{"id":31592,"date":"2026-10-31T07:01:43","date_gmt":"2026-10-31T06:01:43","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/le-symbolisme\/"},"modified":"2026-10-31T07:01:43","modified_gmt":"2026-10-31T06:01:43","slug":"le-symbolisme","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/le-symbolisme\/","title":{"rendered":"Le Symbolisme"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Gustave Moreau<\/strong>, <em>L\u2019Apparition<\/em> (Salom\u00e9 et la t\u00eate de saint Jean-Baptiste), vers 1876 (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gustave_Moreau_-_The_Apparition_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Le Symbolisme (vers 1880-1910), l\u2019art du r\u00eave et du myst\u00e8re<\/h2>\n<p class=\"opa-lettrine\">\u00c0 la fin du XIX<sup>e<\/sup> si\u00e8cle, en r\u00e9action contre le r\u00e9alisme, le naturalisme et l\u2019impressionnisme, qui ne montrent que le monde visible, des po\u00e8tes et des peintres veulent \u00ab v\u00eatir l\u2019id\u00e9e d\u2019une forme sensible \u00bb. Le symbolisme explore le r\u00eave, le mythe, l\u2019\u00e2me, la mort et le d\u00e9sir, \u00e0 travers des figures \u00e9tranges : sphinx, chim\u00e8res, femmes fatales, anges et visions. N\u00e9 \u00e0 Paris, il gagne Bruxelles, Vienne, Munich, Moscou et Oslo, et pr\u00e9pare le surr\u00e9alisme et l\u2019art abstrait.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Odilon_Redon_-_Closed_Eyes_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/5e\/Odilon_Redon_-_Closed_Eyes_-_Google_Art_Project.jpg\/1920px-Odilon_Redon_-_Closed_Eyes_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Redon\" loading=\"lazy\"><\/a><figcaption><strong>Odilon Redon<\/strong>, <em>Les Yeux clos<\/em>, 1890. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Odilon_Redon_-_Closed_Eyes_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>Un mouvement de po\u00e8tes<\/h3>\n<p>Le mot est lanc\u00e9 par le po\u00e8te Jean Mor\u00e9as dans un manifeste publi\u00e9 par <em>Le Figaro<\/em> le 18 septembre 1886. Mais le symbolisme a pour p\u00e8re <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Charles_Baudelaire\" target=\"_blank\" rel=\"noopener\">Charles Baudelaire<\/a>, dont le po\u00e8me <em>Correspondances<\/em> affirme que \u00ab les parfums, les couleurs et les sons se r\u00e9pondent \u00bb. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/St%C3%A9phane_Mallarm%C3%A9\" target=\"_blank\" rel=\"noopener\">St\u00e9phane Mallarm\u00e9<\/a>, qui re\u00e7oit chaque mardi les artistes dans son salon de la rue de Rome, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Verlaine\" target=\"_blank\" rel=\"noopener\">Paul Verlaine<\/a> (\u00ab De la musique avant toute chose \u00bb), <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arthur_Rimbaud\" target=\"_blank\" rel=\"noopener\">Arthur Rimbaud<\/a>, Maurice Maeterlinck et \u00c9mile Verhaeren en sont les grandes voix. La musique de Wagner, puis celle de Debussy \u2014 <em>Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/em>, <em>Pell\u00e9as et M\u00e9lisande<\/em> \u2014 en sont l\u2019\u00e9cho sonore.<\/p>\n<h3>Les peintres fran\u00e7ais : Moreau, Puvis, Redon<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pierre_Puvis_de_Chavannes_-_The_Poor_Fisherman_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/62\/Pierre_Puvis_de_Chavannes_-_The_Poor_Fisherman_-_Google_Art_Project.jpg\/1920px-Pierre_Puvis_de_Chavannes_-_The_Poor_Fisherman_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Puvis de Chavannes\" loading=\"lazy\"><\/a><figcaption><strong>Pierre Puvis de Chavannes<\/strong>, <em>Le Pauvre P\u00eacheur<\/em>, 1881, Paris, mus\u00e9e d\u2019Orsay. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pierre_Puvis_de_Chavannes_-_The_Poor_Fisherman_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Dans son atelier de la rue de La Rochefoucauld, aujourd\u2019hui mus\u00e9e, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gustave_Moreau\" target=\"_blank\" rel=\"noopener\">Gustave Moreau<\/a> peint des Salom\u00e9, des Orph\u00e9e et des Jupiter couverts de bijoux et d\u2019ornements, dans un monde d\u2019or et de pierreries. Il sera le ma\u00eetre de Matisse et de Rouault. