{"id":31590,"date":"2026-10-31T07:00:35","date_gmt":"2026-10-31T06:00:35","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/le-post-impressionnisme\/"},"modified":"2026-11-04T14:23:28","modified_gmt":"2026-11-04T13:23:28","slug":"le-post-impressionnisme","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/le-post-impressionnisme\/","title":{"rendered":"Le Post-impressionnisme"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Georges Seurat<\/strong>, <em>Un dimanche apr\u00e8s-midi \u00e0 l\u2019\u00eele de la Grande Jatte<\/em>, 1884-1886, Chicago, Art Institute (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Le Post-impressionnisme (vers 1880-1910), les chemins de l\u2019art moderne<\/h2>\n<p class=\"opa-lettrine\">N\u00e9s de l\u2019<a href=\"https:\/\/oraziopuglisi.art\/index.php\/histoire-de-limpressionnisme\/\">impressionnisme<\/a>, mais insatisfaits de la seule notation des sensations fugitives, quelques peintres de g\u00e9nie \u2014 C\u00e9zanne, Seurat, Van Gogh, Gauguin, Toulouse-Lautrec \u2014 ont ouvert dans les ann\u00e9es 1880 des voies radicalement nouvelles : la construction, la science de la couleur, l\u2019expression des \u00e9motions, le symbole et le r\u00eave. Le mot de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Postimpressionnisme\" target=\"_blank\" rel=\"noopener\">post-impressionnisme<\/a> fut invent\u00e9 en 1910 par le critique anglais Roger Fry. Sans former une \u00e9cole, ces artistes ont pos\u00e9 les fondations de tout l\u2019art du XX<sup>e<\/sup> si\u00e8cle.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg\/1920px-Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Van Gogh, La Nuit \u00e9toil\u00e9e\" loading=\"lazy\"><\/a><figcaption><strong>Vincent van Gogh<\/strong>, <em>La Nuit \u00e9toil\u00e9e<\/em>, 1889, New York, Museum of Modern Art. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Starry_Night_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>C\u00e9zanne : construire la nature<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cezanne_-_Mont_Sainte-Victoire,_Courtauld.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/8\/87\/Cezanne_-_Mont_Sainte-Victoire%2C_Courtauld.jpg\/1920px-Cezanne_-_Mont_Sainte-Victoire%2C_Courtauld.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"C\u00e9zanne, Sainte-Victoire\" loading=\"lazy\"><\/a><figcaption><strong>Paul C\u00e9zanne<\/strong>, <em>La Montagne Sainte-Victoire<\/em>, vers 1887, Londres, Courtauld Gallery. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cezanne_-_Mont_Sainte-Victoire,_Courtauld.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Retir\u00e9 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Aix-en-Provence\" target=\"_blank\" rel=\"noopener\">Aix-en-Provence<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_C%C3%A9zanne\" target=\"_blank\" rel=\"noopener\">Paul C\u00e9zanne<\/a> veut \u00ab faire de l\u2019impressionnisme quelque chose de solide et de durable comme l\u2019art des mus\u00e9es \u00bb. Il reconstruit le paysage par plans de couleur, simplifie les volumes, multiplie les points de vue dans ses natures mortes aux pommes, et peint inlassablement la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Montagne_Sainte-Victoire\" target=\"_blank\" rel=\"noopener\">montagne Sainte-Victoire<\/a>. Il conseille de \u00ab traiter la nature par le cylindre, la sph\u00e8re, le c\u00f4ne \u00bb : Picasso et Braque y puiseront le <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-cubisme\/\">cubisme<\/a>. Matisse et Picasso l\u2019appelleront \u00ab notre p\u00e8re \u00e0 tous \u00bb.