{"id":31402,"date":"2026-10-30T19:03:34","date_gmt":"2026-10-30T18:03:34","guid":{"rendered":"https:\/\/oraziopuglisi.art\/index.php\/les-20-oeuvres-musicales-les-plus-celebres\/"},"modified":"2026-10-30T19:03:34","modified_gmt":"2026-10-30T18:03:34","slug":"les-20-oeuvres-musicales-les-plus-celebres","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/les-20-oeuvres-musicales-les-plus-celebres\/","title":{"rendered":"Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres"},"content":{"rendered":"<p class=\"opa-ref\" style=\"text-align: center; font-size: 0.85em; line-height: 1.5;\"><em><strong>Image d&rsquo;en-t\u00eate :<\/strong> <strong>Joseph Karl Stieler<\/strong>, <em>Portrait de Ludwig van Beethoven composant la Missa solemnis<\/em>, 1820, Bonn, Beethoven-Haus (Wikimedia Commons, domaine public).<\/em><\/p>\n<div class=\"opa-soutien\" style=\"text-align: center; margin: 0 0 1.6em;\">\n<form style=\"display: inline-block; margin: 0 0 .4em;\" action=\"https:\/\/www.paypal.com\/donate\" method=\"post\" target=\"_top\"><input name=\"hosted_button_id\" type=\"hidden\" value=\"QSSRVLDUKP2MG\" \/><input style=\"border: 0;\" title=\"Faire un don avec PayPal\" alt=\"Faire un don avec PayPal\" name=\"submit\" src=\"https:\/\/www.paypalobjects.com\/fr_FR\/FR\/i\/btn\/btn_donateCC_LG.gif\" type=\"image\" \/><\/form>\n<p><span style=\"font-size: 0.9em;\"><a href=\"https:\/\/oraziopuglisi.art\/index.php\/soutenir\/\">Soutenir mon travail<\/a> \u00b7 <a href=\"https:\/\/oraziopuglisi.art\/index.php\/abonnements\/\">Tout lire sans limite<\/a> \u00b7 <a href=\"https:\/\/www.amazon.fr\/Livres-Orazio-Puglisi\/s?rh=n%3A301061%2Cp_27%3AOrazio+Puglisi\">Mes livres<\/a><\/span><\/div>\n<style>.opa-art{font-size:1.04em;line-height:1.75}.opa-art h2{margin-top:1.6em}.opa-art h3{margin-top:1.8em;color:#7a1f2b}.opa-fig{position:relative;left:50%;transform:translateX(-50%);width:min(1000px,94vw);margin:2.2em 0}.opa-fig img{width:100%!important;height:auto!important;max-width:none!important;display:block;box-shadow:0 10px 34px rgba(0,0,0,.25);border-radius:3px}.opa-fig figcaption{max-width:720px;margin:.8em auto 0;font-size:.82em;line-height:1.5;text-align:center;opacity:.8}.opa-lettrine:first-letter{float:left;font-family:Georgia,serif;font-size:3.4em;line-height:.9;padding:.05em .12em 0 0;color:#7a1f2b}.opa-biblio{font-size:.92em}<\/style>\n<style>.opa-gal{display:grid;grid-template-columns:repeat(auto-fill,minmax(240px,1fr));gap:16px;margin:1.6em 0;position:relative;left:50%;transform:translateX(-50%);width:min(1100px,94vw);background:#fbf8f3;padding:18px;border-radius:8px;box-sizing:border-box;color:#222}.opa-gal figure{margin:0}.opa-gal img{width:100%!important;height:220px!important;object-fit:cover;border-radius:4px;box-shadow:0 6px 18px rgba(0,0,0,.2)}.opa-gal figcaption{font-size:.78em;line-height:1.4;margin-top:.4em;opacity:.9}.opa-vidbox{position:relative;padding-top:56.25%;margin:1.2em 0;border-radius:6px;overflow:hidden;box-shadow:0 8px 24px rgba(0,0,0,.25)}.opa-vidbox iframe,.opa-vidbox video{position:absolute;inset:0;width:100%;height:100%;border:0}.opa-dl li{margin:.4em 0}.opa-dl a{font-weight:600}<\/style>\n<div class=\"opa-art\">\n<h2 style=\"text-align: center;\">Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres au monde<\/h2>\n<style>.opa-oeuvre{overflow:hidden;margin:1.2em 0 2em;padding:1em 1.2em;background:#fbf8f3;border-radius:8px;color:#222}.opa-oeuvre h3{margin-top:.2em!important}.opa-por{float:left;width:150px;margin:.3em 1.2em .6em 0}.opa-por figure{margin:0}.opa-por img{width:100%!important;height:auto!important;border-radius:4px;box-shadow:0 4px 12px rgba(0,0,0,.2)}.opa-por figcaption{font-size:.68em;line-height:1.3;margin-top:.3em;opacity:.85}.opa-audio{clear:both;margin-top:.8em}.opa-audio audio{width:100%}.opa-audio-cap{font-size:.78em;margin-top:.3em;opacity:.85}@media(max-width:600px){.opa-por{float:none;width:120px}}<\/style>\n<p class=\"opa-lettrine\">Quelles sont les \u0153uvres de musique classique que tout le monde conna\u00eet, m\u00eame sans conna\u00eetre leur nom ? Voici vingt pi\u00e8ces que l\u2019on entend au concert comme au cin\u00e9ma, \u00e0 la publicit\u00e9, au t\u00e9l\u00e9phone ou dans les jeux vid\u00e9o. Toute liste de ce genre est discutable : celle-ci est fond\u00e9e sur le nombre d\u2019interpr\u00e9tations, d\u2019enregistrements et de reprises, et va du baroque au XX<sup>e<\/sup> si\u00e8cle. Chaque \u0153uvre est accompagn\u00e9e d\u2019un enregistrement \u00e0 \u00e9couter, libre de droits, issu de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Wikimedia_Commons\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>.<\/p>\n<div class=\"opa-oeuvre\">\n<h3>1. Symphonie n<sup>o<\/sup> 5 en ut mineur, op. 67<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Joseph_Karl_Stieler%27s_Beethoven_mit_dem_Manuskript_der_Missa_solemnis.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/6\/6e\/Joseph_Karl_Stieler%27s_Beethoven_mit_dem_Manuskript_der_Missa_solemnis.jpg\/1920px-Joseph_Karl_Stieler%27s_Beethoven_mit_dem_Manuskript_der_Missa_solemnis.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Ludwig van Beethoven\" loading=\"lazy\"><\/a><figcaption>Joseph Karl Stieler, 1820 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Joseph_Karl_Stieler%27s_Beethoven_mit_dem_Manuskript_der_Missa_solemnis.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ludwig_van_Beethoven\" target=\"_blank\" rel=\"noopener\">Ludwig van Beethoven<\/a><\/strong> \u2014 1804-1808<\/p>\n<p>Quatre notes, \u00ab ta-ta-ta-taaa \u00bb, sont devenues le motif le plus c\u00e9l\u00e8bre de toute la musique. Cr\u00e9\u00e9e \u00e0 Vienne le 22 d\u00e9cembre 1808, lors d\u2019un concert-fleuve de quatre heures, la symphonie passe de l\u2019ut mineur sombre \u00e0 l\u2019ut majeur triomphant du finale : de la lutte \u00e0 la victoire. Pendant la Seconde Guerre mondiale, la BBC ouvrait ses \u00e9missions vers l\u2019Europe occup\u00e9e par ce motif, qui correspond en morse \u00e0 la lettre V de la victoire.