{"id":31569,"date":"2026-10-31T00:44:59","date_gmt":"2026-10-30T23:44:59","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/erik-satie\/"},"modified":"2026-10-31T00:44:59","modified_gmt":"2026-10-30T23:44:59","slug":"erik-satie","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/erik-satie\/","title":{"rendered":"Erik Satie"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Th\u00e9ophile-Alexandre Steinlen<\/strong>, affiche de la <em>Tourn\u00e9e du Chat Noir<\/em>, 1896 : le cabaret de Montmartre o\u00f9 Satie fut pianiste (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tourn%C3%A9e_du_Chat_Noir,_by_Th%C3%A9ophile_Alexandre_Steinlen.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Erik Satie (1866-1925), le \u00ab Velvet Gentleman \u00bb<\/h2>\n<style>.opa-audio{margin:.8em 0 1.4em}.opa-audio audio{width:100%}.opa-audio-cap{font-size:.78em;margin-top:.3em;opacity:.85}.opa-chrono li{margin:.3em 0}<\/style>\n<p class=\"opa-lettrine\">Excentrique en costume de velours, chapeau melon et parapluie, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Erik_Satie\" target=\"_blank\" rel=\"noopener\">Erik Satie<\/a> (1866-1925) a dynamit\u00e9 les conventions de la musique avec un humour et une simplicit\u00e9 d\u00e9sarmants. Ses <em>Gymnop\u00e9dies<\/em> et ses <em>Gnossiennes<\/em>, d\u2019une nudit\u00e9 m\u00e9lancolique, sont parmi les pi\u00e8ces pour piano les plus jou\u00e9es au monde ; ses titres farfelus \u2014 <em>Trois morceaux en forme de poire<\/em>, <em>Embryons dess\u00e9ch\u00e9s<\/em> \u2014 et son ballet <em>Parade<\/em>, avec Picasso et Cocteau, ont fait de lui le pr\u00e9curseur du minimalisme, de la musique d\u2019ambiance et de bien des avant-gardes.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Satie_portret_Valadon_1893.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/51\/Satie_portret_Valadon_1893.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Erik Satie par Suzanne Valadon\" loading=\"lazy\"><\/a><figcaption><strong>Suzanne Valadon<\/strong>, <em>Portrait d\u2019Erik Satie<\/em>, 1892-1893, Paris, Centre Pompidou : la seule histoire d\u2019amour connue du compositeur. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Satie_portret_Valadon_1893.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>Honfleur et le Conservatoire (1866-1887)<\/h3>\n<p>\u00c9ric Alfred Leslie Satie na\u00eet le 17 mai 1866 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Honfleur\" target=\"_blank\" rel=\"noopener\">Honfleur<\/a>, en Normandie, d\u2019un p\u00e8re courtier maritime et d\u2019une m\u00e8re \u00e9cossaise, qui meurt quand il a six ans. Il est \u00e9lev\u00e9 en partie par ses grands-parents, puis rejoint son p\u00e8re \u00e0 Paris. Au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Conservatoire_de_Paris\" target=\"_blank\" rel=\"noopener\">Conservatoire de Paris<\/a>, ses professeurs le jugent \u00ab paresseux \u00bb et \u00ab le plus paresseux du Conservatoire \u00bb ; il en est renvoy\u00e9. Il s\u2019engage dans l\u2019infanterie pour s\u2019en lib\u00e9rer, puis s\u2019arrange, dit-on, pour attraper une bronchite afin d\u2019\u00eatre r\u00e9form\u00e9.<\/p>\n<h3>Montmartre et les Gymnop\u00e9dies (1887-1898)<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:El_bohemi_by_Ramon_Casas.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/0a\/El_bohemi_by_Ramon_Casas.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Satie par Ramon Casas\" loading=\"lazy\"><\/a><figcaption><strong>Ramon Casas<\/strong>, <em>Le Boh\u00e8me<\/em> (portrait d\u2019Erik Satie \u00e0 Montmartre), 1891, Evanston, Northwestern University. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:El_bohemi_by_Ramon_Casas.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>Install\u00e9 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Montmartre\" target=\"_blank\" rel=\"noopener\">Montmartre<\/a>, Satie devient pianiste au c\u00e9l\u00e8bre cabaret du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Chat_noir\" target=\"_blank\" rel=\"noopener\">Chat Noir<\/a>, puis \u00e0 l\u2019Auberge du Clou, o\u00f9 il rencontre <a href=\"https:\/\/oraziopuglisi.art\/index.php\/debussy\/\">Claude Debussy<\/a>, qui sera son ami pendant trente ans. Il compose en 1888 les trois <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gymnop%C3%A9dies\" target=\"_blank\" rel=\"noopener\">Gymnop\u00e9dies<\/a><\/em>, lentes et d\u00e9pouill\u00e9es, puis les <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gnossiennes\" target=\"_blank\" rel=\"noopener\">Gnossiennes<\/a><\/em>, \u00e9crites sans barres de mesure, avec des indications comme \u00ab Sur le bout de la pens\u00e9e \u00bb ou \u00ab Postulez en vous-m\u00eame \u00bb. Compositeur attitr\u00e9 de l\u2019ordre \u00e9sot\u00e9rique de la Rose-Croix du S\u00e2r P\u00e9ladan, il fonde ensuite sa propre \u00ab \u00c9glise m\u00e9tropolitaine d\u2019art de J\u00e9sus conducteur \u00bb, dont il est l\u2019unique fid\u00e8le. En 1893, il vit une passion orageuse de six mois avec la peintre <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Suzanne_Valadon\" target=\"_blank\" rel=\"noopener\">Suzanne Valadon<\/a>, qui fait son portrait ; il ne se mariera jamais.