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pierre_Puvis_de_Chavannes\" target=\"_blank\" rel=\"noopener\">Pierre Puvis de Chavannes<\/a> d\u00e9core le Panth\u00e9on de grandes fresques aux couleurs p\u00e2les et aux figures immobiles. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Odilon_Redon\" target=\"_blank\" rel=\"noopener\">Odilon Redon<\/a>, dans ses \u00ab noirs \u00bb au fusain et ses lithographies, fait na\u00eetre des yeux-ballons, des araign\u00e9es souriantes et des t\u00eates flottantes, avant de passer, apr\u00e8s 1890, \u00e0 des pastels aux couleurs de r\u00eave. Les Salons de la Rose-Croix du S\u00e2r P\u00e9ladan (1892-1897) r\u00e9unissent les symbolistes de toute l\u2019Europe.<\/p>\n<h3>La Belgique, l\u2019Allemagne et la Suisse<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fernand_Khnopff_-_Caresses_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/e\/ed\/Fernand_Khnopff_-_Caresses_-_Google_Art_Project.jpg\/1920px-Fernand_Khnopff_-_Caresses_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Khnopff, Des caresses\" loading=\"lazy\"><\/a><figcaption><strong>Fernand Khnopff<\/strong>, <em>Des caresses<\/em> (ou <em>L\u2019Art<\/em>), 1896, Bruxelles, mus\u00e9es royaux des Beaux-Arts. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fernand_Khnopff_-_Caresses_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Bruxelles est l\u2019autre capitale du symbolisme : <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fernand_Khnopff\" target=\"_blank\" rel=\"noopener\">Fernand Khnopff<\/a> peint des femmes-sphinx \u00e9nigmatiques et des villes mortes, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/F%C3%A9licien_Rops\" target=\"_blank\" rel=\"noopener\">F\u00e9licien Rops<\/a> des diableries \u00e9rotiques, Jean Delville des visions \u00e9sot\u00e9riques. En Suisse, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arnold_B%C3%B6cklin\" target=\"_blank\" rel=\"noopener\">Arnold B\u00f6cklin<\/a> peint <em>L\u2019\u00cele des morts<\/em>, et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ferdinand_Hodler\" target=\"_blank\" rel=\"noopener\">Ferdinand Hodler<\/a> des figures hi\u00e9ratiques aux gestes rythm\u00e9s. \u00c0 Munich, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franz_von_Stuck\" target=\"_blank\" rel=\"noopener\">Franz von Stuck<\/a> expose <em>Le P\u00e9ch\u00e9<\/em>, femme nue enlac\u00e9e par un serpent.<\/p>\n<h3>Munch, Klimt et la fin du si\u00e8cle<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edvard_Munch_-_The_Scream_-_NG.M.00939_-_National_Museum_of_Art,_Architecture_and_Design.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b5\/Edvard_Munch_-_The_Scream_-_NG.M.00939_-_National_Museum_of_Art%2C_Architecture_and_Design.jpg\/1920px-Edvard_Munch_-_The_Scream_-_NG.M.00939_-_National_Museum_of_Art%2C_Architecture_and_Design.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Le Cri\" loading=\"lazy\"><\/a><figcaption><strong>Edvard Munch<\/strong>, <em>Le Cri<\/em>, 1893, Oslo, Mus\u00e9e national. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edvard_Munch_-_The_Scream_-_NG.M.00939_-_National_Museum_of_Art,_Architecture_and_Design.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Le Norv\u00e9gien <a href=\"https:\/\/oraziopuglisi.art\/index.php\/edvard-munch\/\">Edvard Munch<\/a> fait du symbolisme le cri de l\u2019angoisse moderne : <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Cri\" target=\"_blank\" rel=\"noopener\">Le Cri<\/a><\/em> (1893), visage terrifi\u00e9 sous un ciel rouge sang, est devenu l\u2019une des images les plus c\u00e9l\u00e8bres de l\u2019art. \u00c0 Vienne, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/gustav-klimt\/\">Gustav Klimt<\/a> et la <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-secession-viennoise\/\">S\u00e9cession viennoise<\/a> marient le symbolisme \u00e0 l\u2019ornement de l\u2019<a href=\"https:\/\/oraziopuglisi.art\/index.php\/art-nouveau\/\">Art nouveau<\/a>, dans <em>Le Baiser<\/em> et la <em>Frise Beethoven<\/em>. En Angleterre, les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pr%C3%A9rapha%C3%A9lisme\" target=\"_blank\" rel=\"noopener\">pr\u00e9rapha\u00e9lites<\/a> \u2014 Dante Gabriel Rossetti, Edward Burne-Jones \u2014 avaient ouvert la voie d\u00e8s 1848. Le symbolisme, par son exploration de l\u2019inconscient et sa libert\u00e9 face \u00e0 la r\u00e9alit\u00e9 visible, annonce \u00e0 la fois le surr\u00e9alisme et l\u2019abstraction de Kandinsky.