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/e6\/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_i._allegro_con_brio.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/e\/e6\/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_i._allegro_con_brio.ogg\/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_i._allegro_con_brio.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Premier mouvement, <em>Allegro con brio<\/em> <span style=\"opacity:.75\">(Ludwig van Beethoven, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_i._allegro_con_brio.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>2. Symphonie n<sup>o<\/sup> 9, \u00ab Ode \u00e0 la joie \u00bb<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ludwig_van_Beethoven\" target=\"_blank\" rel=\"noopener\">Ludwig van Beethoven<\/a><\/strong> \u2014 1822-1824<\/p>\n<p>Beethoven, d\u00e9sormais compl\u00e8tement sourd, introduit pour la premi\u00e8re fois des voix et un ch\u0153ur dans une symphonie, sur l\u2019<em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ode_%C3%A0_la_joie\" target=\"_blank\" rel=\"noopener\">Ode \u00e0 la joie<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Friedrich_von_Schiller\" target=\"_blank\" rel=\"noopener\">Friedrich von Schiller<\/a> : \u00ab Alle Menschen werden Br\u00fcder \u00bb, tous les hommes deviennent fr\u00e8res. \u00c0 la cr\u00e9ation, le 7 mai 1824, une chanteuse dut le retourner vers la salle pour qu\u2019il voie l\u2019ovation. L\u2019<em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Hymne_europ%C3%A9en\" target=\"_blank\" rel=\"noopener\">Hymne europ\u00e9en<\/a><\/em> en est tir\u00e9 depuis 1972 et le manuscrit est inscrit au registre M\u00e9moire du monde de l\u2019UNESCO.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/2b\/Sinfonia_n._9_Quarto_Movimento.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/2\/2b\/Sinfonia_n._9_Quarto_Movimento.ogg\/Sinfonia_n._9_Quarto_Movimento.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Quatri\u00e8me mouvement (avec le ch\u0153ur final) <span style=\"opacity:.75\">(Ludwig van Beethoven, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Sinfonia_n._9_Quarto_Movimento.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>3. Lettre \u00e0 \u00c9lise (<em>F\u00fcr Elise<\/em>), bagatelle en la mineur<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ludwig_van_Beethoven\" target=\"_blank\" rel=\"noopener\">Ludwig van Beethoven<\/a><\/strong> \u2014 1810<\/p>\n<p>Ce petit morceau pour piano, que Beethoven ne publia jamais, fut d\u00e9couvert et \u00e9dit\u00e9 en 1867 par le musicologue <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ludwig_Nohl\" target=\"_blank\" rel=\"noopener\">Ludwig Nohl<\/a>, quarante ans apr\u00e8s la mort du compositeur. L\u2019identit\u00e9 d\u2019\u00ab \u00c9lise \u00bb reste une \u00e9nigme : Therese Malfatti, dont le nom aurait \u00e9t\u00e9 mal lu, ou la chanteuse Elisabeth R\u00f6ckel ? Il est devenu le premier morceau de piano de millions d\u2019\u00e9l\u00e8ves.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/1\/15\/For_Elise_%28F%C3%BCr_Elise%29_Beethoven_JMC_Han.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/1\/15\/For_Elise_%28F%C3%BCr_Elise%29_Beethoven_JMC_Han.ogg\/For_Elise_%28F%C3%BCr_Elise%29_Beethoven_JMC_Han.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Interpr\u00e9tation au piano <span style=\"opacity:.75\">(Ludwig van Beethoven, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:For_Elise_(F%C3%BCr_Elise)_Beethoven_JMC_Han.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>4. Une petite musique de nuit (<em>Eine kleine Nachtmusik<\/em>), K. 525<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Barbara_Krafft_-_Portr%C3%A4t_Wolfgang_Amadeus_Mozart_(1819).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/fc\/Barbara_Krafft_-_Portr%C3%A4t_Wolfgang_Amadeus_Mozart_%281819%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Wolfgang Amadeus Mozart\" loading=\"lazy\"><\/a><figcaption>Barbara Krafft, portrait posthume, 1819 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Barbara_Krafft_-_Portr%C3%A4t_Wolfgang_Amadeus_Mozart_(1819).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Wolfgang_Amadeus_Mozart\" target=\"_blank\" rel=\"noopener\">Wolfgang Amadeus Mozart<\/a><\/strong> \u2014 1787<\/p>\n<p>S\u00e9r\u00e9nade pour cordes achev\u00e9e \u00e0 Vienne le 10 ao\u00fbt 1787, pendant la composition de <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Don_Giovanni\" target=\"_blank\" rel=\"noopener\">Don Giovanni<\/a><\/em>. On ignore pour quelle occasion elle fut \u00e9crite ; elle ne fut publi\u00e9e qu\u2019en 1827. Son premier mouvement, d\u2019une clart\u00e9 et d\u2019une vivacit\u00e9 parfaites, incarne \u00e0 lui seul le classicisme viennois.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/68\/Mozart_K525_Serenade_in_G_Major_1_-_Allegro.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/6\/68\/Mozart_K525_Serenade_in_G_Major_1_-_Allegro.ogg\/Mozart_K525_Serenade_in_G_Major_1_-_Allegro.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Premier mouvement, <em>Allegro<\/em> <span style=\"opacity:.75\">(Wolfgang Amadeus Mozart (1756\u20131791). The website lists the \u00ab\u00a0, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mozart_K525_Serenade_in_G_Major_1_-_Allegro.