{"id":31518,"date":"2026-10-31T00:20:12","date_gmt":"2026-10-30T23:20:12","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/gioachino-rossini\/"},"modified":"2026-10-31T00:28:08","modified_gmt":"2026-10-30T23:28:08","slug":"gioachino-rossini","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/gioachino-rossini\/","title":{"rendered":"Gioachino Rossini"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Salvatore Fergola<\/strong>, <em>L\u2019Incendie du Teatro di San Carlo de Naples<\/em>, 1816 : le th\u00e9\u00e2tre dont Rossini \u00e9tait directeur musical br\u00fbla le 13 f\u00e9vrier 1816 et fut reconstruit en moins d\u2019un an (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Incendio_del_Real_Teatro_di_San_Carlo_-_Salvatore_Fergola.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Gioachino Rossini (1792-1868), le Cygne de Pesaro<\/h2>\n<style>.opa-audio{margin:.8em 0 1.4em}.opa-audio audio{width:100%}.opa-audio-cap{font-size:.78em;margin-top:.3em;opacity:.85}.opa-chrono li{margin:.3em 0}<\/style>\n<p class=\"opa-lettrine\">Le compositeur le plus c\u00e9l\u00e8bre d\u2019Europe dans les ann\u00e9es 1820 fut un Italien jovial, gourmand et paresseux de r\u00e9putation \u2014 qui \u00e9crivit pourtant trente-neuf op\u00e9ras en dix-neuf ans. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gioachino_Rossini\" target=\"_blank\" rel=\"noopener\">Gioachino Rossini<\/a> (1792-1868), ma\u00eetre de l\u2019op\u00e9ra bouffe avec <em>Le Barbier de S\u00e9ville<\/em>, <em>L\u2019Italienne \u00e0 Alger<\/em> et <em>La Cenerentola<\/em>, auteur de l\u2019ouverture de <em>Guillaume Tell<\/em>, cessa d\u2019\u00e9crire pour la sc\u00e8ne \u00e0 trente-sept ans et v\u00e9cut encore pr\u00e8s de quarante ans, admir\u00e9, spirituel et fin gastronome.<\/p>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincenzo_camuccini,_ritratto_del_compositore_gioacchino_rossini.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/52\/Vincenzo_camuccini%2C_ritratto_del_compositore_gioacchino_rossini.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Gioachino Rossini\" loading=\"lazy\"><\/a><figcaption><strong>Vincenzo Camuccini<\/strong>, <em>Portrait de Gioachino Rossini<\/em>, vers 1816, Milan, Museo teatrale alla Scala. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vincenzo_camuccini,_ritratto_del_compositore_gioacchino_rossini.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 3.0)<\/span><\/figcaption><\/figure>\n<h3>Pesaro et Bologne : un enfant de la balle (1792-1810)<\/h3>\n<p>Gioachino Antonio Rossini na\u00eet le 29 f\u00e9vrier 1792 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pesaro\" target=\"_blank\" rel=\"noopener\">Pesaro<\/a>, sur l\u2019Adriatique, fils d\u2019un corniste municipal aux id\u00e9es r\u00e9publicaines et d\u2019une chanteuse d\u2019op\u00e9ra. Il grandit dans les coulisses des th\u00e9\u00e2tres o\u00f9 se produisent ses parents. Install\u00e9 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bologne\" target=\"_blank\" rel=\"noopener\">Bologne<\/a>, il \u00e9tudie au Liceo musicale le violoncelle, le piano et le contrepoint, et se passionne pour Haydn et Mozart \u2014 on le surnomme \u00ab le petit Allemand \u00bb. \u00c0 dix-huit ans, en 1810, il fait repr\u00e9senter \u00e0 Venise son premier op\u00e9ra, <em>La cambiale di matrimonio<\/em>.<\/p>\n<h3>La conqu\u00eate de l\u2019Italie (1810-1815)<\/h3>\n<p>En quelques ann\u00e9es, Rossini devient le ma\u00eetre de la sc\u00e8ne italienne. En 1813, il donne \u00e0 Venise deux triomphes : l\u2019op\u00e9ra s\u00e9rieux <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tancredi_(Rossini)\" target=\"_blank\" rel=\"noopener\">Tancredi<\/a><\/em>, dont l\u2019air \u00ab Di tanti palpiti \u00bb est chant\u00e9 dans toutes les rues, et l\u2019irr\u00e9sistible <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/L'Italiana_in_Algeri\" target=\"_blank\" rel=\"noopener\">L\u2019Italienne \u00e0 Alger<\/a><\/em>. Son g\u00e9nie comique, sa verve rythmique et ses fameux \u00ab crescendos rossiniens \u00bb, o\u00f9 l\u2019orchestre enfle peu \u00e0 peu jusqu\u2019\u00e0 l\u2019ivresse, enthousiasment le public.