{"id":31766,"date":"2026-11-01T09:22:20","date_gmt":"2026-11-01T08:22:20","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=31766"},"modified":"2026-11-04T14:55:11","modified_gmt":"2026-11-04T13:55:11","slug":"irak","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/irak\/","title":{"rendered":"Irak"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> Yahya al-Wasiti, miniature des <em>Maq\u00e2m\u00e2t<\/em> d&rsquo;al-Hariri, Bagdad, 1237, Biblioth\u00e8que nationale de France (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Maqamat_al-Hariri,_folio_86r_(detail).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">L&rsquo;art en Irak : de Sumer \u00e0 l&rsquo;\u00e9cole de Bagdad<\/h2>\n<p class=\"opa-lettrine\">C&rsquo;est entre le Tigre et l&rsquo;Euphrate, en <a href=\"https:\/\/fr.wikipedia.org\/wiki\/M%C3%A9sopotamie\" target=\"_blank\" rel=\"noopener\">M\u00e9sopotamie<\/a>, que sont n\u00e9es l&rsquo;\u00e9criture, la ville et l&rsquo;\u00c9tat. L&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Irak\" target=\"_blank\" rel=\"noopener\">Irak<\/a> actuel a vu se succ\u00e9der les civilisations de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sumer\" target=\"_blank\" rel=\"noopener\">Sumer<\/a>, d&rsquo;Akkad, de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Babylone\" target=\"_blank\" rel=\"noopener\">Babylone<\/a> et d&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Assyrie\" target=\"_blank\" rel=\"noopener\">Assyrie<\/a>, puis la splendeur de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bagdad\" target=\"_blank\" rel=\"noopener\">Bagdad<\/a>, capitale des califes abbassides, o\u00f9 fut peint au XIIIe si\u00e8cle l&rsquo;un des plus beaux livres illustr\u00e9s du monde arabe, les <em><a href=\"https:\/\/es.wikipedia.org\/wiki\/Maqamat\" target=\"_blank\" rel=\"noopener\">Maq\u00e2m\u00e2t<\/a><\/em> d&rsquo;al-Hariri par <a href=\"https:\/\/en.wikipedia.org\/wiki\/Yahya_ibn_Mahmud_al-Wasiti\" target=\"_blank\" rel=\"noopener\">Yahya al-Wasiti<\/a>. Au XXe si\u00e8cle, l&rsquo;\u00e9cole de Bagdad cherchera \u00e0 r\u00e9concilier ce prestigieux pass\u00e9 avec l&rsquo;art moderne.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Standard_of_Ur_-_War.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/f9\/Standard_of_Ur_-_War.jpg\/1920px-Standard_of_Ur_-_War.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"\u00c9tendard d'Ur\" loading=\"lazy\"><\/a><figcaption>L&rsquo;<em>\u00c9tendard d&rsquo;Ur<\/em>, face de la Guerre, vers 2600 av. J.-C., British Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Standard_of_Ur_-_War.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>Sumer et Babylone<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ishtar_gate_in_Pergamon_museum.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/3\/37\/Ishtar_gate_in_Pergamon_museum.jpg\/1920px-Ishtar_gate_in_Pergamon_museum.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Porte d'Ishtar\" loading=\"lazy\"><\/a><figcaption>La porte d&rsquo;Ishtar de Babylone, vers 575 av. J.-C., mus\u00e9e de Pergame, Berlin <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ishtar_gate_in_Pergamon_museum.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<p>Les tombes royales d&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ur_(M%C3%A9sopotamie)\" target=\"_blank\" rel=\"noopener\">Ur<\/a> (vers 2600 av. J.-C.) ont livr\u00e9 des tr\u00e9sors : lyres \u00e0 t\u00eate de taureau, bijoux d&rsquo;or et de lapis-lazuli, et l&rsquo;\u00e9nigmatique <em>\u00c9tendard d&rsquo;Ur<\/em>, mosa\u00efque de coquillages et de pierres qui montre la guerre et la paix. \u00c0 Babylone, Nabuchodonosor II fait \u00e9lever vers 575 av. J.