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>5. Requiem en r\u00e9 mineur, K. 626 : \u00ab Lacrimosa \u00bb<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Wolfgang_Amadeus_Mozart\" target=\"_blank\" rel=\"noopener\">Wolfgang Amadeus Mozart<\/a><\/strong> \u2014 1791<\/p>\n<p>Command\u00e9 anonymement par le comte <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franz_von_Walsegg\" target=\"_blank\" rel=\"noopener\">Franz von Walsegg<\/a>, le <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Requiem_(Mozart)\" target=\"_blank\" rel=\"noopener\">Requiem (Mozart)<\/a><\/em> est rest\u00e9 inachev\u00e9 \u00e0 la mort de Mozart, le 5 d\u00e9cembre 1791 : selon la tradition, il en \u00e9crivait les huit premi\u00e8res mesures du <em>Lacrimosa<\/em>. Son \u00e9l\u00e8ve <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franz_Xaver_S%C3%BCssmayr\" target=\"_blank\" rel=\"noopener\">Franz Xaver S\u00fcssmayr<\/a> l\u2019acheva. La l\u00e9gende d\u2019un empoisonnement par <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Antonio_Salieri\" target=\"_blank\" rel=\"noopener\">Antonio Salieri<\/a>, popularis\u00e9e par Pouchkine puis par le film <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Amadeus_(film)\" target=\"_blank\" rel=\"noopener\">Amadeus (film)<\/a><\/em>, est sans fondement.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/5b\/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_08._Lacrimosa.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/5\/5b\/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_08._Lacrimosa.ogg\/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_08._Lacrimosa.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">\u00ab Lacrimosa \u00bb, Bruno Walter, Orchestre philharmonique de Vienne, 1956 <span style=\"opacity:.75\">(Wolfgang Amadeus Mozart, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:W._A._Mozart_-_Requiem,_K._626_(Bruno_Walter,_Wiener_Philharmoniker,_Wiener_Staatsopernchor,_1956)_-_08._Lacrimosa.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>6. Les Quatre Saisons : \u00ab Le Printemps \u00bb<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Giuseppe_Nogari,_Portrait_of_Antonio_Vivaldi_(Marano,_Francesco_Molinari_Pradelli_Collection).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/7\/7b\/Giuseppe_Nogari%2C_Portrait_of_Antonio_Vivaldi_%28Marano%2C_Francesco_Molinari_Pradelli_Collection%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Antonio Vivaldi\" loading=\"lazy\"><\/a><figcaption>Portrait pr\u00e9sum\u00e9 de Vivaldi, XVIII<sup>e<\/sup> si\u00e8cle <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Giuseppe_Nogari,_Portrait_of_Antonio_Vivaldi_(Marano,_Francesco_Molinari_Pradelli_Collection).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Antonio_Vivaldi\" target=\"_blank\" rel=\"noopener\">Antonio Vivaldi<\/a><\/strong> \u2014 publi\u00e9es en 1725<\/p>\n<p>Les quatre concertos pour violon des <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Les_Quatre_Saisons\" target=\"_blank\" rel=\"noopener\">Les Quatre Saisons<\/a><\/em> ouvrent le recueil <em>Il cimento dell\u2019armonia e dell\u2019inventione<\/em>, op. 8, publi\u00e9 \u00e0 Amsterdam. Chacun est accompagn\u00e9 d\u2019un sonnet : on y entend les oiseaux, le murmure des sources, l\u2019orage, le chien du berger qui aboie. Oubli\u00e9es pendant deux si\u00e8cles, elles sont aujourd\u2019hui parmi les \u0153uvres les plus enregistr\u00e9es au monde.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/f\/ff\/Vivaldi_-_Four_Seasons_1_Spring_mvt_1_Allegro_-_John_Harrison_violin.oga\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/f\/ff\/Vivaldi_-_Four_Seasons_1_Spring_mvt_1_Allegro_-_John_Harrison_violin.oga\/Vivaldi_-_Four_Seasons_1_Spring_mvt_1_Allegro_-_John_Harrison_violin.oga.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Premier mouvement, <em>Allegro<\/em>, John Harrison (violon) <span style=\"opacity:.75\">(Antonio Vivaldi, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vivaldi_-_Four_Seasons_1_Spring_mvt_1_Allegro_-_John_Harrison_violin.oga\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>7. Toccata et fugue en r\u00e9 mineur, BWV 565<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Johann_Sebastian_Bach_-_Google_Arts_Project.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/2\/2a\/Johann_Sebastian_Bach_-_Google_Arts_Project.jpg\/1920px-Johann_Sebastian_Bach_-_Google_Arts_Project.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Jean-S\u00e9bastien Bach\" loading=\"lazy\"><\/a><figcaption>Elias Gottlob Haussmann, 1748 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Johann_Sebastian_Bach_-_Google_Arts_Project.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-S%C3%A9bastien_Bach\" target=\"_blank\" rel=\"noopener\">Jean-S\u00e9bastien Bach<\/a><\/strong> \u2014 vers 1704 (?)<\/p>\n<p>Le d\u00e9but foudroyant de cette pi\u00e8ce pour orgue est devenu le symbole m\u00eame du myst\u00e8re et du fantastique, des films d\u2019\u00e9pouvante \u00e0 <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fantasia_(film,_1940)\" target=\"_blank\" rel=\"noopener\">Fantasia (film, 1940)<\/a><\/em> de Walt Disney, qui l\u2019ouvre dans l\u2019orchestration de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Leopold_Stokowski\" target=\"_blank\" rel=\"noopener\">Leopold Stokowski<\/a>. Certains musicologues doutent m\u00eame qu\u2019elle soit de Bach.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/20\/PDP-CH_-_Philadelphia_Orchestra%2C_Leopold_Stokowski_-_Toccata_and_Fugue_in_D_minor%2C_BWV_565_-_Bach_-_Hmv-d1428-5-0761.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/2\/20\/PDP-CH_-_Philadelphia_Orchestra%2C_Leopold_Stokowski_-_Toccata_and_Fugue_in_D_minor%2C_BWV_565_-_Bach_-_Hmv-d1428-5-0761.flac\/PDP-CH_-_Philadelphia_Orchestra%2C_Leopold_Stokowski_-_Toccata_and_Fugue_in_D_minor%2C_BWV_565_-_Bach_-_Hmv-d1428-5-0761.