<\/p>\n<h3>Seurat et le n\u00e9o-impressionnisme<\/h3>\n<p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/georges-seurat\/\">Georges Seurat<\/a> \u00e9tudie les th\u00e9ories scientifiques de la couleur du chimiste Michel-Eug\u00e8ne Chevreul et invente le \u00ab <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pointillisme\" target=\"_blank\" rel=\"noopener\">pointillisme<\/a> \u00bb ou divisionnisme : de petites touches de couleurs pures, juxtapos\u00e9es, qui se m\u00e9langent dans l\u2019\u0153il du spectateur. <em>Un dimanche apr\u00e8s-midi \u00e0 l\u2019\u00eele de la Grande Jatte<\/em>, pr\u00e9sent\u00e9 \u00e0 la derni\u00e8re exposition impressionniste en 1886, fait sensation. Mort \u00e0 trente et un ans, Seurat laisse \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Signac\" target=\"_blank\" rel=\"noopener\">Paul Signac<\/a> et \u00e0 Henri-Edmond Cross le soin de prolonger le n\u00e9o-impressionnisme, dont les couleurs \u00e9clatantes annoncent le <a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-fauvisme\/\">fauvisme<\/a>.<\/p>\n<h3>Van Gogh : la couleur comme cri<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Sunflowers_(1888,_National_Gallery_London).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fe\/Vincent_van_Gogh_-_Sunflowers_%281888%2C_National_Gallery_London%29.jpg\/1920px-Vincent_van_Gogh_-_Sunflowers_%281888%2C_National_Gallery_London%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Les Tournesols\" loading=\"lazy\"><\/a><figcaption><strong>Vincent van Gogh<\/strong>, <em>Les Tournesols<\/em>, 1888, Londres, National Gallery. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Sunflowers_(1888,_National_Gallery_London).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Fils de pasteur n\u00e9erlandais, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/vincent-van-gogh\/\">Vincent van Gogh<\/a> ne peint que dix ans, de 1880 \u00e0 1890, et ne vend presque rien de son vivant. \u00c0 Paris, il d\u00e9couvre l\u2019impressionnisme et les estampes japonaises ; en Provence, \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arles\" target=\"_blank\" rel=\"noopener\">Arles<\/a> (1888), il peint dans un \u00e9blouissement de lumi\u00e8re <em>Les Tournesols<\/em>, <em>La Chambre \u00e0 coucher<\/em>, <em>Le Caf\u00e9 de nuit<\/em>. Apr\u00e8s la crise o\u00f9 il se tranche l\u2019oreille, il est soign\u00e9 \u00e0 Saint-R\u00e9my-de-Provence, o\u00f9 na\u00eet <em>La Nuit \u00e9toil\u00e9e<\/em>, puis meurt \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Auvers-sur-Oise\" target=\"_blank\" rel=\"noopener\">Auvers-sur-Oise<\/a> en 1890. Ses couleurs violentes et ses touches tourbillonnantes, qui expriment ses \u00e9motions plus que la r\u00e9alit\u00e9, ouvrent la voie \u00e0 l\u2019<a href=\"https:\/\/oraziopuglisi.art\/index.php\/l-expressionnisme\/\">expressionnisme<\/a>.<\/p>\n<h3>Gauguin, Pont-Aven et les Nabis<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gauguin_-_Vision_after_the_Sermon_(1888).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/1\/12\/Gauguin_-_Vision_after_the_Sermon_%281888%29.jpg\/1920px-Gauguin_-_Vision_after_the_Sermon_%281888%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Gauguin, Vision apr\u00e8s le sermon\" loading=\"lazy\"><\/a><figcaption><strong>Paul Gauguin<\/strong>, <em>La Vision apr\u00e8s le sermon<\/em>, 1888, \u00c9dimbourg, National Gallery of Scotland. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gauguin_-_Vision_after_the_Sermon_(1888).