{"id":31586,"date":"2026-10-31T06:58:18","date_gmt":"2026-10-31T05:58:18","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/le-manierisme\/"},"modified":"2026-10-31T06:58:18","modified_gmt":"2026-10-31T05:58:18","slug":"le-manierisme","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/le-manierisme\/","title":{"rendered":"Le Mani\u00e9risme"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Parmigianino<\/strong>, <em>La Madone au long cou<\/em>, 1534-1540, Florence, Galerie des Offices (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Parmigianino_-_Madonna_and_Child_with_Angels,_known_as_the_Madonna_with_the_Long_Neck.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Le Mani\u00e9risme (vers 1520-1600), l\u2019art de l\u2019\u00e9l\u00e9gance et de l\u2019\u00e9trange<\/h2>\n<p class=\"opa-lettrine\">Apr\u00e8s la perfection harmonieuse atteinte par L\u00e9onard, Rapha\u00ebl et Michel-Ange, une g\u00e9n\u00e9ration d\u2019artistes refuse de simplement imiter leurs ma\u00eetres : elle allonge les corps, tord les poses, invente des couleurs acides et des espaces impossibles. Le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mani%C3%A9risme\" target=\"_blank\" rel=\"noopener\">mani\u00e9risme<\/a>, n\u00e9 \u00e0 Florence et \u00e0 Rome vers 1520, se r\u00e9pand dans toute l\u2019Europe, de Fontainebleau \u00e0 Prague et de Tol\u00e8de \u00e0 Anvers. Longtemps m\u00e9pris\u00e9 comme un art de d\u00e9cadence, il est aujourd\u2019hui admir\u00e9 pour sa sophistication, son inqui\u00e9tude et sa modernit\u00e9.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jacopo_da_Pontormo_-_Deposizione.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/56\/Jacopo_da_Pontormo_-_Deposizione.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Pontormo, La D\u00e9position\" loading=\"lazy\"><\/a><figcaption><strong>Pontormo<\/strong>, <em>La D\u00e9position de croix<\/em>, 1525-1528, Florence, \u00e9glise Santa Felicita : des corps flottants, sans pesanteur, aux couleurs irr\u00e9elles. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Jacopo_da_Pontormo_-_Deposizione.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>La \u00ab mani\u00e8re \u00bb : un nom et une crise<\/h3>\n<p>Le mot vient de l\u2019italien <em>maniera<\/em>, le \u00ab style \u00bb, la \u00ab fa\u00e7on \u00bb : <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giorgio_Vasari\" target=\"_blank\" rel=\"noopener\">Giorgio Vasari<\/a>, peintre et premier historien de l\u2019art, louait la \u00ab belle mani\u00e8re \u00bb des artistes qui travaillaient \u00ab \u00e0 la mani\u00e8re \u00bb de Michel-Ange et de Rapha\u00ebl. Le mani\u00e9risme na\u00eet dans une p\u00e9riode de crise : le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sac_de_Rome_(1527)\" target=\"_blank\" rel=\"noopener\">sac de Rome<\/a> par les troupes de Charles Quint en 1527, la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/R%C3%A9forme_protestante\" target=\"_blank\" rel=\"noopener\">R\u00e9forme protestante<\/a> qui divise l\u2019Europe, les guerres d\u2019Italie. L\u2019\u00e9quilibre serein de la <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-renaissance\/\">Renaissance<\/a> laisse place \u00e0 l\u2019inqui\u00e9tude, \u00e0 la virtuosit\u00e9 et au raffinement extr\u00eame. Michel-Ange lui-m\u00eame, dans le <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Jugement_dernier_(Michel-Ange)\" target=\"_blank\" rel=\"noopener\">Jugement dernier<\/a><\/em> de la chapelle Sixtine (1536-1541), en ouvre la voie.<\/p>\n<h3>Florence et Rome : Pontormo, Rosso, Parmigianino<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Angelo_Bronzino_-_Venus,_Cupid,_Folly_and_Time_-_National_Gallery,_London.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/8\/83\/Angelo_Bronzino_-_Venus%2C_Cupid%2C_Folly_and_Time_-_National_Gallery%2C_London.jpg\/1920px-Angelo_Bronzino_-_Venus%2C_Cupid%2C_Folly_and_Time_-_National_Gallery%2C_London.