-C. la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/porte_d'Ishtar\" target=\"_blank\" rel=\"noopener\">Porte d&rsquo;Ishtar<\/a>, couverte de briques \u00e9maill\u00e9es bleues o\u00f9 d\u00e9filent lions, taureaux et dragons ; elle est aujourd&rsquo;hui reconstitu\u00e9e au mus\u00e9e de Pergame \u00e0 Berlin.<\/p>\n<h3>Les palais assyriens<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ashurbanipal%27s_lion-hunt_scene,_wall_relief,_7th_century_BC,_from_Nineveh,_the_British_Museum.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/3\/37\/Ashurbanipal%27s_lion-hunt_scene%2C_wall_relief%2C_7th_century_BC%2C_from_Nineveh%2C_the_British_Museum.jpg\/1920px-Ashurbanipal%27s_lion-hunt_scene%2C_wall_relief%2C_7th_century_BC%2C_from_Nineveh%2C_the_British_Museum.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Chasse aux lions d'Assurbanipal\" loading=\"lazy\"><\/a><figcaption>La <em>Chasse aux lions d&rsquo;Assurbanipal<\/em>, Ninive, vers 645 av. J.-C., British Museum <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ashurbanipal%27s_lion-hunt_scene,_wall_relief,_7th_century_BC,_from_Nineveh,_the_British_Museum.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<p>Les rois d&rsquo;Assyrie font sculpter dans leurs palais de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nimroud\" target=\"_blank\" rel=\"noopener\">Nimroud<\/a>, de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Khorsabad\" target=\"_blank\" rel=\"noopener\">Khorsabad<\/a> et de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ninive\" target=\"_blank\" rel=\"noopener\">Ninive<\/a> des kilom\u00e8tres de bas-reliefs racontant leurs guerres et leurs chasses. Les gigantesques taureaux ail\u00e9s \u00e0 t\u00eate humaine, les <em>lamassu<\/em>, gardaient les portes. La <em>Chasse aux lions d&rsquo;Assurbanipal<\/em> (vers 645 av. J.-C.), au British Museum, avec ses lions agonisants, est l&rsquo;un des chefs-d&rsquo;\u0153uvre de l&rsquo;art animalier de tous les temps.<\/p>\n<h3>Samarra et la Bagdad des Abbassides<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dancers_fresco_(copy),_Samarra,_Jawsaq_al-Khaqani_palace,_9th_century.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/1\/19\/Dancers_fresco_%28copy%29%2C_Samarra%2C_Jawsaq_al-Khaqani_palace%2C_9th_century.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Danseuses de Samarra\" loading=\"lazy\"><\/a><figcaption>Danseuses, peinture murale du palais de Jawsaq al-Khaqani, Samarra, IXe si\u00e8cle (copie) <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dancers_fresco_(copy),_Samarra,_Jawsaq_al-Khaqani_palace,_9th_century.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Au IXe si\u00e8cle, les califes abbassides construisent \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Samarra\" target=\"_blank\" rel=\"noopener\">Samarra<\/a> des palais immenses, d\u00e9cor\u00e9s de stucs et de peintures murales : danseuses, chasseurs, animaux, dont des fragments ont \u00e9t\u00e9 retrouv\u00e9s par les arch\u00e9ologues allemands en 1911-1913.<\/p>\n<h3>Al-Wasiti et l&rsquo;\u00e9cole de Bagdad du XIIIe si\u00e8cle<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kitab_al-Diryaq_reading_books_(detail).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/d\/d7\/Kitab_al-Diryaq_reading_books_%28detail%29.jpg\/1920px-Kitab_al-Diryaq_reading_books_%28detail%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Kitab al-Diryaq\" loading=\"lazy\"><\/a><figcaption><em>Kitab al-Diryaq<\/em>, lecteurs de livres, XIIIe si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kitab_al-Diryaq_reading_books_(detail).