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/8\/8c\/PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_The_Barber_of_Seville_-_Gioachino_Rossini_-_Overture_-_Part_1_-_Electrola-ej576-42-846.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/8\/8c\/PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_The_Barber_of_Seville_-_Gioachino_Rossini_-_Overture_-_Part_1_-_Electrola-ej576-42-846.flac\/PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_The_Barber_of_Seville_-_Gioachino_Rossini_-_Overture_-_Part_1_-_Electrola-ej576-42-846.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Rossini, <em>Le Barbier de S\u00e9ville<\/em> : ouverture, par l\u2019Orchestre philharmonique de New York dirig\u00e9 par Arturo Toscanini (enregistrement historique) <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_The_Barber_of_Seville_-_Gioachino_Rossini_-_Overture_-_Part_1_-_Electrola-ej576-42-846.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Naples et le Barbier (1815-1822)<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Teatro_de_San_Carlos,_N%C3%A1poles,_Italia,_2023-03-25,_DD_187-189_HDR.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/d\/dd\/Teatro_de_San_Carlos%2C_N%C3%A1poles%2C_Italia%2C_2023-03-25%2C_DD_187-189_HDR.jpg\/1920px-Teatro_de_San_Carlos%2C_N%C3%A1poles%2C_Italia%2C_2023-03-25%2C_DD_187-189_HDR.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Teatro di San Carlo\" loading=\"lazy\"><\/a><figcaption><strong>La salle du Teatro di San Carlo<\/strong> de Naples, inaugur\u00e9 en 1737. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Teatro_de_San_Carlos,_N%C3%A1poles,_Italia,_2023-03-25,_DD_187-189_HDR.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<p>En 1815, le puissant impresario <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Domenico_Barbaja\" target=\"_blank\" rel=\"noopener\">Domenico Barbaja<\/a> l\u2019engage comme directeur musical du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Teatro_di_San_Carlo\" target=\"_blank\" rel=\"noopener\">Teatro di San Carlo<\/a> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Naples\" target=\"_blank\" rel=\"noopener\">Naples<\/a>, le plus grand th\u00e9\u00e2tre d\u2019Italie. Rossini y \u00e9crit des op\u00e9ras s\u00e9rieux pour la grande soprano espagnole <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Isabella_Colbran\" target=\"_blank\" rel=\"noopener\">Isabella Colbran<\/a>, qu\u2019il \u00e9pousera en 1822 : <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Otello_(Rossini)\" target=\"_blank\" rel=\"noopener\">Otello<\/a><\/em>, <em>Armida<\/em>, <em>Mos\u00e8 in Egitto<\/em>, <em>La donna del lago<\/em>. Mais c\u2019est \u00e0 Rome qu\u2019il cr\u00e9e en 1816, \u00e9crit en moins de trois semaines, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Il_barbiere_di_Siviglia\" target=\"_blank\" rel=\"noopener\">Le Barbier de S\u00e9ville<\/a><\/em>, d\u2019apr\u00e8s <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pierre-Augustin_Caron_de_Beaumarchais\" target=\"_blank\" rel=\"noopener\">Beaumarchais<\/a> : la premi\u00e8re est un chahut organis\u00e9 par les partisans du vieux Paisiello, qui avait mis le m\u00eame sujet en musique ; d\u00e8s la deuxi\u00e8me repr\u00e9sentation, c\u2019est un triomphe qui dure encore. Suivent <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_Cenerentola\" target=\"_blank\" rel=\"noopener\">La Cenerentola<\/a><\/em> et <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_gazza_ladra\" target=\"_blank\" rel=\"noopener\">La Pie voleuse<\/a><\/em> (1817).<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/62\/PDP-CH_-_La_Scala_-_Lorenzo_Molajoli_-_Il_barbiere_di_Siviglia_-_Atto_1-Sc_02-Cavatina-_Largo_al_factotum_della_citt%C3%A0_-_Rossini_-_Columbia-d14566-bx615.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/6\/62\/PDP-CH_-_La_Scala_-_Lorenzo_Molajoli_-_Il_barbiere_di_Siviglia_-_Atto_1-Sc_02-Cavatina-_Largo_al_factotum_della_citt%C3%A0_-_Rossini_-_Columbia-d14566-bx615.flac\/PDP-CH_-_La_Scala_-_Lorenzo_Molajoli_-_Il_barbiere_di_Siviglia_-_Atto_1-Sc_02-Cavatina-_Largo_al_factotum_della_citt%C3%A0_-_Rossini_-_Columbia-d14566-bx615.