{"id":23518,"date":"2026-04-29T17:45:26","date_gmt":"2026-04-29T15:45:26","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=23518"},"modified":"2026-04-30T15:13:23","modified_gmt":"2026-04-30T13:13:23","slug":"francisco-de-zurbaran","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/francisco-de-zurbaran\/","title":{"rendered":"Francisco de Zurbar\u00e1n"},"content":{"rendered":"

Image mise en avant :<\/strong> Saint Luc en peintre devant la Crucifixion\u00a0<\/i><\/span>1635-1640 (105\u00a0\u00d7\u00a084\u00a0cm<\/abbr>)\u00a0 <\/span>Mus\u00e9e du Prado<\/a>,\u00a0Madrid<\/a>.<\/span><\/p>\n

Francisco de Zurbar\u00e1n<\/a><\/p>\n

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Images Google<\/a><\/p>\n

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Autoportrait<\/a>\u00a0pr\u00e9sum\u00e9 de Zurbar\u00e1n
\nExtrait de\u00a0Saint Luc en peintre devant la Crucifixion<\/i>,\u00a01635<\/a>–1640<\/a>, 105\u00a0\u00d7\u00a084\u00a0cm<\/abbr>,\u00a0Madrid<\/a>,\u00a0Mus\u00e9e du Prado<\/a><\/div>\n<\/div>\n
\u00a0<\/div>\n\n\n\n\n\n\n\n\n\n\n
Naissance<\/th>\n\n
D\u00e9c\u00e8s<\/th>\n\n
P\u00e9riode d’activit\u00e9<\/th>\n\n
Activit\u00e9<\/th>\n\n
Lieux de travail<\/th>\n\n
Mouvement<\/th>\n\n
Conjoints<\/th>\n\n
Enfant<\/th>\n\n
Juan de Zurbar\u00e1n<\/a><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\u0152uvres principales<\/caption>\n
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Saint Hugues au r\u00e9fectoire des Chartreux<\/i><\/a>,\u00a0Le Christ en croix<\/i><\/a><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Francisco de Zurbar\u00e1n<\/b>\u00a0(1598<\/a>\u00a0\u00e0\u00a0Fuente de Cantos<\/a>\u20131664<\/a>\u00a0\u00e0\u00a0Madrid<\/a>) est un\u00a0peintre<\/a>\u00a0du\u00a0Si\u00e8cle d’or espagnol<\/a>. Contemporain et ami de\u00a0Diego V\u00e9lasquez<\/a>, Zurbar\u00e1n se distingue dans les peintures religieuses \u2014\u00a0o\u00f9 son art r\u00e9v\u00e8le une grande force visuelle et un profond\u00a0mysticisme<\/a>\u00a0\u2014 et il devient un artiste embl\u00e9matique de la\u00a0Contre-R\u00e9forme<\/a>[<\/span>1]<\/span><\/a><\/sup>.<\/p>\n

D’abord tr\u00e8s marqu\u00e9 par\u00a0Le Caravage<\/a><\/span>, son style aust\u00e8re et sombre \u00e9volue pour se rapprocher des ma\u00eetres\u00a0mani\u00e9ristes<\/a>\u00a0italiens<\/a>. Ses repr\u00e9sentations s’\u00e9loignent du\u00a0r\u00e9alisme<\/a>\u00a0de\u00a0V\u00e9lasquez<\/a>\u00a0et ses compositions s’\u00e9claircissent dans des tons plus acides.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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