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/90\/Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/9\/90\/Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg\/Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Satie, <em>Gymnop\u00e9die n<sup>o<\/sup> 1<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Arcueil et la Schola Cantorum (1898-1915)<\/h3>\n<p>En 1898, Satie, pauvre, s\u2019installe dans une petite chambre \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arcueil\" target=\"_blank\" rel=\"noopener\">Arcueil<\/a>, dans la banlieue sud de Paris, o\u00f9 personne n\u2019entrera de son vivant ; chaque jour, il se rend \u00e0 pied \u00e0 Paris et rentre la nuit. Il gagne sa vie en accompagnant des chanteurs de caf\u00e9-concert et \u00e9crit des valses \u00e0 succ\u00e8s comme <em>Je te veux<\/em>. En 1905, \u00e0 trente-neuf ans, il s\u2019inscrit comme \u00e9l\u00e8ve \u00e0 la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Schola_Cantorum_de_Paris\" target=\"_blank\" rel=\"noopener\">Schola Cantorum<\/a> pour \u00e9tudier le contrepoint avec Albert Roussel et Vincent d\u2019Indy. Il publie des pi\u00e8ces aux titres et aux indications humoristiques : <em>Trois morceaux en forme de poire<\/em>, <em>V\u00e9ritables pr\u00e9ludes flasques (pour un chien)<\/em>, <em>Embryons dess\u00e9ch\u00e9s<\/em>, <em>Sports et divertissements<\/em>. En 1911, Ravel et Debussy font jouer ses \u0153uvres anciennes : Satie devient soudain une figure admir\u00e9e.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/91\/Satie_-_Gnossienne_1.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/9\/91\/Satie_-_Gnossienne_1.ogg\/Satie_-_Gnossienne_1.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Satie, <em>Gnossienne n<sup>o<\/sup> 1<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Satie_-_Gnossienne_1.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Parade et les derni\u00e8res ann\u00e9es (1917-1925)<\/h3>\n<p>Le 18 mai 1917, en pleine guerre, les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ballets_russes\" target=\"_blank\" rel=\"noopener\">Ballets russes<\/a> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Serge_de_Diaghilev\" target=\"_blank\" rel=\"noopener\">Serge de Diaghilev<\/a> cr\u00e9ent au th\u00e9\u00e2tre du Ch\u00e2telet <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Parade_(ballet)\" target=\"_blank\" rel=\"noopener\">Parade (ballet)<\/a><\/em>, sur un argument de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Cocteau\" target=\"_blank\" rel=\"noopener\">Jean Cocteau<\/a>, avec des d\u00e9cors et des costumes cubistes de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pablo_Picasso\" target=\"_blank\" rel=\"noopener\">Pablo Picasso<\/a> et une musique de Satie o\u00f9 r\u00e9sonnent machines \u00e0 \u00e9crire, sir\u00e8nes et coups de revolver : c\u2019est un scandale retentissant. Les jeunes musiciens du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Les_Six\" target=\"_blank\" rel=\"noopener\">Groupe des Six<\/a> \u2014 Poulenc, Milhaud, Honegger \u2014 font de lui leur ma\u00eetre. Il compose encore le drame symphonique <em>Socrate<\/em> (1918), sur des textes de Platon, invente la \u00ab musique d\u2019ameublement \u00bb, destin\u00e9e \u00e0 ne pas \u00eatre \u00e9cout\u00e9e, et, en 1924, le ballet <em>Rel\u00e2che<\/em>, avec le film <em>Entr\u2019acte<\/em> de Ren\u00e9 Clair. Il meurt \u00e0 Paris le 1<sup>er<\/sup> juillet 1925. Dans sa chambre d\u2019Arcueil, ses amis d\u00e9couvrent deux pianos attach\u00e9s l\u2019un sur l\u2019autre, une centaine de parapluies, douze costumes de velours identiques et des milliers de papiers.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/06\/Je_te_Veux.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/0\/06\/Je_te_Veux.ogg\/Je_te_Veux.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Satie, <em>Je te veux<\/em>, valse <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Je_te_Veux.