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Au XIIIe si\u00e8cle, Bagdad est le centre d&rsquo;une brillante \u00e9cole de manuscrits illustr\u00e9s : trait\u00e9s de m\u00e9decine, comme le <em>Kitab al-Diryaq<\/em> (Livre de la th\u00e9riaque), fables de <em>Kalila et Dimna<\/em>, et surtout les <em>Maq\u00e2m\u00e2t<\/em> d&rsquo;al-Hariri, r\u00e9cits picaresques des aventures d&rsquo;Abou Zayd. La copie peinte en 1237 par <a href=\"https:\/\/en.wikipedia.org\/wiki\/Yahya_ibn_Mahmud_al-Wasiti\" target=\"_blank\" rel=\"noopener\">Yahya al-Wasiti<\/a>, conserv\u00e9e \u00e0 la Biblioth\u00e8que nationale de France, montre avec une vivacit\u00e9 extraordinaire la vie quotidienne : caravanes, mosqu\u00e9es, villages, march\u00e9s et biblioth\u00e8ques. La prise de Bagdad par les Mongols en 1258 met fin \u00e0 cet \u00e2ge d&rsquo;or.<\/p>\n<h3>La peinture irakienne moderne<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_River_Scene_on_the_Banks_of_the_Tigris_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/43\/Abdul_Qadir_al-Rassam_-_River_Scene_on_the_Banks_of_the_Tigris_-_Google_Art_Project.jpg\/1920px-Abdul_Qadir_al-Rassam_-_River_Scene_on_the_Banks_of_the_Tigris_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Abdul Qadir al-Rassam, Bords du Tigre\" loading=\"lazy\"><\/a><figcaption>Abdul Qadir al-Rassam, <em>Sc\u00e8ne fluviale sur les bords du Tigre<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_River_Scene_on_the_Banks_of_the_Tigris_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Au d\u00e9but du XXe si\u00e8cle, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Abdul_Qadir_Al_Rassam\" target=\"_blank\" rel=\"noopener\">Abdul Qadir al-Rassam<\/a> (1882-1952), form\u00e9 \u00e0 Istanbul, est le premier peintre irakien de chevalet : il peint des portraits et des paysages du Tigre. En 1951, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jewad_Selim\" target=\"_blank\" rel=\"noopener\">Jewad Selim<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Shakir_Hassan_Al_Said\" target=\"_blank\" rel=\"noopener\">Shakir Hassan al-Sa\u00efd<\/a> fondent le Groupe de Bagdad pour l&rsquo;art moderne, qui veut renouer avec al-Wasiti et l&rsquo;art sum\u00e9rien. Le <em>Monument de la Libert\u00e9<\/em> de Jewad Selim, place Tahrir \u00e0 Bagdad, en est le symbole. Ces \u0153uvres ne sont pas encore dans le domaine public.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li>Les artistes de Sumer, de Babylone et d&rsquo;Assyrie<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Yahya_ibn_Mahmud_al-Wasiti\" target=\"_blank\" rel=\"noopener\">Yahya al-Wasiti<\/a> (actif vers 1237)<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Abdul_Qadir_Al_Rassam\" target=\"_blank\" rel=\"noopener\">Abdul Qadir al-Rassam<\/a> (1882-1952)<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Faik_Hassan\" target=\"_blank\" rel=\"noopener\">Faik Hassan<\/a> (1914-1992)<\/li>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jewad_Selim\" target=\"_blank\" rel=\"noopener\">Jewad Selim<\/a> (1919-1961)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Shakir_Hassan_Al_Said\" target=\"_blank\" rel=\"noopener\">Shakir Hassan al-Sa\u00efd<\/a> (1925-2004)<\/li>\n<li>Dia al-Azzawi (n\u00e9 en 1939)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>vers 2600 av. J.-C.<\/strong> \u2014 Tombes royales d&rsquo;Ur, \u00c9tendard d&rsquo;Ur<\/li>\n<li><strong>vers 1750 av. J.-C.<\/strong> \u2014 Code de Hammurabi<\/li>\n<li><strong>vers 645 av. J.-C.<\/strong> \u2014 Chasse aux lions d&rsquo;Assurbanipal<\/li>\n<li><strong>vers 575 av. J.-C.