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Orchestration et direction de Leopold Stokowski, Orchestre de Philadelphie <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PDP-CH_-_Philadelphia_Orchestra,_Leopold_Stokowski_-_Toccata_and_Fugue_in_D_minor,_BWV_565_-_Bach_-_Hmv-d1428-5-0761.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>8. Air de la Suite pour orchestre n<sup>o<\/sup> 3, BWV 1068<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-S%C3%A9bastien_Bach\" target=\"_blank\" rel=\"noopener\">Jean-S\u00e9bastien Bach<\/a><\/strong> \u2014 vers 1730<\/p>\n<p>Le deuxi\u00e8me mouvement de la troisi\u00e8me suite pour orchestre doit son surnom d\u2019\u00ab <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Air_sur_la_corde_de_sol\" target=\"_blank\" rel=\"noopener\">Air sur la corde de sol<\/a> \u00bb \u00e0 l\u2019arrangement du violoniste <a href=\"https:\/\/fr.wikipedia.org\/wiki\/August_Wilhelmj\" target=\"_blank\" rel=\"noopener\">August Wilhelmj<\/a> (1871), jouable sur la seule corde grave du violon. Sa longue m\u00e9lodie suspendue est l\u2019une des plus sereines de toute la musique.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/8\/86\/PDP-CH_-_The_Melachrino_Orchestra_-_George_Melachrino_-_Orchestral_Suite_No._3_in_D_major%2C_BWV_1068_-_Air_on_the_G_String_-_Johann_Sebastian_Bach_-_Hmv-c3775-2ea12475.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/8\/86\/PDP-CH_-_The_Melachrino_Orchestra_-_George_Melachrino_-_Orchestral_Suite_No._3_in_D_major%2C_BWV_1068_-_Air_on_the_G_String_-_Johann_Sebastian_Bach_-_Hmv-c3775-2ea12475.flac\/PDP-CH_-_The_Melachrino_Orchestra_-_George_Melachrino_-_Orchestral_Suite_No._3_in_D_major%2C_BWV_1068_-_Air_on_the_G_String_-_Johann_Sebastian_Bach_-_Hmv-c3775-2ea12475.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Orchestre Melachrino, direction George Melachrino <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:PDP-CH_-_The_Melachrino_Orchestra_-_George_Melachrino_-_Orchestral_Suite_No._3_in_D_major,_BWV_1068_-_Air_on_the_G_String_-_Johann_Sebastian_Bach_-_Hmv-c3775-2ea12475.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>9. Canon en r\u00e9 majeur<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Johann_Pachelbel\" target=\"_blank\" rel=\"noopener\">Johann Pachelbel<\/a><\/strong> \u2014 vers 1680-1700<\/p>\n<p>\u00c9crit pour trois violons et basse continue, ce canon repose sur une basse de huit notes r\u00e9p\u00e9t\u00e9e vingt-huit fois. Oubli\u00e9 jusqu\u2019en 1919, il est devenu c\u00e9l\u00e8bre apr\u00e8s un enregistrement de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean-Fran%C3%A7ois_Paillard\" target=\"_blank\" rel=\"noopener\">Jean-Fran\u00e7ois Paillard<\/a> en 1968, et sa progression d\u2019accords inspire depuis d\u2019innombrables chansons. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Johann_Pachelbel\" target=\"_blank\" rel=\"noopener\">Johann Pachelbel<\/a> fut l\u2019ami de la famille Bach et le ma\u00eetre du fr\u00e8re a\u00een\u00e9 de Jean-S\u00e9bastien.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/c\/c6\/Canon_in_D_Major_%28ISRC_USUAN1100301%29.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Version de Kevin MacLeod <span style=\"opacity:.75\">(Kevin MacLeod, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Canon_in_D_Major_(ISRC_USUAN1100301).mp3\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 3.0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>10. Le Messie : \u00ab All\u00e9luia \u00bb<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:George_Frideric_Handel_by_Balthasar_Denner.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fa\/George_Frideric_Handel_by_Balthasar_Denner.jpg\/1920px-George_Frideric_Handel_by_Balthasar_Denner.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Georg Friedrich Haendel\" loading=\"lazy\"><\/a><figcaption>Balthasar Denner, vers 1726-1728 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:George_Frideric_Handel_by_Balthasar_Denner.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Georg_Friedrich_Haendel\" target=\"_blank\" rel=\"noopener\">Georg Friedrich Haendel<\/a><\/strong> \u2014 1741<\/p>\n<p>Haendel compose son oratorio <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Messie_(Haendel)\" target=\"_blank\" rel=\"noopener\">Le Messie<\/a><\/em> en vingt-quatre jours seulement, \u00e0 Londres, et le cr\u00e9e \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Dublin\" target=\"_blank\" rel=\"noopener\">Dublin<\/a> en 1742 au profit d\u2019\u0153uvres de charit\u00e9. Selon la tradition, le roi <a href=\"https:\/\/fr.wikipedia.org\/wiki\/George_II_(roi_de_Grande-Bretagne)\" target=\"_blank\" rel=\"noopener\">George II<\/a> se leva \u00e0 l\u2019\u00ab All\u00e9luia \u00bb lors de la premi\u00e8re londonienne, et le public se l\u00e8ve encore \u00e0 ce moment dans les pays anglo-saxons.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/3f\/Handel_Messiah_Hallelujah_by_Oratorio_Chorus.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/3\/3f\/Handel_Messiah_Hallelujah_by_Oratorio_Chorus.ogg\/Handel_Messiah_Hallelujah_by_Oratorio_Chorus.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Ch\u0153ur \u00ab All\u00e9luia \u00bb <span style=\"opacity:.75\">(G. F. Handel, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Handel_Messiah_Hallelujah_by_Oratorio_Chorus.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>11. Le Lac des cygnes<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pyotr_Tchaikovsky_%D1%81._1870.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/51\/Pyotr_Tchaikovsky_%D1%81._1870.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Piotr Ilitch Tcha\u00efkovski\" loading=\"lazy\"><\/a><figcaption>Vers 1870 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pyotr_Tchaikovsky_%D1%81._1870.