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1866<\/strong> \u2014 naissance \u00e0 Honfleur, le 17 mai<\/li>\n<li><strong>1879<\/strong> \u2014 entre au Conservatoire de Paris<\/li>\n<li><strong>1887<\/strong> \u2014 installation \u00e0 Montmartre ; pianiste au Chat Noir<\/li>\n<li><strong>1888<\/strong> \u2014 <em>Gymnop\u00e9dies<\/em><\/li>\n<li><strong>1890<\/strong> \u2014 <em>Gnossiennes<\/em><\/li>\n<li><strong>1891<\/strong> \u2014 compositeur de la Rose-Croix<\/li>\n<li><strong>1893<\/strong> \u2014 liaison avec Suzanne Valadon<\/li>\n<li><strong>1898<\/strong> \u2014 installation \u00e0 Arcueil<\/li>\n<li><strong>1903<\/strong> \u2014 <em>Trois morceaux en forme de poire<\/em><\/li>\n<li><strong>1905-1908<\/strong> \u2014 \u00e9l\u00e8ve de la Schola Cantorum<\/li>\n<li><strong>1917<\/strong> \u2014 <em>Parade<\/em>, avec Cocteau et Picasso<\/li>\n<li><strong>1918<\/strong> \u2014 <em>Socrate<\/em><\/li>\n<li><strong>1924<\/strong> \u2014 <em>Rel\u00e2che<\/em> et <em>Entr\u2019acte<\/em><\/li>\n<li><strong>1925<\/strong> \u2014 mort \u00e0 Paris, le 1<sup>er<\/sup> juillet<\/li>\n<\/ul>\n<h3>\u0152uvres majeures<\/h3>\n<ul class=\"opa-chrono\">\n<li><em>Gymnop\u00e9dies<\/em> (1888) et <em>Gnossiennes<\/em> (1890)<\/li>\n<li><em>Trois morceaux en forme de poire<\/em> (1903) pour piano \u00e0 quatre mains<\/li>\n<li><em>Je te veux<\/em>, <em>La Diva de l\u2019Empire<\/em>, <em>Tendrement<\/em> (chansons de caf\u00e9-concert)<\/li>\n<li><em>V\u00e9ritables pr\u00e9ludes flasques<\/em>, <em>Embryons dess\u00e9ch\u00e9s<\/em>, <em>Sports et divertissements<\/em><\/li>\n<li><em>Vexations<\/em>, \u00e0 r\u00e9p\u00e9ter 840 fois<\/li>\n<li>Les ballets <em>Parade<\/em> (1917), <em>Mercure<\/em> et <em>Rel\u00e2che<\/em> (1924)<\/li>\n<li><em>Socrate<\/em>, drame symphonique (1918)<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Maison_erik_satie_honfleur_02.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/cd\/Maison_erik_satie_honfleur_02.jpg\/1920px-Maison_erik_satie_honfleur_02.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Maison natale de Satie\" loading=\"lazy\"><\/a><figcaption><strong>La maison natale de Satie<\/strong> \u00e0 Honfleur, aujourd\u2019hui les Maisons Satie,, mus\u00e9e consacr\u00e9 au compositeur. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Maison_erik_satie_honfleur_02.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir et \u00e0 \u00e9couter<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Satie+Gymnop%C3%A9die\" target=\"_blank\" rel=\"noopener\">Les Gymnop\u00e9dies<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Satie+Gnossienne\" target=\"_blank\" rel=\"noopener\">Les Gnossiennes<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Parade+ballet+Satie+Picasso\" target=\"_blank\" rel=\"noopener\">Parade (Picasso, Cocteau, Satie)<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Entracte+Ren%C3%A9+Clair+Satie\" target=\"_blank\" rel=\"noopener\">Entr\u2019acte de Ren\u00e9 Clair<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.musees-honfleur.fr\/maisons-satie.html\" target=\"_blank\" rel=\"noopener\">Maisons Satie (Honfleur)<\/a><\/li>\n<li><a href=\"https:\/\/imslp.org\/wiki\/Category:Satie,_Erik\" target=\"_blank\" rel=\"noopener\">Partitions de Satie sur IMSLP<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Erik Satie, <em>\u00c9crits<\/em>, Champ libre, 1977.<\/li>\n<li>Anne Rey, <em>Erik Satie<\/em>, Seuil, \u00ab Solf\u00e8ges \u00bb, 1974.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-grands-mouvements-de-la-musique\/\">Les grands mouvements de la musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-20-oeuvres-musicales-les-plus-celebres\/\">Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique\/\">La Musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/debussy\/\">Debussy<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/ravel\/\">Ravel<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-grands-mouvements-de-la-musique\/\">Les grands mouvements de la musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique-francaise\/\">La Musique fran\u00e7aise<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Th\u00e9ophile-Alexandre Steinlen, affiche de la Tourn\u00e9e du Chat Noir, 1896 : le cabaret de Montmartre o\u00f9 Satie fut pianiste (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Erik Satie (1866-1925), le \u00ab Velvet Gentleman \u00bb Excentrique en costume de velours, chapeau melon et parapluie, Erik [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31568,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31569","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Erik Satie (1866-1925), le \u00ab Velvet Gentleman \u00bb - Orazio Puglisi<\/title>\n<meta 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