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Rossini, <em>Le Barbier de S\u00e9ville<\/em> : \u00ab Largo al factotum \u00bb, cavatine de Figaro, enregistrement de la Scala de Milan dirig\u00e9 par Lorenzo Molajoli, 1929 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PDP-CH_-_La_Scala_-_Lorenzo_Molajoli_-_Il_barbiere_di_Siviglia_-_Atto_1-Sc_02-Cavatina-_Largo_al_factotum_della_citt%C3%A0_-_Rossini_-_Columbia-d14566-bx615.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<h3>Vienne, Paris et Guillaume Tell (1822-1829)<\/h3>\n<p>En 1822, Vienne lui fait un accueil d\u00e9lirant ; il y rend visite \u00e0 Beethoven, qui lui conseille de \u00ab faire encore beaucoup de Barbiers \u00bb. Apr\u00e8s <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Semiramide\" target=\"_blank\" rel=\"noopener\">Semiramide<\/a><\/em> (Venise, 1823), il s\u2019installe \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paris\" target=\"_blank\" rel=\"noopener\">Paris<\/a>, o\u00f9 il dirige le Th\u00e9\u00e2tre-Italien et devient compositeur du roi. Il adapte ses \u0153uvres au go\u00fbt fran\u00e7ais et \u00e9crit <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Comte_Ory\" target=\"_blank\" rel=\"noopener\">Le Comte Ory<\/a><\/em> (1828), puis <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Guillaume_Tell_(op%C3%A9ra)\" target=\"_blank\" rel=\"noopener\">Guillaume Tell<\/a><\/em> (1829), immense fresque historique qui ouvre l\u2019\u00e8re du grand op\u00e9ra romantique. Son ouverture, avec le galop final, est l\u2019une des pages les plus c\u00e9l\u00e8bres de toute la musique.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/0\/09\/Guillaume_Tell_-_Overture_-_%28Rossini%2C_Gioacchino%29_by_Fritz_Reiner_%28conductor%29.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Rossini, <em>Guillaume Tell<\/em> : ouverture compl\u00e8te, sous la direction de Fritz Reiner <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Guillaume_Tell_-_Overture_-_(Rossini,_Gioacchino)_by_Fritz_Reiner_(conductor).mp3\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/div>\n<\/div>\n<h3>Le grand silence et les P\u00e9ch\u00e9s de vieillesse (1829-1868)<\/h3>\n<figure class=\"opa-fig\"><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Composer_Rossini_G_1865_by_Carjat_-_Restoration.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/f5\/Composer_Rossini_G_1865_by_Carjat_-_Restoration.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Rossini \u00e2g\u00e9\" loading=\"lazy\"><\/a><figcaption><strong>\u00c9tienne Carjat<\/strong>, <em>Gioachino Rossini<\/em>, photographie, 1865. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Composer_Rossini_G_1865_by_Carjat_-_Restoration.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<p>\u00c0 trente-sept ans, au sommet de la gloire, Rossini cesse d\u2019\u00e9crire des op\u00e9ras. Les raisons de ce silence restent myst\u00e9rieuses : la r\u00e9volution de 1830 qui annule son contrat, la mort de sa m\u00e8re, une sant\u00e9 fragile, la lassitude. Il compose encore un admirable <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Stabat_Mater_(Rossini)\" target=\"_blank\" rel=\"noopener\">Stabat Mater<\/a><\/em> (1841). Apr\u00e8s des ann\u00e9es difficiles \u00e0 Bologne et \u00e0 Florence, il revient en 1855 \u00e0 Paris avec sa seconde \u00e9pouse, Olympe P\u00e9lissier, et retrouve la sant\u00e9 et l\u2019humour. Dans sa villa de Passy, ses \u00ab samedis soir \u00bb r\u00e9unissent le Tout-Paris musical \u2014 Verdi, Liszt, Saint-Sa\u00ebns, Patti. Il \u00e9crit pour ces soir\u00e9es les spirituels <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/P%C3%A9ch%C3%A9s_de_vieillesse\" target=\"_blank\" rel=\"noopener\">P\u00e9ch\u00e9s de vieillesse<\/a><\/em> et la <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Petite_messe_solennelle\" target=\"_blank\" rel=\"noopener\">Petite messe solennelle<\/a><\/em> (1863). Gourmet c\u00e9l\u00e8bre, il a donn\u00e9 son nom au <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tournedos_Rossini\" target=\"_blank\" rel=\"noopener\">tournedos Rossini<\/a><\/em>. Il meurt \u00e0 Passy le 13 novembre 1868 ; d\u2019abord inhum\u00e9 au P\u00e8re-Lachaise, il repose depuis 1887 dans la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Basilique_Santa_Croce_de_Florence\" target=\"_blank\" rel=\"noopener\">basilique Santa Croce de Florence<\/a>, pr\u00e8s de Michel-Ange et de Galil\u00e9e.