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Piotr_Ilitch_Tcha%C3%AFkovski\" target=\"_blank\" rel=\"noopener\">Piotr Ilitch Tcha\u00efkovski<\/a><\/strong> \u2014 1875-1876<\/p>\n<p>Premier ballet de Tcha\u00efkovski, cr\u00e9\u00e9 sans succ\u00e8s au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Th%C3%A9%C3%A2tre_Bolcho%C3%AF\" target=\"_blank\" rel=\"noopener\">Th\u00e9\u00e2tre Bolcho\u00ef<\/a> de Moscou en 1877, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Lac_des_cygnes\" target=\"_blank\" rel=\"noopener\">Le Lac des cygnes<\/a><\/em> ne triompha qu\u2019apr\u00e8s la mort du compositeur, dans la chor\u00e9graphie de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Marius_Petipa\" target=\"_blank\" rel=\"noopener\">Marius Petipa<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lev_Ivanov\" target=\"_blank\" rel=\"noopener\">Lev Ivanov<\/a> \u00e0 Saint-P\u00e9tersbourg (1895). L\u2019histoire d\u2019Odette, princesse chang\u00e9e en cygne, est devenue le symbole m\u00eame du ballet classique.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/3c\/Pyotr_Ilyich_Tchaikovsky-_Swan_Lake-_Extract_from_Act_4.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/3\/3c\/Pyotr_Ilyich_Tchaikovsky-_Swan_Lake-_Extract_from_Act_4.flac\/Pyotr_Ilyich_Tchaikovsky-_Swan_Lake-_Extract_from_Act_4.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Extrait de l\u2019acte IV <span style=\"opacity:.75\">(Pyotr Ilyich Tchaikovsky; Antal Dorati; London Philharmonic , <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pyotr_Ilyich_Tchaikovsky-_Swan_Lake-_Extract_from_Act_4.flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>12. Peer Gynt : \u00ab Dans l\u2019antre du roi de la montagne \u00bb<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edvard_Grieg_(1888)_by_Elliot_and_Fry.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/e4\/Edvard_Grieg_%281888%29_by_Elliot_and_Fry.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Edvard Grieg\" loading=\"lazy\"><\/a><figcaption>Elliott &#038; Fry, 1888 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edvard_Grieg_(1888)_by_Elliot_and_Fry.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Edvard_Grieg\" target=\"_blank\" rel=\"noopener\">Edvard Grieg<\/a><\/strong> \u2014 1875<\/p>\n<p>Musique de sc\u00e8ne \u00e9crite pour la pi\u00e8ce <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Peer_Gynt\" target=\"_blank\" rel=\"noopener\">Peer Gynt<\/a><\/em> d\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Henrik_Ibsen\" target=\"_blank\" rel=\"noopener\">Henrik Ibsen<\/a> : le h\u00e9ros est entra\u00een\u00e9 chez les trolls, et le th\u00e8me, r\u00e9p\u00e9t\u00e9 de plus en plus vite et de plus en plus fort, finit en d\u00e9cha\u00eenement. Grieg lui-m\u00eame trouvait ce morceau \u00ab horrible \u00bb de vulgarit\u00e9, et il est pourtant devenu l\u2019un des plus c\u00e9l\u00e8bres au monde.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/b\/bb\/Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/b\/bb\/Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg\/Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Interpr\u00e9tation Musopen <span style=\"opacity:.75\">(Grieg, Edvard; Musopen Symphony Orchestra, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>13. Clair de lune (<em>Suite bergamasque<\/em>)<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Claude_Debussy_by_Atelier_Nadar.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/c\/c3\/Claude_Debussy_by_Atelier_Nadar.jpg\/1920px-Claude_Debussy_by_Atelier_Nadar.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Claude Debussy\" loading=\"lazy\"><\/a><figcaption>Atelier Nadar, 1908 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Claude_Debussy_by_Atelier_Nadar.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Claude_Debussy\" target=\"_blank\" rel=\"noopener\">Claude Debussy<\/a><\/strong> \u2014 1890, publi\u00e9 en 1905<\/p>\n<p>Troisi\u00e8me pi\u00e8ce de la <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Suite_bergamasque\" target=\"_blank\" rel=\"noopener\">Suite bergamasque<\/a><\/em> pour piano, inspir\u00e9e du po\u00e8me de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paul_Verlaine\" target=\"_blank\" rel=\"noopener\">Paul Verlaine<\/a> dans les <em>F\u00eates galantes<\/em>. Avec ses harmonies voil\u00e9es et ses r\u00e9sonances, elle annonce l\u2019\u00ab impressionnisme \u00bb musical dont Debussy refusait pourtant l\u2019\u00e9tiquette.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/b\/be\/Clair_de_lune_%28Claude_Debussy%29_Suite_bergamasque.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/b\/be\/Clair_de_lune_%28Claude_Debussy%29_Suite_bergamasque.ogg\/Clair_de_lune_%28Claude_Debussy%29_Suite_bergamasque.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Interpr\u00e9tation au piano <span style=\"opacity:.75\">(Claude Debussy, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Clair_de_lune_(Claude_Debussy)_Suite_bergamasque.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>14. Le Beau Danube bleu<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Johann_Strauss_II_by_Fritz_Luckhardt.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/67\/Johann_Strauss_II_by_Fritz_Luckhardt.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Johann Strauss II\" loading=\"lazy\"><\/a><figcaption>Fritz Luckhardt, vers 1870 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Johann_Strauss_II_by_Fritz_Luckhardt.