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Bronzino, All\u00e9gorie\" loading=\"lazy\"><\/a><figcaption><strong>Agnolo Bronzino<\/strong>, <em>All\u00e9gorie du triomphe de V\u00e9nus<\/em>, vers 1545, Londres, National Gallery. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Angelo_Bronzino_-_Venus,_Cupid,_Folly_and_Time_-_National_Gallery,_London.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>\u00c0 Florence, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pontormo\" target=\"_blank\" rel=\"noopener\">Pontormo<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rosso_Fiorentino\" target=\"_blank\" rel=\"noopener\">Rosso Fiorentino<\/a> peignent des figures allong\u00e9es aux visages angoiss\u00e9s et aux couleurs stridentes, roses, verts acides, orang\u00e9s. \u00c0 Parme et \u00e0 Rome, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/parmigianino\/\">Parmigianino<\/a> pousse l\u2019\u00e9l\u00e9gance jusqu\u2019\u00e0 l\u2019\u00e9tranget\u00e9 : sa <em>Madone au long cou<\/em> allonge d\u00e9mesur\u00e9ment le cou de la Vierge et le corps de l\u2019Enfant ; son <em>Autoportrait au miroir convexe<\/em> d\u00e9forme l\u2019image comme dans un jeu optique. Le portraitiste de la cour des M\u00e9dicis, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Agnolo_Bronzino\" target=\"_blank\" rel=\"noopener\">Agnolo Bronzino<\/a>, peint des princes fig\u00e9s dans une beaut\u00e9 glac\u00e9e de porcelaine, et son <em>All\u00e9gorie du triomphe de V\u00e9nus<\/em> est une \u00e9nigme \u00e9rotique et savante. Le sculpteur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_de_Bologne\" target=\"_blank\" rel=\"noopener\">Jean de Bologne<\/a> invente la \u00ab figure serpentine \u00bb qui tourne sur elle-m\u00eame et doit \u00eatre regard\u00e9e de tous les c\u00f4t\u00e9s.<\/p>\n<h3>L\u2019\u00e9cole de Fontainebleau<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gabrielle_d%27Estr%C3%A9es_et_une_de_ses_soeurs_-_Anonyme_-_Mus%C3%A9e_du_Louvre_-_Peintures_RF_1937_1.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/2d\/Gabrielle_d%27Estr%C3%A9es_et_une_de_ses_soeurs_-_Anonyme_-_Mus%C3%A9e_du_Louvre_-_Peintures_RF_1937_1.jpg\/1920px-Gabrielle_d%27Estr%C3%A9es_et_une_de_ses_soeurs_-_Anonyme_-_Mus%C3%A9e_du_Louvre_-_Peintures_RF_1937_1.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Gabrielle d\u2019Estr\u00e9es\" loading=\"lazy\"><\/a><figcaption><strong>\u00c9cole de Fontainebleau<\/strong>, <em>Gabrielle d\u2019Estr\u00e9es et une de ses s\u0153urs<\/em>, vers 1594, Paris, mus\u00e9e du Louvre. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gabrielle_d%27Estr%C3%A9es_et_une_de_ses_soeurs_-_Anonyme_-_Mus%C3%A9e_du_Louvre_-_Peintures_RF_1937_1.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Le roi <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fran%C3%A7ois_Ier_(roi_de_France)\" target=\"_blank\" rel=\"noopener\">Fran\u00e7ois Ier<\/a> appelle en France les Italiens <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rosso_Fiorentino\" target=\"_blank\" rel=\"noopener\">Rosso Fiorentino<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Primatice\" target=\"_blank\" rel=\"noopener\">Primatice<\/a> pour d\u00e9corer le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ch%C3%A2teau_de_Fontainebleau\" target=\"_blank\" rel=\"noopener\">ch\u00e2teau de Fontainebleau<\/a> : la galerie Fran\u00e7ois-Ier, avec ses fresques encadr\u00e9es de stucs, devient le mod\u00e8le d\u2019un mani\u00e9risme fran\u00e7ais raffin\u00e9 et sensuel, l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89cole_de_Fontainebleau\" target=\"_blank\" rel=\"noopener\">\u00e9cole de Fontainebleau<\/a>, dont le plus c\u00e9l\u00e8bre tableau, anonyme, montre <em>Gabrielle d\u2019Estr\u00e9es et une de ses s\u0153urs<\/em> au bain. Le sculpteur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Goujon\" target=\"_blank\" rel=\"noopener\">Jean Goujon<\/a> et le Florentin <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Benvenuto_Cellini\" target=\"_blank\" rel=\"noopener\">Benvenuto Cellini<\/a>, auteur de la <em>Sali\u00e8re de Fran\u00e7ois I<sup>er<\/sup><\/em>, y travaillent aussi.