo;images Aucune civilisation n&rsquo;a peint aussi longtemps et avec autant de constance [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32256,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31774","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La peinture en \u00c9gypte : cinq mille ans d&#039;images - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"Aucune civilisation n&#039;a peint aussi longtemps et avec autant de constance que l&#039;\u00c9gypte antique. 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