{"id":17120,"date":"2025-06-12T18:11:37","date_gmt":"2025-06-12T16:11:37","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=17120"},"modified":"2025-06-12T18:15:32","modified_gmt":"2025-06-12T16:15:32","slug":"portraits-de-maffeo-barberini","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/portraits-de-maffeo-barberini\/","title":{"rendered":"Portraits de Maffeo Barberini"},"content":{"rendered":"

Portraits de Maffeo Barberini<\/a><\/p>\n

 <\/p>\n

Portrait de Maffeo Barberini<\/b><\/i>\u00a0est un tableau de\u00a0Caravage<\/a>\u00a0probablement peint entre\u00a01597<\/a>\u00a0et\u00a01603<\/a>\u00a0et conserv\u00e9 dans une collection priv\u00e9e de\u00a0Florence<\/a>. Longtemps oubli\u00e9e, cette \u0153uvre est red\u00e9couverte au d\u00e9but des ann\u00e9es 1960\u00a0; son attribution \u00e0 Caravage est longtemps discut\u00e9e jusqu’\u00e0 devenir quasi unanimement accept\u00e9e. En revanche, sa datation pr\u00e9cise reste l’objet de d\u00e9bats.<\/p>\n

Il s’agit d’un portrait de Maffeo Barberini, repr\u00e9sent\u00e9 en tenue eccl\u00e9siastique quelques ann\u00e9es avant qu’il ne devienne\u00a0cardinal<\/a>\u00a0puis\u00a0pape<\/a>\u00a0sous le nom d’Urbain VIII<\/a>\u00a0en 1606. Grand amateur d’art, cet homme d’\u00c9glise poss\u00e8de dans sa collection personnelle au moins un autre tableau du peintre lombard\u00a0:\u00a0Le Sacrifice d’Isaac<\/a><\/i>.<\/p>\n

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Historique<\/h2>\n<\/div>\n
<\/a>
Le Sacrifice d’Isaac<\/a><\/i>\u00a0(mus\u00e9e des Offices<\/a>) est \u00e9galement command\u00e9 par\u00a0Maffeo Barberini<\/a>, et sa datation oscille aussi entre 1597 et 1603.<\/figcaption><\/figure>\n

L’attribution du tableau \u00e0 Caravage est aujourd’hui quasi unanime parmi les sp\u00e9cialistes en histoire de l’art, mais cette attribution est r\u00e9cente car la trace du tableau a \u00e9t\u00e9 perdue pendant plusieurs si\u00e8cles, jusqu’\u00e0 sa red\u00e9couverte vers 1960 dans un grenier du\u00a0palais Barberini<\/a>[<\/span>1]<\/span><\/a><\/sup>. Par d\u00e9duction, il est pourtant possible de deviner la trace de cette \u0153uvre chez des biographes contemporains de Caravage au\u00a0XVII<\/span>e<\/sup><\/abbr>\u00a0si\u00e8cle\u00a0; ainsi,\u00a0Giulio Mancini<\/a>\u00a0mentionne explicitement la production de\u00a0\u00ab\u00a0portraits pour le Barbarino\u00a0\u00bb<\/span>, puis\u00a0Giovanni Pietro Bellori<\/a>\u00a0pr\u00e9cise l’information en \u00e9voquant\u00a0\u00ab\u00a0un portrait\u00a0\u00bb<\/span>\u00a0effectu\u00e9 pour le cardinal en plus du\u00a0Sacrifice d’Isaac<\/a><\/i>\u00a0qui est, quant \u00e0 lui, bien document\u00e9[<\/span>1]<\/span><\/a><\/sup>. Dans la mesure o\u00f9 Mancini est le m\u00e9decin personnel du futur pape, il est permis de consid\u00e9rer qu’il est bien inform\u00e9 \u00e0 son sujet[<\/span>2]<\/span><\/a><\/sup>.<\/p>\n