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Gauguin\" target=\"_blank\" rel=\"noopener\">Paul Gauguin<\/a>, ancien agent de change devenu peintre, cherche une peinture \u00ab primitive \u00bb et symbolique. \u00c0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pont-Aven\" target=\"_blank\" rel=\"noopener\">Pont-Aven<\/a>, en Bretagne, il invente avec \u00c9mile Bernard le \u00ab synth\u00e9tisme \u00bb : aplats de couleurs pures cern\u00e9es de noir, comme dans les vitraux. <em>La Vision apr\u00e8s le sermon<\/em> (1888) en est le manifeste. Son jeune disciple Paul S\u00e9rusier peint sous sa dict\u00e9e <em>Le Talisman<\/em>, qui donne naissance au groupe des Nabis (\u00ab proph\u00e8tes \u00bb en h\u00e9breu) : Maurice Denis, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pierre_Bonnard\" target=\"_blank\" rel=\"noopener\">Pierre Bonnard<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89douard_Vuillard\" target=\"_blank\" rel=\"noopener\">\u00c9douard Vuillard<\/a>. Fuyant l\u2019Europe, Gauguin part \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tahiti\" target=\"_blank\" rel=\"noopener\">Tahiti<\/a> en 1891, puis aux Marquises, o\u00f9 il meurt en 1903 apr\u00e8s avoir peint son testament : <em>D\u2019o\u00f9 venons-nous ? Que sommes-nous ? O\u00f9 allons-nous ?<\/em><\/p>\n<h3>Toulouse-Lautrec et l\u2019affiche<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Moulin_Rouge-_La_Goulue_MET_DT11780.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c2\/Moulin_Rouge-_La_Goulue_MET_DT11780.jpg\/1920px-Moulin_Rouge-_La_Goulue_MET_DT11780.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Toulouse-Lautrec, La Goulue\" loading=\"lazy\"><\/a><figcaption><strong>Henri de Toulouse-Lautrec<\/strong>, <em>Moulin-Rouge, La Goulue<\/em>, affiche, 1891, New York, Metropolitan Museum of Art. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Moulin_Rouge-_La_Goulue_MET_DT11780.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<p>\u00c0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Montmartre\" target=\"_blank\" rel=\"noopener\">Montmartre<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/henri-de-toulouse-lautrec-2\/\">Henri de Toulouse-Lautrec<\/a> peint les danseuses du Moulin-Rouge, les chanteuses de caf\u00e9-concert comme Aristide Bruant et Yvette Guilbert, et les maisons closes, d\u2019un trait incisif inspir\u00e9 de Degas et des estampes japonaises. Ses affiches lithographi\u00e9es en couleurs, comme <em>Moulin-Rouge, La Goulue<\/em> (1891), font de lui l\u2019inventeur de l\u2019affiche moderne.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_C%C3%A9zanne\" target=\"_blank\" rel=\"noopener\">Paul C\u00e9zanne<\/a> (1839-1906)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Gauguin\" target=\"_blank\" rel=\"noopener\">Paul Gauguin<\/a> (1848-1903)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/vincent-van-gogh\/\">Vincent van Gogh<\/a> (1853-1890)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/georges-seurat\/\">Georges Seurat<\/a> (1859-1891)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Signac\" target=\"_blank\" rel=\"noopener\">Paul Signac<\/a> (1863-1935)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/henri-de-toulouse-lautrec-2\/\">Henri de Toulouse-Lautrec<\/a> (1864-1901)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89mile_Bernard_(peintre)\" target=\"_blank\" rel=\"noopener\">\u00c9mile Bernard<\/a> (1868-1941)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_S%C3%A9rusier\" target=\"_blank\" rel=\"noopener\">Paul S\u00e9rusier<\/a> (1864-1927)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pierre_Bonnard\" target=\"_blank\" rel=\"noopener\">Pierre Bonnard<\/a> (1867-1947)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89douard_Vuillard\" target=\"_blank\" rel=\"noopener\">\u00c9douard Vuillard<\/a> (1868-1940)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1884-1886<\/strong> \u2014 Seurat, <em>Un dimanche apr\u00e8s-midi \u00e0 l\u2019\u00eele de la Grande Jatte<\/em><\/li>\n<li><strong>1886<\/strong> \u2014 derni\u00e8re exposition impressionniste ; Van Gogh \u00e0 Paris<\/li>\n<li><strong>1888<\/strong> \u2014 Van Gogh \u00e0 Arles ; Gauguin, <em>La Vision apr\u00e8s le sermon<\/em> ; S\u00e9rusier, <em>Le Talisman<\/em><\/li>\n<li><strong>1889<\/strong> \u2014 Van Gogh, <em>La Nuit \u00e9toil\u00e9e<\/em><\/li>\n<li><strong>1890<\/strong> \u2014 mort de Van Gogh \u00e0 Auvers-sur-Oise<\/li>\n<li><strong>1891<\/strong> \u2014 Gauguin part pour Tahiti ; Toulouse-Lautrec, <em>Moulin-Rouge, La Goulue<\/em><\/li>\n<li><strong>1895<\/strong> \u2014 premi\u00e8re exposition personnelle de C\u00e9zanne chez Ambroise Vollard<\/li>\n<li><strong>1897<\/strong> \u2014 Gauguin, <em>D\u2019o\u00f9 venons-nous ?