Faire un don par Qr Code<\/span><\/p>\n<\/a><\/p>\nAchetez mes livres <\/a><\/p>\n <\/p>\n <\/p>\nVirement bancaire<\/p>\n<\/form>\n\nIBAN FR81 2004 1010 0820 6402 0P02 955<\/span><\/p>\nBIC PSSTFRPPMAR<\/span><\/p>\nOrazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a><\/p>\nAchetez mes livres <\/a><\/p>\n <\/p>\n <\/p>\nVirement bancaire<\/p>\n<\/form>\n\nIBAN FR81 2004 1010 0820 6402 0P02 955<\/span><\/p>\nBIC PSSTFRPPMAR<\/span><\/p>\nOrazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Achetez mes livres <\/a><\/p>\n <\/p>\n <\/p>\nVirement bancaire<\/p>\n<\/form>\n\nIBAN FR81 2004 1010 0820 6402 0P02 955<\/span><\/p>\nBIC PSSTFRPPMAR<\/span><\/p>\nOrazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n
Virement bancaire<\/p>\n<\/form>\n
IBAN FR81 2004 1010 0820 6402 0P02 955<\/span><\/p>\nBIC PSSTFRPPMAR<\/span><\/p>\nOrazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
BIC PSSTFRPPMAR<\/span><\/p>\nOrazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Orazio Puglisi<\/span><\/p>\n06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
06 14 35 15 52<\/span><\/p>\noraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
oraziopuglisi@gmail.com<\/a><\/span><\/p>\npuglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
puglisiorazio@wanadoo.fr<\/a><\/span><\/p>\n<\/form>\n\n<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span><\/p>\n<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span><\/p>\nL’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
L’art lyrique<\/b>\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres<\/a>\u00a0de\u00a0musique vocale<\/a>\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra<\/a>. Il tire son appellation de la\u00a0lyre<\/a>, l’un des attributs d’Apollon musag\u00e8te<\/a>\u00a0et de la\u00a0Muse<\/a>\u00a0\u00c9rato<\/a>, patronne de la\u00a0po\u00e9sie<\/a>\u00a0lyrique.<\/p>\nL’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
L’art lyrique est donc la discipline exerc\u00e9e par le\u00a0chanteur d’op\u00e9ra<\/a>. La notion d’artiste lyrique<\/a>\u00a0d\u00e9signe l’ex\u00e9cutant \u00e0 la fois comme\u00a0chanteur<\/a>,\u00a0com\u00e9dien<\/a>\u00a0et parfois\u00a0danseur<\/a>. Par extension, on parle en g\u00e9n\u00e9ral d’art lyrique \u00e0 propos d’une prestation sc\u00e9nique contenant du chant aux voix travaill\u00e9es et une\u00a0mise en sc\u00e8ne<\/a>.<\/p>\nDe plus\u00a0:<\/p>\n\nSi la prestation sc\u00e9nique n’a pas de mise en sc\u00e8ne, il s’agit d’un\u00a0concert<\/a>\u00a0;<\/li>\nSi la prestation ne contient pas de chant, c’est du\u00a0th\u00e9\u00e2tre<\/a>\u00a0;<\/li>\nSi le chant n’est pas \u00e0 voix travaill\u00e9es (autant que dans l’Op\u00e9ra<\/i>) et que ce sont des\u00a0musiques actuelles<\/a>, alors on parlera de\u00a0com\u00e9die musicale<\/a>.<\/li>\n<\/ul>\nLa notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
De plus\u00a0:<\/p>\n
La notion de\u00a0lyrisme<\/a>\u00a0vient du grec. Dans la Gr\u00e8ce antique, ce qui est lyrique est ce qui se raconte avec une\u00a0lyre<\/a>\u00a0\u00e0 la main. La\u00a0Renaissance<\/a>\u00a0a repris le mod\u00e8le grec en cherchant \u00e0 l’imiter au plus proche, consid\u00e9rant cette \u00e9poque comme un\u00a0\u00e2ge d’or<\/a>. C’est le cas dans la litt\u00e9rature pour les\u00a0vers mesur\u00e9s \u00e0 l’antique<\/a>, utilis\u00e9s \u00e0 la Renaissance pour la recherche de l’\u00e9loquence. En musique, les th\u00e9oriciens sont partis sur les traces de\u00a0Pythagore<\/a>\u00a0pour fonder la th\u00e9orie des\u00a0temp\u00e9raments musicaux<\/a>\u00a0(tout \u00e0 fait appropri\u00e9s scientifiquement) ou encore la\u00a0musique des sph\u00e8res<\/a>…<\/p>\nLa notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