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Johann_Strauss_II\" target=\"_blank\" rel=\"noopener\">Johann Strauss II<\/a><\/strong> \u2014 1866-1867<\/p>\n<p>\u00c9crite apr\u00e8s la d\u00e9faite autrichienne de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bataille_de_Sadowa\" target=\"_blank\" rel=\"noopener\">Sadowa<\/a>, cette valse fut d\u2019abord une \u0153uvre chorale, avant de triompher dans sa version orchestrale \u00e0 l\u2019Exposition universelle de Paris en 1867. Elle est le second hymne de l\u2019Autriche et cl\u00f4t chaque ann\u00e9e le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/concert_du_Nouvel_An_%C3%A0_Vienne\" target=\"_blank\" rel=\"noopener\">concert du Nouvel An \u00e0 Vienne<\/a>. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Stanley_Kubrick\" target=\"_blank\" rel=\"noopener\">Stanley Kubrick<\/a> la fit tournoyer dans l\u2019espace dans <em>2001, l\u2019Odyss\u00e9e de l\u2019espace<\/em>.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/91\/Strauss%2C_An_der_sch%C3%B6nen_blauen_Donau.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/9\/91\/Strauss%2C_An_der_sch%C3%B6nen_blauen_Donau.ogg\/Strauss%2C_An_der_sch%C3%B6nen_blauen_Donau.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Version orchestrale <span style=\"opacity:.75\">(European Archive, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Strauss,_An_der_sch%C3%B6nen_blauen_Donau.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>15. La Walkyrie : \u00ab La Chevauch\u00e9e des Walkyries \u00bb<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Richard_Wagner_by_Caesar_Willich_ca_1862.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/b\/b6\/Richard_Wagner_by_Caesar_Willich_ca_1862.jpg\/1920px-Richard_Wagner_by_Caesar_Willich_ca_1862.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Richard Wagner\" loading=\"lazy\"><\/a><figcaption>Caesar Willich, vers 1862 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Richard_Wagner_by_Caesar_Willich_ca_1862.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Richard_Wagner\" target=\"_blank\" rel=\"noopener\">Richard Wagner<\/a><\/strong> \u2014 1856, cr\u00e9\u00e9e en 1870<\/p>\n<p>Pr\u00e9lude du troisi\u00e8me acte de <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_Walkyrie\" target=\"_blank\" rel=\"noopener\">La Walkyrie<\/a><\/em>, deuxi\u00e8me journ\u00e9e de la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L'Anneau_du_Nibelung\" target=\"_blank\" rel=\"noopener\">T\u00e9tralogie<\/a> : les filles guerri\u00e8res de Wotan galopent dans les nu\u00e9es pour emporter les h\u00e9ros morts au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Walhalla\" target=\"_blank\" rel=\"noopener\">Walhalla<\/a>. Francis Ford Coppola en a fait l\u2019une des sc\u00e8nes les plus c\u00e9l\u00e8bres du cin\u00e9ma dans <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Apocalypse_Now\" target=\"_blank\" rel=\"noopener\">Apocalypse Now<\/a><\/em>.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/2\/29\/Richard_Wagner_-_Ride_of_the_Valkyries.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/2\/29\/Richard_Wagner_-_Ride_of_the_Valkyries.ogg\/Richard_Wagner_-_Ride_of_the_Valkyries.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Pr\u00e9lude de l\u2019acte III <span style=\"opacity:.75\">(Richard Wagner (1813\u20131883), <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Richard_Wagner_-_Ride_of_the_Valkyries.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>16. Carmen : \u00ab Habanera \u00bb (\u00ab L\u2019amour est un oiseau rebelle \u00bb)<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Georges_Bizet_1860_(restoration).jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/5\/58\/Georges_Bizet_1860_%28restoration%29.jpg\/1920px-Georges_Bizet_1860_%28restoration%29.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail\" alt=\"Georges Bizet\" loading=\"lazy\"><\/a><figcaption>Vers 1860 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Georges_Bizet_1860_(restoration).jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Georges_Bizet\" target=\"_blank\" rel=\"noopener\">Georges Bizet<\/a><\/strong> \u2014 1875<\/p>\n<p><em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Carmen_(op%C3%A9ra)\" target=\"_blank\" rel=\"noopener\">Carmen (op\u00e9ra)<\/a><\/em>, d\u2019apr\u00e8s la nouvelle de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Prosper_M%C3%A9rim%C3%A9e\" target=\"_blank\" rel=\"noopener\">Prosper M\u00e9rim\u00e9e<\/a>, fit scandale \u00e0 sa cr\u00e9ation \u00e0 l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Op%C3%A9ra-Comique\" target=\"_blank\" rel=\"noopener\">Op\u00e9ra-Comique<\/a> le 3 mars 1875. Bizet mourut trois mois plus tard, \u00e0 trente-six ans, sans conna\u00eetre le triomphe mondial de son op\u00e9ra. La m\u00e9lodie de la Habanera est emprunt\u00e9e \u00e0 une chanson du compositeur espagnol <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sebasti%C3%A1n_Iradier\" target=\"_blank\" rel=\"noopener\">Sebasti\u00e1n Iradier<\/a>.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/e8\/Habanera_%28ISRC_USUAN1100656%29.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Version instrumentale de Kevin MacLeod <span style=\"opacity:.75\">(Aria composed by\u00a0: Georges Bizet; Singer: Jenny Lee Mitchell, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Habanera_(ISRC_USUAN1100656).mp3\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY 3.0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>17. Nabucco : \u00ab Va, pensiero \u00bb (ch\u0153ur des esclaves h\u00e9breux)<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Giuseppe_Verdi_by_Giovanni_Boldini.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/55\/Giuseppe_Verdi_by_Giovanni_Boldini.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Giuseppe Verdi\" loading=\"lazy\"><\/a><figcaption>Giovanni Boldini, 1886 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Giuseppe_Verdi_by_Giovanni_Boldini.