<\/strong> \u2014 Porte d&rsquo;Ishtar<\/li>\n<li><strong>762<\/strong> \u2014 Fondation de Bagdad<\/li>\n<li><strong>836-892<\/strong> \u2014 Samarra, capitale abbasside<\/li>\n<li><strong>1237<\/strong> \u2014 <em>Maq\u00e2m\u00e2t<\/em> d&rsquo;al-Wasiti<\/li>\n<li><strong>1258<\/strong> \u2014 Prise de Bagdad par les Mongols<\/li>\n<li><strong>1951<\/strong> \u2014 Groupe de Bagdad pour l&rsquo;art moderne<\/li>\n<li><strong>2003<\/strong> \u2014 Pillage du Mus\u00e9e national d&rsquo;Irak<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Human-headed_Winged_Bulls_Gate_Khorsabad_-_Louvre_02a.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/1\/12\/Human-headed_Winged_Bulls_Gate_Khorsabad_-_Louvre_02a.jpg\/1920px-Human-headed_Winged_Bulls_Gate_Khorsabad_-_Louvre_02a.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Lamassu de Khorsabad\" loading=\"lazy\"><\/a><figcaption>Taureaux ail\u00e9s de Khorsabad, mus\u00e9e du Louvre <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Human-headed_Winged_Bulls_Gate_Khorsabad_-_Louvre_02a.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 3.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Standard_of_Ur_-_Peace_Panel_-_Sumer.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b4\/Standard_of_Ur_-_Peace_Panel_-_Sumer.jpg\/1920px-Standard_of_Ur_-_Peace_Panel_-_Sumer.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"\u00c9tendard d'Ur, Paix\" loading=\"lazy\"><\/a><figcaption>L&rsquo;<em>\u00c9tendard d&rsquo;Ur<\/em>, face de la Paix <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Standard_of_Ur_-_Peace_Panel_-_Sumer.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lion_Hunt_of_Ashurbanipal_-_dying_lions.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/4e\/Lion_Hunt_of_Ashurbanipal_-_dying_lions.jpg\/1920px-Lion_Hunt_of_Ashurbanipal_-_dying_lions.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Lions mourants\" loading=\"lazy\"><\/a><figcaption><em>Chasse aux lions d&rsquo;Assurbanipal<\/em>, lions mourants <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lion_Hunt_of_Ashurbanipal_-_dying_lions.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lion_Hunt_of_Ashurbanipal_-_return_from_the_hunt.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Lion_Hunt_of_Ashurbanipal_-_return_from_the_hunt.jpg\/1920px-Lion_Hunt_of_Ashurbanipal_-_return_from_the_hunt.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Retour de chasse\" loading=\"lazy\"><\/a><figcaption><em>Chasse aux lions d&rsquo;Assurbanipal<\/em>, retour de chasse <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lion_Hunt_of_Ashurbanipal_-_return_from_the_hunt.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lamassu_du_palais_de_Khorsabad,_Mus%C3%A9e_du_Louvre.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/02\/Lamassu_du_palais_de_Khorsabad%2C_Mus%C3%A9e_du_Louvre.jpg\/1920px-Lamassu_du_palais_de_Khorsabad%2C_Mus%C3%A9e_du_Louvre.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Lamassu\" loading=\"lazy\"><\/a><figcaption>Lamassu du palais de Khorsabad, Louvre <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Lamassu_du_palais_de_Khorsabad,_Mus%C3%A9e_du_Louvre.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Yahy%C3%A2_ibn_Mahm%C3%BBd_al-W%C3%A2sit%C3%AE_003.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/a\/a0\/Yahy%C3%A2_ibn_Mahm%C3%BBd_al-W%C3%A2sit%C3%AE_003.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"al-Wasiti\" loading=\"lazy\"><\/a><figcaption>Yahya al-Wasiti, <em>Maq\u00e2m\u00e2t<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Yahy%C3%A2_ibn_Mahm%C3%BBd_al-W%C3%A2sit%C3%AE_003.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kitab_al-Diryaq_BNF_1_(Consultation).