{"id":10004,"date":"2024-08-06T07:03:39","date_gmt":"2024-08-06T05:03:39","guid":{"rendered":"https:\/\/oraziopuglisi.art\/?page_id=10004"},"modified":"2024-08-06T07:09:07","modified_gmt":"2024-08-06T05:09:07","slug":"esthetique-antique","status":"publish","type":"page","link":"https:\/\/oraziopuglisi.art\/index.php\/esthetique-antique\/","title":{"rendered":"Esth\u00e9tique Antique"},"content":{"rendered":"

PR\u00c9SENTATION<\/h3>\n
\n

 <\/p>\n

L’esth\u00e9tique en tant que discipline philosophique n’appara\u00eet qu’au XVIIIe<\/sup>\u00a0si\u00e8cle. Mais longtemps avant l’invention d’un terme sp\u00e9cifique, les questions esth\u00e9tiques commenc\u00e8rent \u00e0 \u00eatre pos\u00e9es par les Grecs puis par les Romains. Dans la Gr\u00e8ce ancienne, la d\u00e9couverte de la beaut\u00e9 fut la cons\u00e9quence imm\u00e9diate de l’intuition de l’univers. Aux yeux des Grecs, l’univers se montra dans la splendeur d’un\u00a0kosmos<\/em>, c’est-\u00e0-dire d’un \u00ab bel ordre \u00bb, d’un syst\u00e8me coh\u00e9rent de parties articul\u00e9es de fa\u00e7on t\u00e9l\u00e9ologique, apte \u00e0 susciter un sentiment d’admiration et d’\u00e9mulation. \u00c0 partir de la pens\u00e9e pythagoricienne, la beaut\u00e9 d’un objet se
\ntrouva donc d\u00e9termin\u00e9e par la proportion de sa structure ou bien par son ordre (kosmos<\/em>).
\nCe livre se propose d’observer comment, dans les cultures grecque et romaine \u2013 soit d’Hom\u00e8re jusqu’\u00e0 Plotin \u2013, l’id\u00e9e de\u00a0kosmos\u00a0<\/em>marque et influence l’exp\u00e9rience de l’art, du triple point de vue de la production de l’objet artistique, de sa structure et de ses effets sur le public. Il permet de comprendre intimement, \u00e0 partir de ses fondements, les d\u00e9ploiements de l’esth\u00e9tique occidentale.<\/p>\n

\"\"<\/p>\n<\/div>\n

\n

PRESSE<\/h3>\n

La pens\u00e9e antique du beau, telle que ce beau livre l’orchestre avec \u00e9rudition, sans p\u00e9danterie, accessible et exigeant, devrait encore parler \u00e0 tous ceux qui ont soin du monde.
\n\u00c9tudes – Juin 2011<\/em><\/p>\n<\/div>\n

\n

BIOGRAPHIES CONTRIBUTEURS<\/h3>\n

Giovanni Lombardo<\/h4>\n

Giovanni Lombardo enseigne l’Esth\u00e9tique \u00e0 l’universit\u00e9 de Messine (Italie). Il a traduit en italien le trait\u00e9 Du Style de D\u00e9m\u00e9trios (Palerme, 1999) et le trait\u00e9 Du Sublime de Longin (Palerme, 2007), a publi\u00e9 Hypsegoria. Studi sulla retorica del sublime (Mod\u00e8ne, 1988), L’Estetica antica (Bologne, 2002), La Pietra di Eraclea. Tre saggi sulla poetica antica (Macerata, 2006), et La Traduzione della poesia. Stud\u00ee e prove (Rome, 2009).<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PR\u00c9SENTATION   L’esth\u00e9tique en tant que discipline philosophique n’appara\u00eet qu’au XVIIIe\u00a0si\u00e8cle. Mais longtemps avant l’invention d’un terme sp\u00e9cifique, les questions esth\u00e9tiques commenc\u00e8rent \u00e0 \u00eatre pos\u00e9es par les Grecs puis par les Romains. Dans la Gr\u00e8ce ancienne, la d\u00e9couverte de la beaut\u00e9 fut la cons\u00e9quence imm\u00e9diate de l’intuition de l’univers. Aux yeux des Grecs, l’univers se […]<\/p>\n","protected":false},"author":1,"featured_media":10007,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10004","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nEsth\u00e9tique Antique - Orazio Puglisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oraziopuglisi.art\/index.php\/esthetique-antique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Esth\u00e9tique Antique - Orazio Puglisi\" \/>\n<meta property=\"og:description\" content=\"PR\u00c9SENTATION   L’esth\u00e9tique en tant que discipline philosophique n’appara\u00eet qu’au XVIIIe\u00a0si\u00e8cle. Mais longtemps avant l’invention d’un terme sp\u00e9cifique, les questions esth\u00e9tiques commenc\u00e8rent \u00e0 \u00eatre pos\u00e9es par les Grecs puis par les Romains. Dans la Gr\u00e8ce ancienne, la d\u00e9couverte de la beaut\u00e9 fut la cons\u00e9quence imm\u00e9diate de l’intuition de l’univers. 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