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gustave_Moreau\" target=\"_blank\" rel=\"noopener\">Gustave Moreau<\/a> (1826-1898)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pierre_Puvis_de_Chavannes\" target=\"_blank\" rel=\"noopener\">Pierre Puvis de Chavannes<\/a> (1824-1898)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Odilon_Redon\" target=\"_blank\" rel=\"noopener\">Odilon Redon<\/a> (1840-1916)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arnold_B%C3%B6cklin\" target=\"_blank\" rel=\"noopener\">Arnold B\u00f6cklin<\/a> (1827-1901)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/F%C3%A9licien_Rops\" target=\"_blank\" rel=\"noopener\">F\u00e9licien Rops<\/a> (1833-1898)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fernand_Khnopff\" target=\"_blank\" rel=\"noopener\">Fernand Khnopff<\/a> (1858-1921)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ferdinand_Hodler\" target=\"_blank\" rel=\"noopener\">Ferdinand Hodler<\/a> (1853-1918)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franz_von_Stuck\" target=\"_blank\" rel=\"noopener\">Franz von Stuck<\/a> (1863-1928)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/edvard-munch\/\">Edvard Munch<\/a> (1863-1944)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/gustav-klimt\/\">Gustav Klimt<\/a> (1862-1918)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Edward_Burne-Jones\" target=\"_blank\" rel=\"noopener\">Edward Burne-Jones<\/a> (1833-1898)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Delville\" target=\"_blank\" rel=\"noopener\">Jean Delville<\/a> (1867-1953)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1857<\/strong> \u2014 Baudelaire, <em>Les Fleurs du mal<\/em><\/li>\n<li><strong>1876<\/strong> \u2014 Moreau, <em>L\u2019Apparition<\/em><\/li>\n<li><strong>1879<\/strong> \u2014 Redon, album de lithographies <em>Dans le r\u00eave<\/em><\/li>\n<li><strong>1880-1886<\/strong> \u2014 B\u00f6cklin, <em>L\u2019\u00cele des morts<\/em> (cinq versions)<\/li>\n<li><strong>1884<\/strong> \u2014 Huysmans, <em>\u00c0 rebours<\/em><\/li>\n<li><strong>1886<\/strong> \u2014 manifeste du symbolisme de Jean Mor\u00e9as<\/li>\n<li><strong>1892<\/strong> \u2014 premier Salon de la Rose-Croix<\/li>\n<li><strong>1893<\/strong> \u2014 Munch, <em>Le Cri<\/em><\/li>\n<li><strong>1896<\/strong> \u2014 Khnopff, <em>Des caresses<\/em><\/li>\n<li><strong>1898<\/strong> \u2014 mort de Moreau, de Puvis de Chavannes et de Mallarm\u00e9<\/li>\n<li><strong>1902<\/strong> \u2014 Klimt, <em>Frise Beethoven<\/em> ; Debussy, <em>Pell\u00e9as et M\u00e9lisande<\/em><\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jupiter_and_Semele_by_Gustave_Moreau.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fd\/Jupiter_and_Semele_by_Gustave_Moreau.jpg\/1920px-Jupiter_and_Semele_by_Gustave_Moreau.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Jupiter et S\u00e9m\u00e9l\u00e9\" loading=\"lazy\"><\/a><figcaption><strong>Gustave Moreau<\/strong>, <em>Jupiter et S\u00e9m\u00e9l\u00e9<\/em>, 1895, Paris, mus\u00e9e Gustave-Moreau. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jupiter_and_Semele_by_Gustave_Moreau.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Odilon_Redon_-_Le_Cyclope.jpeg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/23\/Odilon_Redon_-_Le_Cyclope.jpeg\/1920px-Odilon_Redon_-_Le_Cyclope.jpeg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Le Cyclope\" loading=\"lazy\"><\/a><figcaption><strong>Odilon Redon<\/strong>, <em>Le Cyclope<\/em>, vers 1914, Otterlo, mus\u00e9e Kr\u00f6ller-M\u00fcller. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Odilon_Redon_-_Le_Cyclope.jpeg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Franz_von_Stuck_-_Die_S%C3%BCnde_(1893).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/0d\/Franz_von_Stuck_-_Die_S%C3%BCnde_%281893%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Le P\u00e9ch\u00e9\" loading=\"lazy\"><\/a><figcaption><strong>Franz von Stuck<\/strong>, <em>Le P\u00e9ch\u00e9<\/em>, 1893, Munich, Neue Pinakothek. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Franz_von_Stuck_-_Die_S%C3%BCnde_(1893).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ferdinand_Hodler_-_Die_Nacht_(1889-90).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/1\/10\/Ferdinand_Hodler_-_Die_Nacht_%281889-90%29.jpg\/1920px-Ferdinand_Hodler_-_Die_Nacht_%281889-90%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Hodler, La Nuit\" loading=\"lazy\"><\/a><figcaption><strong>Ferdinand Hodler<\/strong>, <em>La Nuit<\/em>, 1889-1890, Berne, Kunstmuseum. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ferdinand_Hodler_-_Die_Nacht_(1889-90).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edward_coley_burne-jones,_the_golden_stairs,_1880.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/20\/Edward_coley_burne-jones%2C_the_golden_stairs%2C_1880.jpg\/1920px-Edward_coley_burne-jones%2C_the_golden_stairs%2C_1880.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Burne-Jones\" loading=\"lazy\"><\/a><figcaption><strong>Edward Burne-Jones<\/strong>, <em>L\u2019Escalier d\u2019or<\/em>, 1880, Londres, Tate Britain. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edward_coley_burne-jones,_the_golden_stairs,_1880.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 3.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Arnold_B%C3%B6cklin_-_Die_Toteninsel_I_(Basel,_Kunstmuseum).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/d\/de\/Arnold_B%C3%B6cklin_-_Die_Toteninsel_I_%28Basel%2C_Kunstmuseum%29.jpg\/1920px-Arnold_B%C3%B6cklin_-_Die_Toteninsel_I_%28Basel%2C_Kunstmuseum%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"L\u2019\u00cele des morts\" loading=\"lazy\"><\/a><figcaption><strong>Arnold B\u00f6cklin<\/strong>, <em>L\u2019\u00cele des morts<\/em>, 1880, B\u00e2le, Kunstmuseum. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Arnold_B%C3%B6cklin_-_Die_Toteninsel_I_(Basel,_Kunstmuseum).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Gustave+Moreau+mus%C3%A9e\" target=\"_blank\" rel=\"noopener\">Gustave Moreau<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Odilon+Redon+exposition\" target=\"_blank\" rel=\"noopener\">Odilon Redon<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=symbolisme+peinture\" target=\"_blank\" rel=\"noopener\">Le symbolisme en peinture<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/archive.org\/download\/symbolistmovemen00symo\/symbolistmovemen00symo.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Arthur Symons, <em>The Symbolist Movement in Literature<\/em>, Londres, 1899. (<a href=\"https:\/\/archive.org\/details\/symbolistmovemen00symo\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/musee-moreau.fr\/\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Gustave-Moreau (Paris)<\/a><\/li>\n<li><a href=\"https:\/\/www.musee-orsay.fr\/fr\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e d\u2019Orsay<\/a><\/li>\n<li><a href=\"https:\/\/fine-arts-museum.be\/fr\" target=\"_blank\" rel=\"noopener\">Mus\u00e9es royaux des Beaux-Arts de Belgique<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Jean Cassou, <em>Encyclop\u00e9die du symbolisme<\/em>, Somogy, 1979.<\/li>\n<li>Rodolphe Rapetti, <em>Le Symbolisme<\/em>, Flammarion, 2005.<\/li>\n<li>Joris-Karl Huysmans, <em>\u00c0 rebours<\/em>, 1884.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/art-nouveau\/\">Art nouveau<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/symbolisme-russe-art-nouveau\/\">Symbolisme russe et Art nouveau<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-post-impressionnisme\/\">Le Post-impressionnisme<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Gustave Moreau, L\u2019Apparition (Salom\u00e9 et la t\u00eate de saint Jean-Baptiste), vers 1876 (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Le Symbolisme (vers 1880-1910), l\u2019art du r\u00eave et du myst\u00e8re \u00c0 la fin du XIXe si\u00e8cle, en r\u00e9action contre le r\u00e9alisme, le naturalisme et l\u2019impressionnisme, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31591,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31592","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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