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/a\/a4\/Kitab_al-Diryaq_BNF_1_%28Consultation%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Kitab al-Diryaq\" loading=\"lazy\"><\/a><figcaption><em>Kitab al-Diryaq<\/em>, consultation, BnF <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Kitab_al-Diryaq_BNF_1_(Consultation).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_Portrait_of_Mohamed_Darouich_al_Allousi_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a9\/Abdul_Qadir_al-Rassam_-_Portrait_of_Mohamed_Darouich_al_Allousi_-_Google_Art_Project.jpg\/1920px-Abdul_Qadir_al-Rassam_-_Portrait_of_Mohamed_Darouich_al_Allousi_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Abdul Qadir al-Rassam\" loading=\"lazy\"><\/a><figcaption>Abdul Qadir al-Rassam, portrait <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_Portrait_of_Mohamed_Darouich_al_Allousi_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_The_Spinster_1925.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Abdul_Qadir_al-Rassam_-_The_Spinster_1925.jpg\/1920px-Abdul_Qadir_al-Rassam_-_The_Spinster_1925.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Abdul Qadir al-Rassam\" loading=\"lazy\"><\/a><figcaption>Abdul Qadir al-Rassam, <em>La Vieille Fille<\/em>, 1925 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Abdul_Qadir_al-Rassam_-_The_Spinster_1925.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Sumer+art+documentary+Ur+royal+tombs\" target=\"_blank\" rel=\"noopener\">Les tr\u00e9sors de Sumer<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Ishtar+Gate+Pergamon+documentary\" target=\"_blank\" rel=\"noopener\">La porte d&rsquo;Ishtar<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Maqamat+al-Hariri+al-Wasiti\" target=\"_blank\" rel=\"noopener\">Les Maq\u00e2m\u00e2t d&rsquo;al-Wasiti<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Jewad+Selim+Baghdad+modern+art\" target=\"_blank\" rel=\"noopener\">Le Groupe de Bagdad et Jewad Selim<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/collections.louvre.fr\" target=\"_blank\" rel=\"noopener\">Antiquit\u00e9s orientales, mus\u00e9e du Louvre<\/a><\/li>\n<li><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b8422965p\" target=\"_blank\" rel=\"noopener\">Les Maq\u00e2m\u00e2t d&rsquo;al-Wasiti sur Gallica (BnF)<\/a><\/li>\n<li><a href=\"https:\/\/www.theiraqmuseum.com\" target=\"_blank\" rel=\"noopener\">Le Mus\u00e9e national d&rsquo;Irak<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Andr\u00e9 Parrot, <em>Sumer<\/em> et <em>Assur<\/em>, collection L&rsquo;Univers des formes, 1960-1961.<\/li>\n<li>Richard Ettinghausen, <em>La Peinture arabe<\/em>, Skira, 1962.<\/li>\n<li>Oleg Grabar, <em>The Illustrations of the Maqamat<\/em>, 1984.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-peinture-au-moyen-orient\/\">La peinture au Moyen-Orient<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/iran\/\">Iran<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Yahya al-Wasiti, miniature des Maq\u00e2m\u00e2t d&rsquo;al-Hariri, Bagdad, 1237, Biblioth\u00e8que nationale de France (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres L&rsquo;art en Irak : de Sumer \u00e0 l&rsquo;\u00e9cole de Bagdad C&rsquo;est entre le Tigre et l&rsquo;Euphrate, en M\u00e9sopotamie, que sont n\u00e9es l&rsquo;\u00e9criture, la ville et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":32251,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31766","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;art en Irak : de Sumer \u00e0 l&#039;\u00e9cole de Bagdad - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"C&#039;est entre le Tigre et l&#039;Euphrate, en M\u00e9sopotamie, que sont n\u00e9es l&#039;\u00e9criture, la ville et l&#039;\u00c9tat. 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