<\/p>\n<h3>Le Greco, Arcimboldo et le mani\u00e9risme europ\u00e9en<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vertumnus_%C3%A5rstidernas_gud_m%C3%A5lad_av_Giuseppe_Arcimboldo_1591_-_Skoklosters_slott_-_91503.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/bf\/Vertumnus_%C3%A5rstidernas_gud_m%C3%A5lad_av_Giuseppe_Arcimboldo_1591_-_Skoklosters_slott_-_91503.jpg\/1920px-Vertumnus_%C3%A5rstidernas_gud_m%C3%A5lad_av_Giuseppe_Arcimboldo_1591_-_Skoklosters_slott_-_91503.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Arcimboldo, Vertumne\" loading=\"lazy\"><\/a><figcaption><strong>Giuseppe Arcimboldo<\/strong>, <em>Vertumne<\/em> (portrait de l\u2019empereur Rodolphe II), vers 1590, ch\u00e2teau de Skokloster (Su\u00e8de). <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vertumnus_%C3%A5rstidernas_gud_m%C3%A5lad_av_Giuseppe_Arcimboldo_1591_-_Skoklosters_slott_-_91503.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Le mani\u00e9risme gagne toute l\u2019Europe. \u00c0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tol%C3%A8de\" target=\"_blank\" rel=\"noopener\">Tol\u00e8de<\/a>, le Cr\u00e9tois <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Greco\" target=\"_blank\" rel=\"noopener\">Le Greco<\/a> peint des visions mystiques aux corps immenses et flamboyants, comme <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/L'Enterrement_du_comte_d'Orgaz\" target=\"_blank\" rel=\"noopener\">L\u2019Enterrement du comte d\u2019Orgaz<\/a><\/em> (1586). \u00c0 Prague, \u00e0 la cour de l\u2019empereur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rodolphe_II_(empereur_du_Saint-Empire)\" target=\"_blank\" rel=\"noopener\">Rodolphe II<\/a>, collectionneur passionn\u00e9 de curiosit\u00e9s, le Milanais <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giuseppe_Arcimboldo\" target=\"_blank\" rel=\"noopener\">Giuseppe Arcimboldo<\/a> compose des portraits faits de fruits, de l\u00e9gumes et de fleurs. Aux Pays-Bas, Bartholomeus Spranger et Hendrick Goltzius exaltent des corps muscl\u00e9s et tourment\u00e9s. Vers 1600, le naturalisme du Caravage et le classicisme des Carrache mettront fin \u00e0 cette aventure et ouvriront l\u2019\u00e8re du <a href=\"https:\/\/oraziopuglisi.art\/index.php\/baroque\/\">baroque<\/a>.<\/p>\n<h3>Les grands artistes<\/h3>\n<ul class=\"opa-chrono\">\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pontormo\" target=\"_blank\" rel=\"noopener\">Pontormo<\/a> (1494-1557)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rosso_Fiorentino\" target=\"_blank\" rel=\"noopener\">Rosso Fiorentino<\/a> (1494-1540)<\/li>\n<li><a href=\"https:\/\/oraziopuglisi.art\/index.php\/parmigianino\/\">Parmigianino<\/a> (1503-1540)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Agnolo_Bronzino\" target=\"_blank\" rel=\"noopener\">Agnolo Bronzino<\/a> (1503-1572)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giorgio_Vasari\" target=\"_blank\" rel=\"noopener\">Giorgio Vasari<\/a> (1511-1574)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Primatice\" target=\"_blank\" rel=\"noopener\">Primatice<\/a> (1504-1570)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Benvenuto_Cellini\" target=\"_blank\" rel=\"noopener\">Benvenuto Cellini<\/a> (1500-1571)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_de_Bologne\" target=\"_blank\" rel=\"noopener\">Jean de