L’identification de\u00a0Maffeo Barberini<\/a>\u00a0comme commanditaire de son propre portrait pose donc peu de difficult\u00e9; en revanche, la date de cr\u00e9ation est plus incertaine et oscille selon les auteurs dans une fourchette de cinq \u00e0 six ans autour de l’ann\u00e9e 1600\u00a0: de 1597 \u00e0 1603 donc, cette derni\u00e8re hypoth\u00e8se de date \u00e9tant relativement majoritaire[<\/span>3]<\/span><\/a><\/sup>,<\/sup>[<\/span>4]<\/span><\/a><\/sup>. La question de la datation est encore compliqu\u00e9e par l’impossibilit\u00e9 pour les experts d’acc\u00e9der au tableau, qui est conserv\u00e9 en collection priv\u00e9e et qui est donc essentiellement \u00e9tudi\u00e9 par le biais de photographies[<\/span>5]<\/span><\/a><\/sup>. Quoi qu’il en soit, le portrait est certainement r\u00e9alis\u00e9 pendant la p\u00e9riode o\u00f9 Caravage r\u00e9side \u00e0 Rome\u00a0: Barberini est ici habill\u00e9 comme un pr\u00eatre et non pas comme un cardinal, ce qui est coh\u00e9rent puisqu’il n’est nomm\u00e9 dans ces fonctions qu’en\u00a0[<\/span>2]<\/span><\/a><\/sup>.<\/p>\n

\n
Article d\u00e9taill\u00e9\u00a0:\u00a0P\u00e9riode romaine de Caravage<\/a>.<\/div>\n<\/div>\n
\n

Description<\/h2>\n<\/div>\n

La toile de Caravage repr\u00e9sente vraisemblablement[<\/span>a]<\/span><\/a><\/sup>\u00a0Maffeo Barberini, futur\u00a0pape Urbain VIII<\/a>\u00a0et ami du cardinal\u00a0Francesco Maria del Monte<\/a>, lequel est \u00e0 Rome le grand protecteur et m\u00e9c\u00e8ne de Caravage[<\/span>7]<\/span><\/a><\/sup>. Assis dans un fauteuil contre lequel repose un grand rouleau de parchemin, l’air jeune et assur\u00e9, il montre du doigt un interlocuteur invisible et tient \u00e0 la main un document pli\u00e9\u00a0: il pourrait s’agir d’une allusion \u00e0 sa nomination comme clerc apostolique \u2014\u00a0ce qui jouerait en faveur d’une datation pr\u00e9coce de l\u2019\u0153uvre, car c’est en 1598 que Barberini ach\u00e8te, \u00e2g\u00e9 de trente ans seulement, la charge de greffier \u00e0 la chambre apostolique[<\/span>7]<\/span><\/a><\/sup>.<\/p>\n

\"\" \"\"<\/p>\n

http:\/\/oraziopuglisi.art\/wp-content\/uploads\/2025\/06\/VID-20250608-WA0163.mp4<\/a><\/video><\/div>\n
http:\/\/oraziopuglisi.art\/wp-content\/uploads\/2025\/06\/VID-20250608-WA0165.mp4<\/a><\/video><\/div>\n","protected":false},"excerpt":{"rendered":"

Portraits de Maffeo Barberini   Portrait de Maffeo Barberini\u00a0est un tableau de\u00a0Caravage\u00a0probablement peint entre\u00a01597\u00a0et\u00a01603\u00a0et conserv\u00e9 dans une collection priv\u00e9e de\u00a0Florence. Longtemps oubli\u00e9e, cette \u0153uvre est red\u00e9couverte au d\u00e9but des ann\u00e9es 1960\u00a0; son attribution \u00e0 Caravage est longtemps discut\u00e9e jusqu’\u00e0 devenir quasi unanimement accept\u00e9e. En revanche, sa datation pr\u00e9cise reste l’objet de d\u00e9bats. Il s’agit d’un […]<\/p>\n","protected":false},"author":1,"featured_media":17122,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-17120","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPortraits de Maffeo Barberini - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/portraits-de-maffeo-barberini\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portraits de Maffeo Barberini - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"Portraits de Maffeo Barberini   Portrait de Maffeo Barberini\u00a0est un tableau de\u00a0Caravage\u00a0probablement peint entre\u00a01597\u00a0et\u00a01603\u00a0et conserv\u00e9 dans une collection priv\u00e9e de\u00a0Florence. 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