{"id":31561,"date":"2026-10-31T00:40:52","date_gmt":"2026-10-30T23:40:52","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/gabriel-faure\/"},"modified":"2026-10-31T00:40:52","modified_gmt":"2026-10-30T23:40:52","slug":"gabriel-faure","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/gabriel-faure\/","title":{"rendered":"Gabriel Faur\u00e9"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>John Singer Sargent<\/strong>, <em>Portrait de Gabriel Faur\u00e9<\/em>, vers 1889, Paris, mus\u00e9e de la Musique (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Sargent_-_Portrait_de_Gabriel_Faur%C3%A9_(1845-1924),_vers_1889,_E.995.6.201.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Gabriel Faur\u00e9 (1845-1924), le ma\u00eetre du charme<\/h2>\n<style>.opa-audio{margin:.8em 0 1.4em}.opa-audio audio{width:100%}.opa-audio-cap{font-size:.78em;margin-top:.3em;opacity:.85}.opa-chrono li{margin:.3em 0}<\/style>\n<p class=\"opa-lettrine\">Musicien de l\u2019intimit\u00e9, de la nuance et de la tendresse, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gabriel_Faur%C3%A9\" target=\"_blank\" rel=\"noopener\">Gabriel Faur\u00e9<\/a> (1845-1924) est l\u2019un des plus grands compositeurs fran\u00e7ais. Ses m\u00e9lodies sur des po\u00e8mes de Verlaine, sa musique de chambre, sa <em>Pavane<\/em>, sa <em>Sicilienne<\/em> et son <em>Requiem<\/em>, qu\u2019il voulait non pas terrifiant mais consolant \u2014 \u00ab une berceuse de la mort \u00bb \u2014, ont un charme unique. Directeur du Conservatoire de Paris, il fut aussi le ma\u00eetre de Ravel et de Nadia Boulanger.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gabriel_Faur%C3%A9_1905.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/57\/Gabriel_Faur%C3%A9_1905.jpg\/1920px-Gabriel_Faur%C3%A9_1905.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Gabriel Faur\u00e9\" loading=\"lazy\"><\/a><figcaption><strong>Gabriel Faur\u00e9<\/strong>, photographie, vers 1905. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gabriel_Faur%C3%A9_1905.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<h3>De Pamiers \u00e0 l\u2019\u00c9cole Niedermeyer (1845-1866)<\/h3>\n<p>Gabriel Urbain Faur\u00e9 na\u00eet le 12 mai 1845 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pamiers\" target=\"_blank\" rel=\"noopener\">Pamiers<\/a>, dans l\u2019Ari\u00e8ge, dernier des six enfants d\u2019un directeur d\u2019\u00e9cole normale. Enfant r\u00eaveur, il passe des heures \u00e0 l\u2019harmonium de la chapelle voisine. Remarqu\u00e9, il est envoy\u00e9 \u00e0 neuf ans \u00e0 Paris, \u00e0 l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89cole_Niedermeyer\" target=\"_blank\" rel=\"noopener\">\u00c9cole Niedermeyer<\/a>, qui forme les organistes et ma\u00eetres de chapelle. Il y reste onze ans. Son professeur de piano, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/camille-saint-saens\/\">Camille Saint-Sa\u00ebns<\/a>, de dix ans son a\u00een\u00e9, lui fait d\u00e9couvrir Schumann, Liszt et Wagner ; il deviendra son ami de toute une vie.<\/p>\n<h3>L\u2019organiste et le m\u00e9lodiste (1866-1895)<\/h3>\n<p>Organiste \u00e0 Rennes, puis, apr\u00e8s la guerre de 1870 o\u00f9 il combat comme estafette, \u00e0 Saint-Sulpice et \u00e0 l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89glise_de_la_Madeleine\" target=\"_blank\" rel=\"noopener\">\u00e9glise de la Madeleine<\/a> de Paris, Faur\u00e9 m\u00e8ne une vie modeste de ma\u00eetre de chapelle et de professeur. Il fr\u00e9quente les salons, notamment celui de Pauline Viardot, et compose des m\u00e9lodies d\u2019une rare perfection : <em>Apr\u00e8s un r\u00eave<\/em>, <em>Les Berceaux<\/em>, <em>Clair de lune<\/em> et le cycle <em>La Bonne