<\/em><\/li>\n<li><strong>1906<\/strong> \u2014 mort de C\u00e9zanne<\/li>\n<li><strong>1910<\/strong> \u2014 Roger Fry, exposition <em>Manet and the Post-Impressionists<\/em> \u00e0 Londres<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Les_Joueurs_de_cartes,_par_Paul_C%C3%A9zanne.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/69\/Les_Joueurs_de_cartes%2C_par_Paul_C%C3%A9zanne.jpg\/1920px-Les_Joueurs_de_cartes%2C_par_Paul_C%C3%A9zanne.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Les Joueurs de cartes\" loading=\"lazy\"><\/a><figcaption><strong>Paul C\u00e9zanne<\/strong>, <em>Les Joueurs de cartes<\/em>, 1890-1895. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Les_Joueurs_de_cartes,_par_Paul_C%C3%A9zanne.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Van_Gogh%27s_Bedroom_in_Arles_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/7\/77\/Vincent_van_Gogh_-_Van_Gogh%27s_Bedroom_in_Arles_-_Google_Art_Project.jpg\/1920px-Vincent_van_Gogh_-_Van_Gogh%27s_Bedroom_in_Arles_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"La Chambre \u00e0 Arles\" loading=\"lazy\"><\/a><figcaption><strong>Vincent van Gogh<\/strong>, <em>La Chambre \u00e0 Arles<\/em>, 1888-1889. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincent_van_Gogh_-_Van_Gogh%27s_Bedroom_in_Arles_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gauguin_-_Where_Do_We_Come_From%3F_What_Are_We%3F_Where_Are_We_Going%3F_(1897-98).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/0a\/Gauguin_-_Where_Do_We_Come_From%3F_What_Are_We%3F_Where_Are_We_Going%3F_%281897-98%29.jpg\/1920px-Gauguin_-_Where_Do_We_Come_From%3F_What_Are_We%3F_Where_Are_We_Going%3F_%281897-98%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"D\u2019o\u00f9 venons-nous ?\" loading=\"lazy\"><\/a><figcaption><strong>Paul Gauguin<\/strong>, <em>D\u2019o\u00f9 venons-nous ? Que sommes-nous ? O\u00f9 allons-nous ?<\/em>, 1897, Boston, Museum of Fine Arts. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gauguin_-_Where_Do_We_Come_From%3F_What_Are_We%3F_Where_Are_We_Going%3F_(1897-98).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_S%C3%A9rusier_-_The_Talisman_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/93\/Paul_S%C3%A9rusier_-_The_Talisman_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Le Talisman\" loading=\"lazy\"><\/a><figcaption><strong>Paul S\u00e9rusier<\/strong>, <em>Le Talisman<\/em>, 1888, Paris, mus\u00e9e d\u2019Orsay. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_S%C3%A9rusier_-_The_Talisman_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_Signac_-_The_Port_of_Saint-Tropez_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/7\/75\/Paul_Signac_-_The_Port_of_Saint-Tropez_-_Google_Art_Project.jpg\/1920px-Paul_Signac_-_The_Port_of_Saint-Tropez_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Signac\" loading=\"lazy\"><\/a><figcaption><strong>Paul Signac<\/strong>, <em>Le Port de Saint-Tropez<\/em>, 1901, Tokyo, National Museum of Western Art. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Paul_Signac_-_The_Port_of_Saint-Tropez_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Georges_Seurat_-_The_Circus_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/9\/98\/Georges_Seurat_-_The_Circus_-_Google_Art_Project.jpg\/1920px-Georges_Seurat_-_The_Circus_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Seurat, Le Cirque\" loading=\"lazy\"><\/a><figcaption><strong>Georges Seurat<\/strong>, <em>Le Cirque<\/em>, 1891, Paris, mus\u00e9e d\u2019Orsay. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Georges_Seurat_-_The_Circus_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Van+Gogh+documentaire\" target=\"_blank\" rel=\"noopener\">Van Gogh, la vie et l\u2019\u0153uvre<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=C%C3%A9zanne+Sainte-Victoire\" target=\"_blank\" rel=\"noopener\">C\u00e9zanne et la Sainte-Victoire<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Gauguin+Tahiti+documentaire\" target=\"_blank\" rel=\"noopener\">Gauguin \u00e0 Tahiti<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/archive.org\/download\/lettersofpostimp00goghuoft\/lettersofpostimp00goghuoft.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Vincent van Gogh, <em>The Letters of a Post-Impressionist<\/em>, lettres choisies, traduction anglaise de 1912 (<a href=\"https:\/\/archive.org\/details\/lettersofpostimp00goghuoft\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/manetpostimpress00graf\/manetpostimpress00graf.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 <em>Manet and the Post-Impressionists<\/em>, catalogue de l&rsquo;exposition historique organis\u00e9e par Roger Fry aux Grafton Galleries de Londres, 1910 : c&rsquo;est elle qui inventa le mot \u00ab post-impressionnisme \u00bb (<a href=\"https:\/\/archive.org\/details\/manetpostimpress00graf\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/postimpressionis00hind\/postimpressionis00hind.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 C. Lewis Hind, <em>The Post Impressionists<\/em>, 1911 (en anglais) (<a href=\"https:\/\/archive.org\/details\/postimpressionis00hind\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<li><a href=\"https:\/\/archive.org\/download\/impressionisten00meiegoog\/impressionisten00meiegoog.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Julius Meier-Graefe, <em>Impressionisten : Guys, Manet, van Gogh, Pissarro, C\u00e9zanne<\/em>, 1907 (en allemand) (<a href=\"https:\/\/archive.org\/details\/impressionisten00meiegoog\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.musee-orsay.fr\/fr\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e d\u2019Orsay<\/a><\/li>\n<li><a href=\"https:\/\/www.vangoghmuseum.nl\/fr\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Van Gogh (Amsterdam)<\/a><\/li>\n<li><a href=\"https:\/\/vangoghletters.org\/\" target=\"_blank\" rel=\"noopener\">Les lettres de Van Gogh (\u00e9dition int\u00e9grale)<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Vincent van Gogh, <em>Lettres \u00e0 son fr\u00e8re Th\u00e9o<\/em>, Gallimard.<\/li>\n<li>John Rewald, <em>Le Post-impressionnisme<\/em>, Albin Michel, 1961.<\/li>\n<li>Fran\u00e7oise Cachin, <em>Gauguin, \u00ab Ce malgr\u00e9 moi de sauvage \u00bb<\/em>, Gallimard, \u00ab D\u00e9couvertes \u00bb, 1989.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/histoire-de-limpressionnisme\/\">Histoire de l\u2019impressionnisme<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/claude-monet\/\">Claude Monet<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/edgar-degas\/\">Edgar Degas<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Georges Seurat, Un dimanche apr\u00e8s-midi \u00e0 l\u2019\u00eele de la Grande Jatte, 1884-1886, Chicago, Art Institute (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Le Post-impressionnisme (vers 1880-1910), les chemins de l\u2019art moderne N\u00e9s de l\u2019impressionnisme, mais insatisfaits de la seule notation des sensations fugitives, quelques [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31589,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31590","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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