La notion de\u00a0narration<\/a>, pour le lyrisme, est tr\u00e8s importante. \u00c0 l’\u00e9poque\u00a0baroque<\/a>, quand le genre op\u00e9ratique appara\u00eet (1607 pour\u00a0l’Orfeo<\/a>), Monteverdi intitule son op\u00e9ra\u00a0Favola in musica<\/i>\u00a0: \u00ab\u00a0Fable<\/i>\u00a0\u00bb (ou \u00ab\u00a0Conte<\/i>\u00a0\u00bb) \u00ab\u00a0en musique<\/i>\u00a0\u00bb. Preuve en est qu’il s’agit d’une narration th\u00e9\u00e2trale avant de faire de la musique. D’ailleurs,\u00a0Orph\u00e9e<\/a>\u00a0est un joueur de lyre, chanteur et\u00a0diseur<\/a>…<\/p>\nL’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n\n<\/span>Genres d’op\u00e9ra<\/h2>\n<\/div>\n<\/a>Apollon<\/a>, la po\u00e9sie et la musique\u00a0;\nOp\u00e9ra Garnier<\/a>.<\/figcaption><\/figure>\n\nD\u00e9clamation baroque<\/a><\/li>\nDramma giocoso<\/a><\/li>\nGrand op\u00e9ra<\/a><\/li>\nOp\u00e9ra anglais<\/a><\/li>\nOp\u00e9ra-ballet<\/a><\/li>\nOp\u00e9ra-bouffe<\/a><\/li>\nOp\u00e9ra-comique<\/a><\/li>\nOp\u00e9ra semiseria<\/a><\/li>\nOpera seria<\/a><\/li>\nOp\u00e9rette<\/a><\/li>\nPastorale h\u00e9ro\u00efque<\/a><\/li>\nSemi-op\u00e9ra<\/a><\/li>\nSingspiel<\/a><\/li>\nTrag\u00e9die lyrique<\/a><\/li>\nZarzuela<\/a><\/li>\n<\/ul>\nMonteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
L’art lyrique est la discipline du chant mis en sc\u00e8ne \u00e0 l’op\u00e9ra.<\/p>\n
Monteverdi<\/a><\/p><\/blockquote>\n<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"mnDxVex5FN\"><p><a href=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/\">Le Ph\u00e9nom\u00e8ne Castrat<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Le Ph\u00e9nom\u00e8ne Castrat\u00a0\u00bb — Orazio Puglisi\" src=\"https:\/\/oraziopuglisi.art\/index.php\/le-phenomene-castrat\/embed\/#?secret=xi6qK4mLxs#?secret=mnDxVex5FN\" data-secret=\"mnDxVex5FN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"[Philippe Jaroussky] S\u00ec dolce e'l tormento, SV 332\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/XsKXV90Yna8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"HAENDEL : Lascia ch'io pianga, par Patricia Petibon.\" width=\"600\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Z5WUO7hsgCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Philippe Jaroussky - Lascia ch'io pianga, H\u00e4ndel [BEST QUALITY]\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/KxnBjAaJWCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"monteverdi pur ti miro\" width=\"600\" height=\"338\" src=\"https:\/\/www.youtube.com\/embed\/7GkMuOKEgtw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p> <\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Faire un don par Qr Code Achetez mes livres Virement bancaire IBAN FR81 2004 1010 0820 6402 0P02 955 BIC PSSTFRPPMAR Orazio Puglisi 06 14 35 15 52 oraziopuglisi@gmail.com puglisiorazio@wanadoo.fr L’art lyrique\u00a0est la terminologie sous laquelle sont regroup\u00e9s les diff\u00e9rents\u00a0genres\u00a0de\u00a0musique vocale\u00a0qualifiant, selon les \u00e9poques et les lieux, les \u0153uvres d’op\u00e9ra. Il tire son […]<\/p>\n","protected":false},"author":1,"featured_media":11245,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11208","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/comments?post=11208"}],"version-history":[{"count":10,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions"}],"predecessor-version":[{"id":15320,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/pages\/11208\/revisions\/15320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media\/11245"}],"wp:attachment":[{"href":"https:\/\/oraziopuglisi.art\/index.php\/wp-json\/wp\/v2\/media?parent=11208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}