Bologne<\/a> (1529-1608)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giuseppe_Arcimboldo\" target=\"_blank\" rel=\"noopener\">Giuseppe Arcimboldo<\/a> (1527-1593)<\/li>\n<li><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Greco\" target=\"_blank\" rel=\"noopener\">Le Greco<\/a> (1541-1614)<\/li>\n<\/ul>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1520<\/strong> \u2014 mort de Rapha\u00ebl ; d\u00e9buts de Pontormo et de Rosso<\/li>\n<li><strong>1527<\/strong> \u2014 sac de Rome par les troupes de Charles Quint<\/li>\n<li><strong>1528<\/strong> \u2014 Rosso et Primatice \u00e0 Fontainebleau<\/li>\n<li><strong>1534-1540<\/strong> \u2014 Parmigianino, <em>La Madone au long cou<\/em><\/li>\n<li><strong>1536-1541<\/strong> \u2014 Michel-Ange, <em>Le Jugement dernier<\/em><\/li>\n<li><strong>1550<\/strong> \u2014 Vasari, <em>Les Vies des meilleurs peintres<\/em><\/li>\n<li><strong>1545-1563<\/strong> \u2014 concile de Trente<\/li>\n<li><strong>1586<\/strong> \u2014 Le Greco, <em>L\u2019Enterrement du comte d\u2019Orgaz<\/em><\/li>\n<li><strong>vers 1590<\/strong> \u2014 Arcimboldo, <em>Vertumne<\/em><\/li>\n<li><strong>vers 1600<\/strong> \u2014 Caravage et les Carrache ouvrent l\u2019\u00e8re baroque<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Francesco_Mazzola,_called_Parmigianino_-_Self-Portrait_in_a_Convex_Mirror_-_Google_Art_ProjectFXD.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/47\/Francesco_Mazzola%2C_called_Parmigianino_-_Self-Portrait_in_a_Convex_Mirror_-_Google_Art_ProjectFXD.jpg\/1920px-Francesco_Mazzola%2C_called_Parmigianino_-_Self-Portrait_in_a_Convex_Mirror_-_Google_Art_ProjectFXD.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Autoportrait au miroir convexe\" loading=\"lazy\"><\/a><figcaption><strong>Parmigianino<\/strong>, <em>Autoportrait au miroir convexe<\/em>, vers 1524, Vienne, Kunsthistorisches Museum. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Francesco_Mazzola,_called_Parmigianino_-_Self-Portrait_in_a_Convex_Mirror_-_Google_Art_ProjectFXD.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:El_Greco_-_The_Burial_of_the_Count_of_Orgaz.JPG\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/ff\/El_Greco_-_The_Burial_of_the_Count_of_Orgaz.JPG?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Le Greco\" loading=\"lazy\"><\/a><figcaption><strong>Le Greco<\/strong>, <em>L\u2019Enterrement du comte d\u2019Orgaz<\/em>, 1586, Tol\u00e8de, \u00e9glise Santo Tom\u00e9. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:El_Greco_-_The_Burial_of_the_Count_of_Orgaz.JPG\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rosso_fiorentino,_mos%C3%A8_difende_le_figlie_di_jetro,_1523_ca._08_mani.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/43\/Rosso_fiorentino%2C_mos%C3%A8_difende_le_figlie_di_jetro%2C_1523_ca._08_mani.jpg\/1920px-Rosso_fiorentino%2C_mos%C3%A8_difende_le_figlie_di_jetro%2C_1523_ca._08_mani.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Rosso Fiorentino\" loading=\"lazy\"><\/a><figcaption><strong>Rosso Fiorentino<\/strong>, <em>Mo\u00efse d\u00e9fendant les filles de Jethro<\/em>, vers 1523, Florence, Offices. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rosso_fiorentino,_mos%C3%A8_difende_le_figlie_di_jetro,_1523_ca._08_mani.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_the_Sabine_Women_by_Giambologna-Loggia_dei_Lanzi-.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a0\/Rape_of_the_Sabine_Women_by_Giambologna-Loggia_dei_Lanzi-.jpg\/1920px-Rape_of_the_Sabine_Women_by_Giambologna-Loggia_dei_Lanzi-.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Jean de Bologne\" loading=\"lazy\"><\/a><figcaption><strong>Jean de Bologne<\/strong>, <em>L\u2019Enl\u00e8vement des Sabines<\/em>, 1583, Florence, loggia dei Lanzi. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Rape_of_the_Sabine_Women_by_Giambologna-Loggia_dei_Lanzi-.