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Giuseppe_Verdi\" target=\"_blank\" rel=\"noopener\">Giuseppe Verdi<\/a><\/strong> \u2014 1842<\/p>\n<p>Dans <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nabucco\" target=\"_blank\" rel=\"noopener\">Nabucco<\/a><\/em>, cr\u00e9\u00e9 \u00e0 la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_Scala\" target=\"_blank\" rel=\"noopener\">Scala de Milan<\/a> le 9 mars 1842, les H\u00e9breux captifs \u00e0 Babylone chantent leur patrie perdue : \u00ab Va, pens\u00e9e, sur tes ailes dor\u00e9es \u00bb. Les Italiens du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Risorgimento\" target=\"_blank\" rel=\"noopener\">Risorgimento<\/a> y reconnurent leur propre d\u00e9sir d\u2019unit\u00e9 et de libert\u00e9. En 1901, lors du transfert de la d\u00e9pouille de Verdi, Arturo Toscanini le fit chanter par plusieurs centaines de choristes devant la foule milanaise : c\u2019est l\u2019hymne officieux de l\u2019Italie.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/50\/ICBSA_Verdi_-_Nabucco%2C_Va_pensiero.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/5\/50\/ICBSA_Verdi_-_Nabucco%2C_Va_pensiero.ogg\/ICBSA_Verdi_-_Nabucco%2C_Va_pensiero.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Ch\u0153ur \u00ab Va, pensiero \u00bb <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:ICBSA_Verdi_-_Nabucco,_Va_pensiero.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, CC BY-SA 4.0)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>18. Symphonie n<sup>o<\/sup> 9 \u00ab Du Nouveau Monde \u00bb<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dvorak_1882.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/a\/a0\/Dvorak_1882.jpg?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Anton\u00edn Dvo\u0159\u00e1k\" loading=\"lazy\"><\/a><figcaption>1882 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dvorak_1882.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Anton%C3%ADn_Dvo%C5%99%C3%A1k\" target=\"_blank\" rel=\"noopener\">Anton\u00edn Dvo\u0159\u00e1k<\/a><\/strong> \u2014 1893<\/p>\n<p>\u00c9crite \u00e0 New York, o\u00f9 Dvo\u0159\u00e1k dirigeait le Conservatoire national, cette symphonie m\u00eale les souvenirs de la Boh\u00eame natale aux \u00e9chos des <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Negro_spiritual\" target=\"_blank\" rel=\"noopener\">negro spirituals<\/a> et des chants am\u00e9rindiens. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Neil_Armstrong\" target=\"_blank\" rel=\"noopener\">Neil Armstrong<\/a> en emporta un enregistrement sur la Lune lors de la mission <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Apollo_11\" target=\"_blank\" rel=\"noopener\">Apollo 11<\/a> en 1969.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/5\/5c\/Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27%2C_op._95_-_i._adagio_-_allegro_molto.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/5\/5c\/Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27%2C_op._95_-_i._adagio_-_allegro_molto.ogg\/Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27%2C_op._95_-_i._adagio_-_allegro_molto.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Symphonie n<sup>o<\/sup> 9 (extrait) <span style=\"opacity:.75\">(Anton\u00edn Dvo\u0159\u00e1k, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27,_op._95_-_i._adagio_-_allegro_molto.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>19. Bol\u00e9ro<\/h3>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Maurice_Ravel\" target=\"_blank\" rel=\"noopener\">Maurice Ravel<\/a><\/strong> \u2014 1928<\/p>\n<p>Command\u00e9 par la danseuse <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ida_Rubinstein\" target=\"_blank\" rel=\"noopener\">Ida Rubinstein<\/a>, le <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bol%C3%A9ro_(Ravel)\" target=\"_blank\" rel=\"noopener\">Bol\u00e9ro (Ravel)<\/a><\/em> repose sur une seule m\u00e9lodie r\u00e9p\u00e9t\u00e9e dix-huit fois sur un rythme obstin\u00e9 de caisse claire, dans un immense crescendo orchestral. Ravel le qualifiait d\u2019\u00ab exp\u00e9rience dans une direction tr\u00e8s sp\u00e9ciale et limit\u00e9e \u00bb ; il est devenu l\u2019une des \u0153uvres les plus jou\u00e9es au monde.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/c\/c3\/Bolero-Maurice_Ravel-1930.ogg\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/c\/c3\/Bolero-Maurice_Ravel-1930.ogg\/Bolero-Maurice_Ravel-1930.ogg.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Enregistrement de 1930 <span style=\"opacity:.75\">(Maurice Ravel, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bolero-Maurice_Ravel-1930.ogg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"opa-oeuvre\">\n<h3>20. Nocturne en mi b\u00e9mol majeur, op. 9 n<sup>o<\/sup> 2<\/h3>\n<div class=\"opa-por\">\n<figure><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fr%C3%A9d%C3%A9ric_Chopin_by_Bisson,_1849.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/3\/36\/Fr%C3%A9d%C3%A9ric_Chopin_by_Bisson%2C_1849.png?utm_source=commons.wikimedia.org&#038;utm_campaign=imageinfo&#038;utm_content=thumbnail_unscaled\" alt=\"Fr\u00e9d\u00e9ric Chopin\" loading=\"lazy\"><\/a><figcaption>Louis-Auguste Bisson, 1849 <span style=\"opacity:.75\">(<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Fr%C3%A9d%C3%A9ric_Chopin_by_Bisson,_1849.png\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/figcaption><\/figure>\n<\/div>\n<p><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fr%C3%A9d%C3%A9ric_Chopin\" target=\"_blank\" rel=\"noopener\">Fr\u00e9d\u00e9ric Chopin<\/a><\/strong> \u2014 1830-1832<\/p>\n<p>Le plus c\u00e9l\u00e8bre des vingt et un <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nocturnes_(Chopin)\" target=\"_blank\" rel=\"noopener\">nocturnes<\/a> de Chopin, publi\u00e9 \u00e0 Paris en 1832 et d\u00e9di\u00e9 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Marie_Pleyel\" target=\"_blank\" rel=\"noopener\">Marie Pleyel<\/a>. H\u00e9ritier de l\u2019Irlandais <a href=\"https:\/\/fr.wikipedia.org\/wiki\/John_Field\" target=\"_blank\" rel=\"noopener\">John Field<\/a>, Chopin fait chanter le piano comme une voix d\u2019op\u00e9ra belcantiste.