<\/p>\n<h3>Chronologie<\/h3>\n<ul class=\"opa-chrono\">\n<li><strong>1792<\/strong> \u2014 naissance \u00e0 Pesaro, le 29 f\u00e9vrier<\/li>\n<li><strong>1806<\/strong> \u2014 \u00e9l\u00e8ve du Liceo musicale de Bologne<\/li>\n<li><strong>1810<\/strong> \u2014 premier op\u00e9ra \u00e0 Venise<\/li>\n<li><strong>1813<\/strong> \u2014 <em>Tancredi<\/em> et <em>L\u2019Italienne \u00e0 Alger<\/em><\/li>\n<li><strong>1815<\/strong> \u2014 directeur musical du San Carlo de Naples<\/li>\n<li><strong>1816<\/strong> \u2014 <em>Le Barbier de S\u00e9ville<\/em> \u00e0 Rome<\/li>\n<li><strong>1817<\/strong> \u2014 <em>La Cenerentola<\/em> et <em>La Pie voleuse<\/em><\/li>\n<li><strong>1822<\/strong> \u2014 mariage avec Isabella Colbran ; visite \u00e0 Beethoven<\/li>\n<li><strong>1823<\/strong> \u2014 <em>Semiramide<\/em><\/li>\n<li><strong>1824<\/strong> \u2014 installation \u00e0 Paris<\/li>\n<li><strong>1829<\/strong> \u2014 <em>Guillaume Tell<\/em>, son dernier op\u00e9ra<\/li>\n<li><strong>1841<\/strong> \u2014 <em>Stabat Mater<\/em><\/li>\n<li><strong>1846<\/strong> \u2014 mariage avec Olympe P\u00e9lissier<\/li>\n<li><strong>1855<\/strong> \u2014 retour \u00e0 Paris, villa de Passy<\/li>\n<li><strong>1863<\/strong> \u2014 <em>Petite messe solennelle<\/em><\/li>\n<li><strong>1868<\/strong> \u2014 mort \u00e0 Passy, le 13 novembre<\/li>\n<\/ul>\n<h3>\u0152uvres majeures<\/h3>\n<ul class=\"opa-chrono\">\n<li><em>Le Barbier de S\u00e9ville<\/em> (1816)<\/li>\n<li><em>L\u2019Italienne \u00e0 Alger<\/em> (1813), <em>Le Turc en Italie<\/em> (1814), <em>La Cenerentola<\/em> (1817)<\/li>\n<li><em>Tancredi<\/em> (1813), <em>Otello<\/em> (1816), <em>La Pie voleuse<\/em> (1817), <em>Mos\u00e8 in Egitto<\/em> (1818), <em>La donna del lago<\/em> (1819)<\/li>\n<li><em>Semiramide<\/em> (1823), <em>Le Voyage \u00e0 Reims<\/em> (1825), <em>Le Comte Ory<\/em> (1828)<\/li>\n<li><em>Guillaume Tell<\/em> (1829)<\/li>\n<li><em>Stabat Mater<\/em> (1841) et <em>Petite messe solennelle<\/em> (1863)<\/li>\n<li><em>P\u00e9ch\u00e9s de vieillesse<\/em> (plus de 150 pi\u00e8ces)<\/li>\n<li>6 <em>Sonates \u00e0 quatre<\/em> pour cordes, \u00e9crites \u00e0 douze ans<\/li>\n<\/ul>\n<h3>Galerie<\/h3>\n<div class=\"opa-gal\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pesaro_casa_di_rossini.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/8\/85\/Pesaro_casa_di_rossini.jpg\/1920px-Pesaro_casa_di_rossini.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Maison natale de Rossini\" loading=\"lazy\"><\/a><figcaption><strong>La maison natale de Rossini<\/strong> \u00e0 Pesaro, aujourd\u2019hui mus\u00e9e. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pesaro_casa_di_rossini.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Isabella_Colbran.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/f9\/Isabella_Colbran.jpg\/1920px-Isabella_Colbran.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Isabella Colbran\" loading=\"lazy\"><\/a><figcaption><strong>Isabella Colbran<\/strong>, premi\u00e8re \u00e9pouse de Rossini. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Isabella_Colbran.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gioachino_Rossini%27s_tomb,_Basilica_di_Santa_Croce,_Florence_(26650864426).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/23\/Gioachino_Rossini%27s_tomb%2C_Basilica_di_Santa_Croce%2C_Florence_%2826650864426%29.jpg\/1920px-Gioachino_Rossini%27s_tomb%2C_Basilica_di_Santa_Croce%2C_Florence_%2826650864426%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Tombe de Rossini\" loading=\"lazy\"><\/a><figcaption><strong>Le tombeau de Rossini<\/strong> dans la basilique Santa Croce de Florence. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gioachino_Rossini%27s_tomb,_Basilica_di_Santa_Croce,_Florence_(26650864426).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 2.0)<\/span><\/figcaption><\/figure>\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pesaro_-_Conservatorio_Gioachino_Rossini_-_202209021914_4.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/26\/Pesaro_-_Conservatorio_Gioachino_Rossini_-_202209021914_4.jpg\/1920px-Pesaro_-_Conservatorio_Gioachino_Rossini_-_202209021914_4.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Statue de Rossini \u00e0 Pesaro\" loading=\"lazy\"><\/a><figcaption><strong>Statue de Rossini<\/strong> \u00e0 Pesaro. <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pesaro_-_Conservatorio_Gioachino_Rossini_-_202209021914_4.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/figcaption><\/figure>\n<\/div>\n<h3>\u00c0 voir et \u00e0 \u00e9couter<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Rossini+Barbiere+di+Siviglia\" target=\"_blank\" rel=\"noopener\">Le Barbier de S\u00e9ville<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=William+Tell+Overture\" target=\"_blank\" rel=\"noopener\">L\u2019ouverture de Guillaume Tell<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Rossini+Cenerentola\" target=\"_blank\" rel=\"noopener\">La Cenerentola<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Rossini+Petite+messe+solennelle\" target=\"_blank\" rel=\"noopener\">La Petite messe solennelle<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>\u00c0 t\u00e9l\u00e9charger (livres du domaine public, PDF)<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/archive.org\/download\/rossinibiographi00daur\/rossinibiographi00daur.pdf\" target=\"_blank\" rel=\"noopener\">T\u00e9l\u00e9charger le PDF<\/a> \u2014 Lionel Dauriac, <em>Rossini, biographie critique<\/em>, Paris, Laurens, 1906. (<a href=\"https:\/\/archive.org\/details\/rossinibiographi00daur\" target=\"_blank\" rel=\"noopener\">lire en ligne<\/a>)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.fondazionerossini.org\/\" target=\"_blank\" rel=\"noopener\">Fondazione Rossini (Pesaro)<\/a><\/li>\n<li><a href=\"https:\/\/www.rossinioperafestival.it\/\" target=\"_blank\" rel=\"noopener\">Rossini Opera Festival de Pesaro<\/a><\/li>\n<li><a href=\"https:\/\/imslp.org\/wiki\/Category:Rossini,_Gioacchino\" target=\"_blank\" rel=\"noopener\">Partitions de Rossini sur IMSLP<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Stendhal, <em>Vie de Rossini<\/em>, 1824.<\/li>\n<li>Damien Colas, <em>Rossini, l\u2019op\u00e9ra de lumi\u00e8re<\/em>, Gallimard, \u00ab D\u00e9couvertes \u00bb, 1992.<\/li>\n<li>Voir aussi <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-grands-mouvements-de-la-musique\/\">Les grands mouvements de la musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/les-20-oeuvres-musicales-les-plus-celebres\/\">Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique\/\">La Musique<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/giuseppe-verdi\/\">Giuseppe Verdi<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/giacomo-puccini\/\">Giacomo Puccini<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/opera\/\">L\u2019Op\u00e9ra<\/a>, <a href=\"https:\/\/oraziopuglisi.art\/index.php\/histoire-de-la-musique-italienne\/\">Histoire de la Musique Italienne<\/a>.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Salvatore Fergola, L\u2019Incendie du Teatro di San Carlo de Naples, 1816 : le th\u00e9\u00e2tre dont Rossini \u00e9tait directeur musical br\u00fbla le 13 f\u00e9vrier 1816 et fut reconstruit en moins d\u2019un an (Wikimedia Commons, Public domain) Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Gioachino Rossini (1792-1868), le Cygne de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31517,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31518","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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