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Saliera_Cellini_Vienna_18_04_2013_01_B.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/3\/39\/Saliera_Cellini_Vienna_18_04_2013_01_B.jpg\/1920px-Saliera_Cellini_Vienna_18_04_2013_01_B.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Sali\u00e8re de Cellini\" loading=\"lazy\"><\/a><figcaption><strong>Benvenuto Cellini<\/strong>, <em>Sali\u00e8re de Fran\u00e7ois I<sup>er<\/sup><\/em>, 1540-1543, Vienne, Kunsthistorisches Museum. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Saliera_Cellini_Vienna_18_04_2013_01_B.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ch%C3%A2teau_de_Fontainebleau_-_Galerie_Fran%C3%A7ois_Ier_(1).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/1\/16\/Ch%C3%A2teau_de_Fontainebleau_-_Galerie_Fran%C3%A7ois_Ier_%281%29.jpg\/1920px-Ch%C3%A2teau_de_Fontainebleau_-_Galerie_Fran%C3%A7ois_Ier_%281%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Galerie Fran\u00e7ois-Ier\" loading=\"lazy\"><\/a><figcaption><strong>La galerie Fran\u00e7ois-I<sup>er<\/sup><\/strong> du ch\u00e2teau de Fontainebleau. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ch%C3%A2teau_de_Fontainebleau_-_Galerie_Fran%C3%A7ois_Ier_(1).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=mani%C3%A9risme+peinture\" target=\"_blank\" rel=\"noopener\">Le mani\u00e9risme expliqu\u00e9<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Pontormo+Deposizione+Santa+Felicita\" target=\"_blank\" rel=\"noopener\">Pontormo, La D\u00e9position<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Arcimboldo+exposition\" target=\"_blank\" rel=\"noopener\">Arcimboldo<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.uffizi.it\/fr\" target=\"_blank\" rel=\"noopener\">Galerie des Offices (Florence)<\/a><\/li>\n<li><a href=\"https:\/\/www.chateaudefontainebleau.fr\/\" target=\"_blank\" rel=\"noopener\">Ch\u00e2teau de Fontainebleau<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Arnold Hauser, <em>Le Mani\u00e9risme<\/em>, Gallimard, 1982.<\/li>\n<li>Patricia Falgui\u00e8res, <em>Le Mani\u00e9risme<\/em>, Gallimard, \u00ab D\u00e9couvertes \u00bb, 2004.<\/li>\n<li>Giorgio Vasari, <em>Les Vies des meilleurs peintres, sculpteurs et architectes<\/em>, 1550.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/chronologie-des-mouvements-artistiques\/\">Chronologie des mouvements artistiques<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-renaissance\/\">La Renaissance<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/baroque\/\">Le Baroque<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/michel-ange\/\">Michel-Ange<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/raphael\/\">Rapha\u00ebl<\/a> et <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-arts\/\">Les Arts<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Parmigianino, La Madone au long cou, 1534-1540, Florence, Galerie des Offices (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Le Mani\u00e9risme (vers 1520-1600), l\u2019art de l\u2019\u00e9l\u00e9gance et de l\u2019\u00e9trange Apr\u00e8s la perfection harmonieuse atteinte par L\u00e9onard, Rapha\u00ebl et Michel-Ange, une g\u00e9n\u00e9ration d\u2019artistes refuse de simplement [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31585,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31586","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Mani\u00e9risme (vers 1520-1600), l\u2019art de l\u2019\u00e9l\u00e9gance et de\u2026 - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"Apr\u00e8s la perfection harmonieuse atteinte par L\u00e9onard, Rapha\u00ebl et Michel-Ange, une g\u00e9n\u00e9ration d\u2019artistes refuse de simplement imiter leurs ma\u00eetres : elle\u2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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