<\/p>\n<div class=\"opa-audio\"><audio controls preload=\"none\" style=\"width:100%\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/8\/89\/Chopin_-_Nocturne_No._2_in_E-flat_major%2C_Op._9_No._2_%28Frank_Levy%29.flac\"><source src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/8\/89\/Chopin_-_Nocturne_No._2_in_E-flat_major%2C_Op._9_No._2_%28Frank_Levy%29.flac\/Chopin_-_Nocturne_No._2_in_E-flat_major%2C_Op._9_No._2_%28Frank_Levy%29.flac.mp3\" type=\"audio\/mpeg\"><\/audio><\/p>\n<div class=\"opa-audio-cap\">Interpr\u00e9tation de Frank Levy <span style=\"opacity:.75\">(Fr\u00e9d\u00e9ric Chopin \/ Frank L\u00e9vy, <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Chopin_-_Nocturne_No._2_in_E-flat_major,_Op._9_No._2_(Frank_Levy).flac\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>, Public domain)<\/span><\/div>\n<\/div>\n<\/div>\n<h3>Et aussi\u2026<\/h3>\n<p>La <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sonate_pour_piano_no_14_de_Beethoven\" target=\"_blank\" rel=\"noopener\">Sonate au clair de lune<\/a><\/em> et la <em>Marche turque<\/em> de Mozart, le <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Carmina_Burana\" target=\"_blank\" rel=\"noopener\">Carmina Burana<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Carl_Orff\" target=\"_blank\" rel=\"noopener\">Carl Orff<\/a>, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ainsi_parlait_Zarathoustra_(Strauss)\" target=\"_blank\" rel=\"noopener\">Ainsi parlait Zarathoustra (Strauss)<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Richard_Strauss\" target=\"_blank\" rel=\"noopener\">Richard Strauss<\/a>, l\u2019ouverture de <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Guillaume_Tell_(Rossini)\" target=\"_blank\" rel=\"noopener\">Guillaume Tell (op\u00e9ra)<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gioachino_Rossini\" target=\"_blank\" rel=\"noopener\">Gioachino Rossini<\/a>, la <em>Marche nuptiale (Mendelssohn)<\/em>, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Casse-Noisette\" target=\"_blank\" rel=\"noopener\">Casse-Noisette<\/a><\/em>, la <em>S\u00e9r\u00e9nade (Schubert)<\/em>, l\u2019<em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ave_Maria_(Schubert)\" target=\"_blank\" rel=\"noopener\">Ave Maria (Schubert)<\/a><\/em>, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Carnaval_des_animaux\" target=\"_blank\" rel=\"noopener\">Le Carnaval des animaux<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Camille_Saint-Sa%C3%ABns\" target=\"_blank\" rel=\"noopener\">Camille Saint-Sa\u00ebns<\/a>, <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rhapsody_in_Blue\" target=\"_blank\" rel=\"noopener\">Rhapsody in Blue<\/a><\/em> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/George_Gershwin\" target=\"_blank\" rel=\"noopener\">George Gershwin<\/a>\u2026<\/p>\n<h3>\u00c0 voir et \u00e0 \u00e9couter<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=most+famous+classical+music+pieces\" target=\"_blank\" rel=\"noopener\">Les 20 \u0153uvres classiques les plus c\u00e9l\u00e8bres<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Beethoven+Symphonie+5\" target=\"_blank\" rel=\"noopener\">Beethoven, Symphonie n\u00b0 5<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Vivaldi+Quatre+Saisons\" target=\"_blank\" rel=\"noopener\">Vivaldi, Les Quatre Saisons<\/a> (vid\u00e9os YouTube)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/results?search_query=Ravel+Bol%C3%A9ro\" target=\"_blank\" rel=\"noopener\">Ravel, Bol\u00e9ro<\/a> (vid\u00e9os YouTube)<\/li>\n<\/ul>\n<h3>Pour aller plus loin en ligne<\/h3>\n<ul class=\"opa-dl\">\n<li><a href=\"https:\/\/musopen.org\/\" target=\"_blank\" rel=\"noopener\">Musopen : enregistrements et partitions libres de droits<\/a><\/li>\n<li><a href=\"https:\/\/imslp.org\/\" target=\"_blank\" rel=\"noopener\">IMSLP, la biblioth\u00e8que musicale Petrucci : partitions du domaine public<\/a><\/li>\n<li><a href=\"https:\/\/www.radiofrance.fr\/francemusique\" target=\"_blank\" rel=\"noopener\">France Musique<\/a><\/li>\n<\/ul>\n<h3>Pour aller plus loin<\/h3>\n<ul class=\"opa-biblio\">\n<li>Voir la page <a href=\"https:\/\/oraziopuglisi.art\/index.php\/la-musique\/\">La Musique<\/a> et la page <a href=\"https:\/\/oraziopuglisi.art\/index.php\/histoire-de-la-musique-classique\/\">Histoire de la Musique Classique<\/a>.<\/li>\n<li>Marc Honegger (dir.), <em>Dictionnaire de la musique<\/em>, Bordas.<\/li>\n<li>Fran\u00e7ois-Ren\u00e9 Tranchefort (dir.), <em>Guide de la musique symphonique<\/em>, Fayard, 1986.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Image d&rsquo;en-t\u00eate : Joseph Karl Stieler, Portrait de Ludwig van Beethoven composant la Missa solemnis, 1820, Bonn, Beethoven-Haus (Wikimedia Commons, domaine public). Soutenir mon travail \u00b7 Tout lire sans limite \u00b7 Mes livres Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres au monde Quelles sont les \u0153uvres de musique classique que tout le monde conna\u00eet, m\u00eame [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31401,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31402","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les 20 \u0153uvres musicales les plus c\u00e9l\u00e8bres au monde - Orazio Puglisi<\/title>\n<meta name=\"description\" content=\"Quelles sont les \u0153uvres de musique classique que tout le monde conna\u00eet, m\u00eame sans conna\u00eetre leur nom ? 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