Chanson<\/em> sur des po\u00e8mes de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Verlaine\" target=\"_blank\" rel=\"noopener\">Paul Verlaine<\/a>. Membre fondateur de la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Soci%C3%A9t%C3%A9_nationale_de_musique\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9 nationale de musique<\/a>, il donne des chefs-d\u2019\u0153uvre de musique de chambre : la <em>Premi\u00e8re Sonate pour violon<\/em> (1876), l\u2019<em>\u00c9l\u00e9gie<\/em> pour violoncelle, les quatuors avec piano. En 1887, il \u00e9crit la c\u00e9l\u00e8bre <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pavane_(Faur%C3%A9)\" target=\"_blank\" rel=\"noopener\">Pavane<\/a><\/em>.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/ef\/Faure_-_Elegie.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/e\/ef\/Faure_-_Elegie.ogg\/Faure_-_Elegie.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Faur\u00e9, <em>\u00c9l\u00e9gie<\/em> pour violoncelle et piano, op. 24 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Faure_-_Elegie.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 2.0)<\/span><\/div>\n<\/div>\n<h3>Le Requiem<\/h3>\n<p>Compos\u00e9 entre 1887 et 1890, apr\u00e8s la mort de ses parents, le <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Requiem_(Faur%C3%A9)\" target=\"_blank\" rel=\"noopener\">Requiem de Faur\u00e9<\/a><\/em> se distingue de toute la tradition : il omet presque enti\u00e8rement le terrible <em>Dies irae<\/em> du Jugement dernier et s\u2019ach\u00e8ve sur <em>In paradisum<\/em>, o\u00f9 les anges accueillent l\u2019\u00e2me au paradis. \u00ab C\u2019est ainsi que je ressens la mort, \u00e9crivait Faur\u00e9 : comme une d\u00e9livrance heureuse, une aspiration au bonheur d\u2019au-del\u00e0, plut\u00f4t que comme un passage douloureux. \u00bb Le <em>Pie Jesu<\/em> pour soprano solo est l\u2019une des pages les plus pures de la musique sacr\u00e9e.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/64\/Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/6\/64\/Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac\/Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Faur\u00e9, <em>Requiem<\/em>, op. 48 : <em>Pie Jesu<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Le directeur du Conservatoire (1896-1924)<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:%C3%89glise_de_la_Madeleine_(int%C3%A9rieur).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/4\/48\/%C3%89glise_de_la_Madeleine_%28int%C3%A9rieur%29.jpg\/1920px-%C3%89glise_de_la_Madeleine_%28int%C3%A9rieur%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"La Madeleine\" loading=\"lazy\"><\/a><figcaption><strong>L\u2019int\u00e9rieur de l\u2019\u00e9glise de la Madeleine<\/strong>, dont Faur\u00e9 fut ma\u00eetre de chapelle puis organiste. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:%C3%89glise_de_la_Madeleine_(int%C3%A9rieur).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 2.0 fr)<\/span><\/figcaption><\/figure>\n<p>Organiste titulaire de la Madeleine en 1896, Faur\u00e9 succ\u00e8de la m\u00eame ann\u00e9e \u00e0 Massenet comme professeur de composition au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Conservatoire_de_Paris\" target=\"_blank\" rel=\"noopener\">Conservatoire de Paris<\/a> : il y forme <a href=\"https:\/\/oraziopuglisi.art\/index.php\/ravel\/\">Maurice Ravel<\/a>, Charles Koechlin, Florent Schmitt, Georges Enesco et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nadia_Boulanger\" target=\"_blank\" rel=\"noopener\">Nadia Boulanger<\/a>. Il compose la musique de sc\u00e8ne de <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pell%C3%A9as_et_M%C3%A9lisande_(Faur%C3%A9)\" target=\"_blank\" rel=\"noopener\">Pell\u00e9as et M\u00e9lisande<\/a><\/em> (1898), avec la d\u00e9licate <em>Sicilienne<\/em>. En 1905, apr\u00e8s le scandale provoqu\u00e9 par l\u2019\u00e9limination de Ravel au prix de Rome, il devient directeur du Conservatoire, qu\u2019il modernise profond\u00e9ment jusqu\u2019en 1920. Atteint d\u2019une surdit\u00e9 qui d\u00e9forme les sons, il compose pourtant ses \u0153uvres les plus hardies : l\u2019op\u00e9ra <em>P\u00e9n\u00e9lope<\/em> (1913), les deux quintettes, le <em>Trio<\/em> et le <em>Quatuor \u00e0 cordes<\/em>, achev\u00e9 quelques semaines avant sa mort, \u00e0 Paris, le 4 novembre 1924. Des fun\u00e9railles nationales sont c\u00e9l\u00e9br\u00e9es \u00e0 la Madeleine, o\u00f9 l\u2019on joue son <em>Requiem<\/em>.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/d\/d5\/Gabriel_Faur%C3%A9_-_Berceuse_dalla_suite_Dolly.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/d\/d5\/Gabriel_Faur%C3%A9_-_Berceuse_dalla_suite_Dolly.ogg\/Gabriel_Faur%C3%A9_-_Berceuse_dalla_suite_Dolly.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Faur\u00e9, <em>Dolly<\/em>, op. 56 : <em>Berceuse<\/em> <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gabriel_Faur%C3%A9_-_Berceuse_dalla_suite_Dolly.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1845<\/strong> \u2014 naissance \u00e0 Pamiers, le 12 mai<\/li>\n<li><strong>1854-1865<\/strong> \u2014 \u00e9l\u00e8ve de l\u2019\u00c9cole Niedermeyer<\/li>\n<li><strong>1866<\/strong> \u2014 organiste \u00e0 Rennes<\/li>\n<li><strong>1871<\/strong> \u2014 membre fondateur de la Soci\u00e9t\u00e9 nationale de musique<\/li>\n<li><strong>1877<\/strong> \u2014 ma\u00eetre de chapelle de la Madeleine ; <em>Sonate pour violon n<sup>o<\/sup> 1<\/em><\/li>\n<li><strong>1887<\/strong> \u2014 <em>Pavane<\/em> ; d\u00e9but du <em>Requiem<\/em><\/li>\n<li><strong>1892-1894<\/strong> \u2014 <em>La Bonne Chanson<\/em><\/li>\n<li><strong>1896<\/strong> \u2014 organiste de la Madeleine ; professeur de composition au Conservatoire<\/li>\n<li><strong>1898<\/strong> \u2014 <em>Pell\u00e9as et M\u00e9lisande<\/em><\/li>\n<li><strong>1905<\/strong> \u2014 directeur du Conservatoire de Paris<\/li>\n<li><strong>1913<\/strong> \u2014 <em>P\u00e9n\u00e9lope<\/em><\/li>\n<li><strong>1920<\/strong> \u2014 quitte la direction du Conservatoire<\/li>\n<li><strong>1924<\/strong> \u2014 <em>Quatuor \u00e0 cordes<\/em> ; mort \u00e0 Paris, le 4 novembre<\/li>\n<\/ul>\n<h3>\u0152uvres majeures<\/h3>\n<ul class=\"opa-chrono\">\n<li><em>Requiem<\/em> (1887-1900)<\/li>\n<li><em>Pavane<\/em>, <em>\u00c9l\u00e9gie<\/em>, <em>Pell\u00e9as et M\u00e9lisande<\/em> (avec la <em>Sicilienne<\/em>), <em>Masques et bergamasques<\/em><\/li>\n<li>Une centaine de m\u00e9lodies, dont <em>Apr\u00e8s un r\u00eave<\/em>, <em>Clair de lune<\/em>, <em>La Bonne Chanson<\/em>, <em>L\u2019Horizon chim\u00e9rique<\/em><\/li>\n<li>Musique de chambre : 2 sonates pour violon, 2 pour violoncelle, 2 quatuors et 2 quintettes avec piano, <em>Trio<\/em>, <em>Quatuor \u00e0 cordes<\/em><\/li>\n<li>Piano : nocturnes, barcarolles, impromptus, <em>Dolly<\/em> \u00e0 quatre mains<\/li>\n<li>L\u2019op\u00e9ra <em>P\u00e9n\u00e9lope<\/em> (1913)<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Un_bras_de_la_rivi%C3%A8re_Ari%C3%A8ge_(Pamiers).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/05\/Un_bras_de_la_rivi%C3%A8re_Ari%C3%A8ge_%28Pamiers%29.jpg\/1920px-Un_bras_de_la_rivi%C3%A8re_Ari%C3%A8ge_%28Pamiers%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Pamiers\" loading=\"lazy\"><\/a><figcaption><strong>L\u2019Ari\u00e8ge \u00e0 Pamiers<\/strong>, ville natale de Faur\u00e9. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Un_bras_de_la_rivi%C3%A8re_Ari%C3%A8ge_(Pamiers).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Old_Conservatoire_de_Paris_building,_early19th_century.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/a\/a7\/Old_Conservatoire_de_Paris_building%2C_early19th_century.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Conservatoire de Paris\" loading=\"lazy\"><\/a><figcaption><strong>L\u2019ancien Conservatoire de Paris<\/strong>, rue Berg\u00e8re, que Faur\u00e9 dirigea de 1905 \u00e0 1920. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Old_Conservatoire_de_Paris_building,_early19th_century.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tombe_de_Gabriel_Faur%C3%A9_au_cimeti%C3%A8re_de_Passy_-_btv1b8417763f.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/6c\/Tombe_de_Gabriel_Faur%C3%A9_au_cimeti%C3%A8re_de_Passy_-_btv1b8417763f.jpg\/1920px-Tombe_de_Gabriel_Faur%C3%A9_au_cimeti%C3%A8re_de_Passy_-_btv1b8417763f.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Tombe de Faur\u00e9\" loading=\"lazy\"><\/a><figcaption><strong>La tombe de Faur\u00e9<\/strong> au cimeti\u00e8re de Passy. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tombe_de_Gabriel_Faur%C3%A9_au_cimeti%C3%A8re_de_Passy_-_btv1b8417763f.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir et \u00e0 \u00e9couter<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Faur%C3%A9+Requiem\" target=\"_blank\" rel=\"noopener\">Le Requiem de Faur\u00e9<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Faur%C3%A9+Pavane\" target=\"_blank\" rel=\"noopener\">La Pavane<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Faur%C3%A9+Apr%C3%A8s+un+r%C3%AAve\" target=\"_blank\" rel=\"noopener\">Apr\u00e8s un r\u00eave<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Faur%C3%A9+Sicilienne\" target=\"_blank\" rel=\"noopener\">La Sicilienne<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.gabrielfaure.fr\/\" target=\"_blank\" rel=\"noopener\">Association des amis de Gabriel Faur\u00e9<\/a><\/li>\n<li><a href=\"https:\/\/imslp.org\/wiki\/Category:Faur%C3%A9,_Gabriel\" target=\"_blank\" rel=\"noopener\">Partitions de Faur\u00e9 sur IMSLP<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Jean-Michel Nectoux, <em>Gabriel Faur\u00e9, les voix du clair-obscur<\/em>, Flammarion, 1990.<\/li>\n<li>Vladimir Jank\u00e9l\u00e9vitch, <em>Faur\u00e9 et l\u2019inexprimable<\/em>, Plon, 1974.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-grands-mouvements-de-la-musique\/\">Les grands mouvements de la musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-20-oeuvres-musicales-les-plus-celebres\/\">Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique\/\">La Musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/camille-saint-saens\/\">Camille Saint-Sa\u00ebns<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/ravel\/\">Ravel<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/debussy\/\">Debussy<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique-francaise\/\">La Musique fran\u00e7aise<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : John Singer Sargent, Portrait de Gabriel Faur\u00e9, vers 1889, Paris, mus\u00e9e de la Musique (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Gabriel Faur\u00e9 (1845-1924), le ma\u00eetre du charme Musicien de l\u2019intimit\u00e9, de la nuance et de la tendresse, Gabriel Faur\u00e9 (1845-1924) est l\u2019un des [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31560,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31561","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gabriel Faur\u00e9 (1845-1924), le ma\u00eetre du charme - Orazio 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